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Wednesday, June 27, 2012
Staten Island Museum Juried Art Exhibition 2012
Thursday, June 21, 2012
STEAMPUNKINETICS at the AFA Gallery
WHAT | Exhibition & sale of more than forty kinetic sculptures inspired by and entrenched in the Steampunk aesthetic
WHERE | AFA, 54 Greene Street @ Broome Map
PREVIEW | June 21st, during the SoHo Arts Walk
EXHIBITION | June 23rd - September 2nd, 2012
RECEPTION | June 23rd, 2012
MORE INFO | Bruce Rosenbaum at 781.856.1445
GALLERY HOURS |
Monday-Saturday, 10- 7pm and Sunday, 11- 6pm (Summer Saturdays til 8pm) / 212.226.7374
Wednesday, June 20, 2012
"A chaos theory"
B erndnaut Smilde, "Nimbus II", 2012. Cloud in the room. Lambda print, 75 × 112 cm. Hotel MariaKapel, Hoorn. Image courtesy of Cassander Eeftinck Schattenkerk
By prayer spread
"A chaos theory", Bari - June 18, 2012
The exhibition "chaos theory" defines, through the intervention of four artists, a system of forces and connections in which signs, architecture and visual geometries sound contribute to the production of an immersive environment, a total work in of a dynamic system.
Artists
Daniela Corbascio ( www.danielacorbascio.com )
Louis Giandonato
Berndnaut Smilde ( www.berndnaut.nl )
Zimoun ( www.zimoun.ch )
Paint: Room Murat - Bari, Piazza Ferrarese Monday, June 18 at 17:30
Opening: 10-13 / 18-19 Tuesday to Sunday (closed Monday)
Press: It's LIQUID ( www.itsliquid.com )
The exhibition draws up a formula for aesthetic-visual interaction between content and structural principles. The nature of the work relates the basic terms of painting and sculpture balances chaotic, energetic tensions, relationship between space and perception, between surface and structure. Through a rigorous and systematic, "A chaos theory" analyzes the continuity between static and motion between entropy and mass production, between order and turmoil, with reference to recent surveys of cybernetics on the links between mind and machine, between the organic and the electrical, between the skin and the real world.
"The four artists in the exhibition have been called to discuss the interpretation of chaos. Corbascio Danielaworks in the chaos of his childhood reminiscences, recovering the material, wood, worked in the procession of time, within which stands a bright spot, his personal order in the chaos of memory. poised installation that would escape the confines of space, just as he did with time, and take refuge in the disorder. The artist draws from the past to revive in the present and, why not, in the future takes and puts in place, system, he adds, removes and empties, to give the viewer the opportunity to fill the space with its own memory.
Louis Giandonato breaks into white order of Murat room with three large paintings at the sight of which the visitor stays at the same time fascinated and dumbfounded. Signs confused, do not give a pause to the incessant white canvas, overwhelmed by endless colors and shapes through which Giandonato draws his world (order) chaotic it hostile to the untrained eye. At first glance the paintings appear to be a "skein" difficult to unravel, however, approaching, in particular, one can find a geometric order and mental. The paintings communicate with the installations to which we turn in a dialogue in which the viewer is
Louis Giandonato breaks into white order of Murat room with three large paintings at the sight of which the visitor stays at the same time fascinated and dumbfounded. Signs confused, do not give a pause to the incessant white canvas, overwhelmed by endless colors and shapes through which Giandonato draws his world (order) chaotic it hostile to the untrained eye. At first glance the paintings appear to be a "skein" difficult to unravel, however, approaching, in particular, one can find a geometric order and mental. The paintings communicate with the installations to which we turn in a dialogue in which the viewer is
inserted and forced to take part.
To create further confusion we think the young Dutch artist Berdnault Smilde and Swiss Zimoun. The first is in contrast to the majesty and the field works and Corbascio Giandonato, presenting a work that not only is the total dematerialization of the art but of nature itself. Create a cloud in indoor ephemeral representation of what could be more than just the concept art of today. Perhaps it is this great truth to upset the viewer, confusing the mind and the few certainties about art that had accrued up to that point. E 'for excellence that chaos reigns nell'idrometeora consists of minute particles of water and ice crystals suspended in the atmosphere that make the work for only 10 seconds.
The exhibition closes with an impressive work of the Swiss Zimoun. A wall stands 5 meters to define this chaotic space so neatly, so linear and "clean" you acknowledge that little room with Murat. A modular wall, really lightweight, made of cardboard boxes on which they move without order and without rest 250 scooters. Artmicamente, in a chaos of sound that accompanies the other continuous, quiet, works on display. "Maria Fausta Bolettieri, curator.
To create further confusion we think the young Dutch artist Berdnault Smilde and Swiss Zimoun. The first is in contrast to the majesty and the field works and Corbascio Giandonato, presenting a work that not only is the total dematerialization of the art but of nature itself. Create a cloud in indoor ephemeral representation of what could be more than just the concept art of today. Perhaps it is this great truth to upset the viewer, confusing the mind and the few certainties about art that had accrued up to that point. E 'for excellence that chaos reigns nell'idrometeora consists of minute particles of water and ice crystals suspended in the atmosphere that make the work for only 10 seconds.
The exhibition closes with an impressive work of the Swiss Zimoun. A wall stands 5 meters to define this chaotic space so neatly, so linear and "clean" you acknowledge that little room with Murat. A modular wall, really lightweight, made of cardboard boxes on which they move without order and without rest 250 scooters. Artmicamente, in a chaos of sound that accompanies the other continuous, quiet, works on display. "Maria Fausta Bolettieri, curator.
The works
Daniela Corbascio intervenes in the environment by providing a powerful modular wood, and repeatedly ordered arrangement of linear forms, placed in a precarious and unstable equilibrium. Louis Giandonatoprovides analysis of the linguistic sign and large monochrome canvases in opposition to the iron sculptures, large lattice cages that hold intangible items. Berndnaut Smilde operates a total dematerialisation of physical and visual elements: the exhibition space will host the indoor cloud, a cloud floating in the room Murat. Zimouncloses the scene through the intervention of sound installation that generates vibrations and chaotic noise produced by hundreds of motorbikes waving steel cables, it disrupts the mass production and mechanical control system.
info. +39.3393906592 | info@entropiearte.it
Press
It's LIQUID Group c / o Luca Curci Architects
Corso Vittorio Emanuele II, 33 - 70122 Bari (Italy)
+39.0805234018 | +39.3387574098
info@itsliquid.com | www.itsliquid.com
Corso Vittorio Emanuele II, 33 - 70122 Bari (Italy)
+39.0805234018 | +39.3387574098
info@itsliquid.com | www.itsliquid.com
Tuesday, June 19, 2012
Online LIVE Auction June 20th, 2012
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Call to Artists - Applications for Fountain Art Fair Miami & New York
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Four Solos at the Skylight Gallery
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Joe Pimentel is one of the many outstanding artists from the Hudson Valley carving a path in the NY Art Scene. A native of the area, Pimentel was born in White Plains, NY and raised in Newburgh, NY. He received his BFA in Illustration from Parsons School of Design 2005 in NYC. His work pushes past the confines of strictly representational painting, into a detailed world of transformed abstractions in an attempt to tap into a visionary art that explores themes such as evolution, higher consciousness, spirituality, and expansion.
Monday, June 18, 2012
Call to Artists - Cottonwood Art Festival
Cottonwood Art Festival
There's An Art to Having Fun!
Call to Artists
What: Fine Arts Festival
Where: Richardson, Texas
When: Saturday and Sunday
Oct 6-7, 2012
10 am - 6 pm
NOTEWORTHY:
*Bi-annual event in May and October
*Ranked among the nation's top art festivals every year
*240 participating artists
*Jury/Booth Fees - $30/$425
*Free Parking
*Night security and uniformed police officers during the show
*Friday Night Artist Party
*Boothsitters
*Boy Scouts on site to help unload and load
*Thursday night load in for local artists
*Strong community support
Click HERE to watch our video: What Artists Say About Cottonwood!
Cottonwood
Art Festival takes place in Richardson, Texas, an affluent suburb just
seconds from Dallas. This event is held in a beautiful, shady park
setting. It's professionally run by very attentive staff/volunteers who
pay attention to artists' needs and treat the artists with southern
hospitality. Strong community support, loyal patrons, educated
collectors and acquisitive art lovers make for large crowds and one of
the finest art festivals in the country.
Now Accepting Applications:
Deadline:
June 22, 2012
Notification:
July 2, 2012
Payment Deadline:
July 20, 2012
Must apply at www.zapplication.org
For more Information:
You may also contact:
Serri Ayers
Festival Director
Call to Artists - ArtFest Fort Myers 2013
ArtFest Fort Myers 2013
Southwest Florida's Premier Art Festival
Call to Artists
WHAT: 13th Annual Juried Fine Art Festival
WHEN: February 2 - 3, 2013
Saturday & Sunday
9 a.m. - 5 p.m.
WHERE: Downtown Fort Myers Riverfront, Fort Myers, FL
NOTEWORTHY:
- 200 participating artists.
- Jury/Booth Fee: $35/$385 - Double booths available $770 - Numerous corner booths also offered at no extra cost.
- Award winning marketing program valued at $150,000 creating 5 million impressions targeting art buying patrons.
- Active social media year-round to engage art patrons.
- $5,000 in award money plus "invited status" for following year.
- Commemorative poster and t-shirt image selected from a festival artist.
- Opportunity to advertise in festival publications.
- Option to participate in Friday Night Opening Party (60 artists).
- Artist amenities including drive up access for Friday set up, booth sitters, complimentary breakfast, indoor restrooms, behind booth storage, designated artist parking & discounted hotel rates.
- Professional jury panel of five changes each year, creating a show with approximately 90% new artists annually.
- For additional details, visit www.ArtFestFortMyers.com
Each
February, over 65,000 art lovers and collectors attend ArtFest Fort
Myers to enjoy and purchase the work of 200 fabulous artists from across
the country. Our downtown riverfront park and yacht basin are the
perfect backdrop as artists booths line the wide boulevard, without the
interference of food, sponsors or loud music. New and cutting edge art
combines with more traditional work to create an amazing outdoor selling
gallery, with no dead end artist spaces allowed! A true community
event, our team of professional staff, with exceptional attention to
detail, and 300 dedicated volunteers focus on a successful weekend for
you. Apply now and make ArtFest Fort Myers a part of your Florida winter
season!
NOW ACCEPTING APPLICATIONS:
Application deadline:
September 13, 2012 on www.zapplication.org
Jury:
October 5, 2012
Notification:of Acceptance:
October 19, 2012
Booth Fees Due:
November 1, 2012
Email inquiries to:
Jeanne.Seehaver@
Or call 239-768-3602
Marc Chagall - Nassau County Museum of Art
Marc Chagall
Museum Galleries To Become a Treasure House of
Chagall’s Works, Including First Local Showing of
1957 Bible Series of Hand-Colored Etchings
July 21—November 4, 2012
Museum Galleries To Become a Treasure House of
Chagall’s Works, Including First Local Showing of
1957 Bible Series of Hand-Colored Etchings
July 21—November 4, 2012
“If we had nothing of Chagall but his Bible, he would be for us a great modern artist."
Art Historian Meyer Schapiro [Columbia University]
“The Bible is life, an echo of nature, and this is the secret I have endeavored to transmit."
Marc Chagall
Art Historian Meyer Schapiro [Columbia University]
“The Bible is life, an echo of nature, and this is the secret I have endeavored to transmit."
Marc Chagall
Two years ago, Ambassador Arnold Saltzman, the founding president and current executive vice president of Nassau County Museum of Art, proposed a highly ambitious undertaking—an exhibition that would make the museum’s galleries a treasure house of works by Marc Chagall. The museum’s former director, Constance Schwartz, was enlisted to organize an extraordinary exhibition of Chagall’s work, more extensive than any other previously seen in this area, and including paintings being shown to the Long Island public for the first time. Saltzman and Schwartz reached out for important loans from the many collectors, galleries and museums that they had established relationships with over the years. These efforts have resulted in Marc Chagall, a major exhibition that features significant paintings and a large selection from Chagall’s series of 105 hand-colored etchings of Bible stories that he produced in 1957. These etchings have never before been seen on Long Island. Marc Chagall, opening at Nassau County Museum of Art on July 21, 2012 and remaining on view through November 4, 2012, is supported by the Saltzman Family Foundation and The David Berg Foundation.
The works selected for the exhibition demonstrate how Chagall, throughout a long and distinguished career, incorporated facets of his early Russian-Jewish heritage into multilayered works. Chagall’s storytelling paintings portray a fantastic pictorial world where heaven and earth seem to meet, and couples are always in love. It’s a world where people and animals—cows, goats, donkeys, horses and birds—float upside down or sideways, irrespective of the laws of gravity. Chagall’s hypersensitive imagination is palpable as he shares with the viewer his memories of family in brilliantly colored works set amidst the houses and streets of his native Vitebsk.
The Bible etchings on view in Marc Chagall are on loan from the Haggerty Art Museum of Marquette University in Milwaukee. Chagall’s biographer, Franz Meyer, wrote: “Chagall’s ties with the Bible are very deep indeed; the forms that people its world are a part of his own inner life, part of the living Jewish heritage, and thus are archetypes of a greater, more intensive world.” In Marc Chagall—The Graphic Works, Meyer speculates that the significance of the Bible in Chagall’s work was rooted in his early childhood experiences in Russia.
Marc Chagall (1887-1985) was the eldest of nine children born to a poor Russian-Jewish family in the village of Vitebsk. His artistic talent was evident early with a distinctive style of images from childhood emerging during his studies with Leon Bakst in St. Petersburg. Working in Paris from 1910 to 1914, Chagall began to produce paintings inspired by Russian folklore and village life. During World War I, Chagall returned to Russia, ascending to the post of Commissar for Fine Arts in Vitebsk. It was there that he produced works that were to become his most famous—images in strong, bright colors depicting otherworldly states that fused fantasy, nostalgia and religion. He returned to France permanently after World War I, save for the years of the Nazi occupation when he fled to the safety of New York and its environs.
The museum is offering several exhibition-related programs to enhance understanding and enjoyment of the Chagall exhibition. Artists of the 20th Century: Marc Chagall is a 50-minute film screening daily from July 21 through November 4; the film explores Chagall’s Russian-Jewish roots. Lunchtime lectures on the exhibition will be offered on August 23, September 20 and October 25, On October 6, Director Emerita and Guest Curator Constance Schwartz discusses the exhibition; she will be joined by art collector Ambassador Arnold A. Saltzman, the museum’s founding president. On September 15 a Klezmer Band presents a concert of the spirited music heard at Jewish weddings and celebrations in the Russia of Chagall’s youth. Art historian and author Charles A. Riley II, Ph.D. returns to the museum on October 13 with a talk about Chagall’s artwork for the performing arts, especially opera and dance. Children’s programs in connection with the Chagall exhibition include Friday morning readings of Eastern European folklore on July 27, August 3 and August 10, followed by a family-friendly exhibition tour and supervised art activities. Show Us Your Collections! on August 18 will encourage youngsters to share their prized possessions and create new art with a variety of materials. Discover Chagall’s Childhood World on October 20 features a real petting zoo to echo the animal characters seen in Chagall’s paintings of his native Village of Vitebsk; children will be guided in creating pastel representations of their own neighborhoods. Log onto nassaumuseum.org/events for details on these and other programs at the museum.
Nassau County Museum of Art, governed by a privately elected Board of Trustees, is chartered and accredited by New York State as a not-for-profit, private educational institution. The museum’s programs and exhibitions are made possible through the support of Nassau County under County Executive Edward P. Mangano and the Nassau County Legislature, as well as memberships, admissions, special events, private and corporate donations, as well as government and foundation grants.
Educational programs at the museum are made possible through the generosity of The New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the DeWitt Wallace Fund for Youth - a donor-advised fund at the Long Island Community Foundation, Bank of America, David Lerner and Associates, and Nassau County Museum of Art Ball and Benefactors Dinner. Additional generous educational support is provided by Capital One Bank, Milton & Sally Avery Foundation, North Shore Autism Circle, The Ridenour Endowment Fund, and TD Bank Foundation.
Nassau County Museum of Art is located at One Museum Drive in Roslyn Harbor, just off Northern Boulevard, Route 25A, two traffic lights west of Glen Cove Road. The museum is open Tuesday-Sunday, 11 a.m.-4:45 p.m. Docent-led tours of the exhibition are offered at 2 p.m. each day; tours of the mansion are offered each Saturday at 1 p.m.; meet in the lobby, no reservations needed. Tours are free with museum admission. Family art activities and family tours are offered Sundays from 1 pm; free with museum admission. Call (516) 484-9338, ext. 12 to inquire about group tours. Admission is $10 for adults, $8 for seniors (62 and above) and $4 for students and children (4 to12). Members are admitted free. There is a $2 parking fee on weekends (members, free). The Museum Store is open Tuesday through Sunday, 11 a.m. to 4:30 p.m. Call (516) 484-9337 for current exhibitions, events, days/times and directions or log onto nassaumuseum.org.
Call to Artists - Bonita Springs National Art Festivals
Center of the Arts of Bonita Springs
presents:
Bonita Springs National Art Festivals
presents:
Bonita Springs National Art Festivals
Call to Artists
WHAT: 3 Fine Art and Fine Craft Events
WHERE: Promenade at Bonita Bay, Bonita Springs, Florida
WHEN: Saturday and Sunday
January 12-13, 2013
February 9-10, 2013
March 9-10, 2013
NOTEWORTHY:
*3 separately juried events. Artists may participate in one, two or three events.
*Long history of excellent sales.
*Each show limited to 211 juried fine artists and craft persons.
*Jury/Booth Fees ($30/$400); a few larger spaces available at extra cost.
*Cash Awards.
*Friday setup and drive up to your space to unload.
*Artist amenities.
*For more details about the shows, click HERE
These highly regarded festivals offer artists the opportunity to present their fine art and fine craft in a high traffic area during the busiest time of the winter season. Bonita Springs, adjacent to Naples is populated by upper-income residents. Quality of the work exhibited attracts knowledgeable art lovers and buyers. These festivals have all the characteristics for success: location, venue, audience and ambiance and are consistently top-ranked among all outdoor shows nationwide!
Click HERE to watch a video about
Bonita Springs National Art Festivals!
NOW ACCEPTING APPLICATIONS:
Deadlines:
January Festival: September 1, 2012
February Festival: October 1, 2012
March Festival: November 1, 2012
For more details, artist's prospectus, entry form and festival layout map, visit:
http://artinusa.com/bonita/
Email inquiries to:
artfest@artinusa.com
You may also contact:
Barry Witt
239-992-1213
For additional information about the Center for the Arts of Bonita Springs:
http://www.artcenterbonita.
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