Aliza Nisenbaum To Create Large-Scale Works During Three-Month Residency at the Minneapolis Institute of Art
Residency Will Culminate in Nisenbaum’s First Solo Museum Exhibition This Fall
“MOIA’s NYC Woman’s Cabinet” 2016. Aliza Nisenbaum. Oil on linen, 85 x 68 inches.
Residency Will Culminate in Nisenbaum’s First Solo Museum Exhibition This Fall
“MOIA’s NYC Woman’s Cabinet” 2016. Aliza Nisenbaum. Oil on linen, 85 x 68 inches.
This summer, the Minneapolis Institute of Art (Mia) will host acclaimed New York City-based painter Aliza Nisenbaum as its artist-in-residence. Nisenbaum, whose work probes the politics of representation by bringing often-marginalized immigrant communities to the fore in life-sized portraits, will live and work in Minneapolis May 24–August 25, 2017. During her residency, she will invite members of local communities—including the city’s Phillips and Whittier neighborhoods, which have large, diverse immigrant populations—to her portrait studio adjacent to the museum. Nisenbaum will create three large-scale group portraits to be displayed in Mia’s galleries this fall; it will be the artist’s first solo museum exhibition.
Born in Mexico City, and currently an assistant professor at Columbia University School of the Arts, Aliza Nisenbaum has dedicated her practice to creating intimate, vividly colored oil-on-canvas portraits of undocumented immigrants in the New York City area. Through her artistic process, Nisenbaum seeks to transform the traditional artist-sitter relationship; her lengthy portrait sessions allow her to deeply engage with the people and communities she paints to explore the ethical experiences of exchange, engage in new means for human connection, and shed light on immigrant groups too often left in the shadows.
“Minneapolis is a city brimming with an incredible wealth of cultures and communities,” said Nisenbaum. “I’m thrilled to partner with Mia to discover this diverse place, and to get to know the individuals, families, and groups that make it so. Face-to-face interactions and relationships are at the core of my practice, and I look forward to creating work that brings different people into solidarity with each other. It’s more than the issue of immigration; it’s about healing, attention to one another, care, and giving a voice to those who need it.”
Nisenbaum’s portrait studio will be housed in a brownstone provided by Mia. The dedicated time and space will enable the artist to investigate the social and civic relationships that exist between the less visible populations around the museum and the institution itself. Mia will document Nisenbaum’s process through photographs and video, which will be presented alongside the finished works in the upcoming exhibition. Additional details about the exhibition will be announced in the coming months.
“At Mia, we are committed to celebrating and strengthening the many communities that make up our audiences, and continually expanding and deepening our relationships with those around us,” said Gabriel Ritter, Mia’s curator of contemporary art. “Aliza’s artistic practice aims to empower those who are underrepresented or traditionally underserved by cultural institutions such as ours through painting. Her residency and subsequent exhibition seek to build meaningful relationships between artist and sitter, as well as Mia and its neighbors, to address these gaps and work toward a more honest representation of the neighboring Phillips and Whittier communities.”
Born in Mexico City, and currently an assistant professor at Columbia University School of the Arts, Aliza Nisenbaum has dedicated her practice to creating intimate, vividly colored oil-on-canvas portraits of undocumented immigrants in the New York City area. Through her artistic process, Nisenbaum seeks to transform the traditional artist-sitter relationship; her lengthy portrait sessions allow her to deeply engage with the people and communities she paints to explore the ethical experiences of exchange, engage in new means for human connection, and shed light on immigrant groups too often left in the shadows.
“Minneapolis is a city brimming with an incredible wealth of cultures and communities,” said Nisenbaum. “I’m thrilled to partner with Mia to discover this diverse place, and to get to know the individuals, families, and groups that make it so. Face-to-face interactions and relationships are at the core of my practice, and I look forward to creating work that brings different people into solidarity with each other. It’s more than the issue of immigration; it’s about healing, attention to one another, care, and giving a voice to those who need it.”
Nisenbaum’s portrait studio will be housed in a brownstone provided by Mia. The dedicated time and space will enable the artist to investigate the social and civic relationships that exist between the less visible populations around the museum and the institution itself. Mia will document Nisenbaum’s process through photographs and video, which will be presented alongside the finished works in the upcoming exhibition. Additional details about the exhibition will be announced in the coming months.
“At Mia, we are committed to celebrating and strengthening the many communities that make up our audiences, and continually expanding and deepening our relationships with those around us,” said Gabriel Ritter, Mia’s curator of contemporary art. “Aliza’s artistic practice aims to empower those who are underrepresented or traditionally underserved by cultural institutions such as ours through painting. Her residency and subsequent exhibition seek to build meaningful relationships between artist and sitter, as well as Mia and its neighbors, to address these gaps and work toward a more honest representation of the neighboring Phillips and Whittier communities.”
Museum Hours
Tuesday, Wednesday, Saturday 10am–5pm
Thursday, Friday 10am–9pm
Sunday 11am–5pm
Monday Closed
For more information, call + 1 612 870 3000 or visit artsmia.org.
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