CHRIS BRACEY,I've looked up to heaven and been down to hell
CHRIS BRACEY IʼVE LOOKED UP TO HEAVEN AND BEEN DOWN TO HELL
12 April – 25 May 2013 Private View on Thursday 11th April 6 – 8pm by invitation only
Scream is proud to present London-based light artist Chris Braceyʼs first UK solo exhibition. Chris Bracey has worked with neon and lights for over thirty years and has acquired a vast fan base including commissions from high-profile clients such as David LaChapelle, Stella McCartney, Martin Creed and Vivienne Westwood. Bracey has also provided dramatic installations for films such as Kubrickʼs Eyes Wide Shut, Burtonʼs Charlie and the Chocolate Factory and the Batman films. Many of his works are self-produced neons, referencing popular culture and iconic imagery, from the streets of Soho, tattoo culture, evocative statements and a lexicon of retro texts and references. Bracey also salvages old lights from fairgrounds, film props and vintage signs to re-work and re-generate them into contemporary pop sculptures that luminate and conjure a sense of wonder, nostalgia and glamour.
Braceyʼs father was a neon sign-maker, predominantly for fairgrounds and amusement arcades, and Chris learnt how to manufacture and design the neon signs at an early age. Inspired by the vibrancy and kitsch character of the Soho area in London during the 1970s, Bracey was confident that his designs for the signs would bring a fresh sense of glamour and intrigue to the area. The work went from strength to strength with every Soho club owner wanting Braceyʼs magic touch to revitalize their venues. During this time Bracey was approached by art director Chris Townsend who introduced him to the world of film and this gave Bracey the autonomy to expand the possibilities of what could be done with neon. Bracey comments, “Like any work of art, itʼs got spirit. Neon is only happy when itʼs on, when itʼs alive”.
Having shown extensively in the US and with a focus on commercial projects for the last few years, this exhibition brings together a selection of new works specifically dealing with themes of heaven and hell – a metaphor for Braceyʼs diverse biographical journey. These themes bring together the highlights of Braceyʼs practice and transform the gallery into the realms of heaven, with free-standing Angel and Jesus sculptures, suspended wings and star constellations; and hell with his trademark Soho sex, tattoo and rock ʻnʼ roll iconography such as “Hot Burning Love”.
Braceyʼs entrance into the London art world will be dramatically evident as you approach the gallery, with a site-specific window installation of a dagger smashing through the window into a neon heart. Bracey provides an immersive experience for the viewer where he playfully creates a sense of theatricality and implicitly raises questions about morality, spirituality and their role in society.