Showing posts with label paul d'agostino. Show all posts
Showing posts with label paul d'agostino. Show all posts

Friday, April 6, 2012

The Brodmann Areas: a new ballet from Norte Maar


 
Apr 12-14 at 7:30pm
Apr 15 at 2pm
 
Center for Performance Research
361 Manhattan Avenue, Brooklyn
 
Directions: L Train to Graham Avenue (3rd stop in Brooklyn). Exit right out of turnstile, Left down Graham Avenue, Left on Jackson Street, Right on Manhattan Avenue
 

produced by Jason Andrew
directed and choreographed by Julia K. Gleich
musical direction by Ryan Francis
décor and costumes by Tamara Gonzales
with collaborating artists:
Paul D’Agostino
Lawrence Swan
Audra Wolowiec
Margo Wolowiec

and others
 
danced by Dylan Crossman, Michelle Buckley, Jace Coronado, Morgan McEwen, and Abbey Roesner
_______________
The Brodmann Areas is a new ballet that dives literally head first into the gaps and synapses that define the 52 areas designating the regions of the cerebral cortex of the brain. Read More=>

Wednesday, February 1, 2012

Paul D'Agostino: Appearance Adrift in the Garden


Norte Maar is pleased to present Paul D’Agostino: Appearance Adrift in the Garden. This is the first one-person exhibition of the artist’s work and will feature new prints and collages in which color, time, and subject fade into and feed off of one another. New prints by Leslie Kerby and works on paper by Kai Vierstra will be featuring in the project room. The exhibition opens with a reception for the artists on February 3 from 6-9pm and will continue through March 4. The gallery at Norte Maar is open weekends 1-6pm and by appointment. For more information call 646-361-8512.

Paul D’Agostino is an artist who translates, severs, layers, wipes out and remakes images. His semantic abilities and linguistic fluidity are matched only by the variations in materials the artist uses to make work--work that is infused with an adrenaline, an intellectual rigor and a clarity that has made this artist an important one to watch. In this one-person show, the artist’s first, D’Agostino presents, along with new collage work, two recent sets of serialized monoprints in which image and repetition battle for recognition on a surface steadied by one’s ability to source a story and make sense in circumstance.

A new publication of writings by D’Agostino, printed as a literal and metaphorical appendage to the artwork and titled Bodies, Voids and a Tale of Seas, will accompany the exhibit. It features poetry in several languages, with translations provided, as well as a short story, AnchorsREAD MORE =>