The Principle Gallery, Tablinum Cultural Management and William Holman Gallery Wishing Fine Art Happy Holidays, I am sharing with you

Buon Natale - Merry Christmas - Joyeux Noël!

Il nostro destino più vero è essere trasformati dall’Amore. Buon Natale!

Lo staff di Tablinum Cultural Management ringrazia tutti gli artisti, gli scrittori, i colleghi e tutti gli utenti che, a vario titolo, hanno contribuito a rendere questo 2016 ricco di importanti traguardi. Arrivederci al 2017 con nuovi grandi progetti ancora insieme! Our true destiny is to be transformed by Love. Merry Christmas!   Tablinum Cultural Management would like to thank all the artists, writers, colleagues and everyone who, in different ways, have contributed to make this 2016 full of important milestones. Goodbye to 2017 with new projects still together! Share Tweet

Merry Christmas and Happy New Year from William Holman Gallery! We will be opening the 2017 season on January 12, 2017 with a Group Showfeaturing works of Liene Bosquê, Sally Tittmann, Peter Bonner, Tom Judd,  Michael Davis, Anthony Brownbill and Ewerdt Hilgemann.   Rebecca Bird, Sour Grapes, 2015, oil on canvas, 72 x 72 inches Founded in 2012, the William Holman Gallery exhibits an international array of contemporary artists working in painting, drawing, sculpture, new media and installation. The roster emphasizes extensive educational training, and a life-long dedication to their artistic craft. Chip Holman and Virginia Ciccone William Holman Gallery 360 Riverside Drive, Apt. 8A New York. NY 10025  #fineartmagazine

William Holman Gallery, Opening Jan8-Feb13

Winter Show: Works on Paper and Photography   January 8 - February 13, 2016 NOTE: Opening Reception :: Wednesday, January 13, 6 - 8 pm.         is pleased to announce a winter group exhibition by current gallery artists and two new exhibiting artists. The exhibition will focus on a selection of current work on paper, Plexi and photography. Working in all drawing media we welcome you to view our artists in the exhibition through February 13, 2016.  Sakhaiefar, F. Where Are you From?, 2015, Photo Collage, 10 x 13 in.        Bird, R. Falls, 2014, Watercolor on Paper, 17 x 21 in. Bird, R. Falls, 2014, Watercolor on Paper, 17 x 21 in. Morales, E, Traced of Memory, 2015, Mixed media on Paper, 50 x 70 cm. William Holman Gallery                          Subways: 65 Ludlow Street                                       F/M or J/M/Z to Essex/ Delancey New York, NY 10002                                 B/D to Grand Street 212.475.1500  #fineartmagazine

Catch William Holman Gallery, Rebecca Bird's SYMMETRY Wednesday, September 16, from 6 to 8pm Exhibition on view from September 9 - October 10, 2015

Rebecca Bird: SYMMETRY    Opening Reception: Wednesday, September 16, from 6 to 8pm   Exhibition on view from September 9  -  October 10, 2015   William Holman Gallery | 65 Ludlow Street | New York | www.wholmangallery.com

Rebecca Bird, Helix, 2015, marbling, acrylic and oil on canvas, 50 x 30 inches

NEW YORK, August 11, 2015 -William Holman Gallery is pleased to present a second major exhibition of Rebecca Bird's new paintings and watercolors which explore the aesthetic ideal of symmetry in abstract forms, landscapes, floating geographies and waterscapes.  The works in Symmetry challenge our visual understanding of landscape and space as images that impose rationality (North is up) and subjectivity (foreground/background) on nature.  Bird has twisted the visual language of the landscape using 'double' and 'mirror' images to evoke mystical imagery and scenes from memory, cultural traces of Niagara Falls, and vast imaginary floating islands. The remarkable realism of her draughtsmanship renders many of the works as readable 'places' but they are also unsettling, surreal and reveal traces of anxiety.  The viewer becomes completely engaged in composition and detail - but is never completely secure about where she 'stands' in relationship to the work.

Rebecca Bird, Descent, 2015, Oil on Canvas, 72 x 72 inches

Descent, (72 x 72 inches) is an exquisite and surreal landscape painting in which hundreds of gaudily colored discarded shoes spill over the dusty walls of a crumbing Egyptian building in a composition based on Rembrandt's Descent from the Cross.  The sumptuary painting of the shoes suggests the brief life of consumer goods, while the indistinct urban setting suggests the obscure final destination of discarded products.  The missing half of the story appears in Sour Grapes, 2015; a New York storefront full of plastic fruit, packaging and display William Holman Gallery                           Subways:  65 Ludlow Street                                      F/M or J/M/Z to Essex/ Delancey New York, NY 10002                                B/D to Grand Street 212.475.1500 #fineartmagazine