Summertime fun. Catch Brooklyn Street Art Today!!

BSA Images Of The Week: 06.09.19 Editorz, 09 Jun 12:02 AM Jeez, that only took 50 years. “Stonewall Riot Apology: Police Actions Were ‘Wrong,’ Commissioner Admits”, cooed the New York Times this week. Of course the NYT headline at the time focused on how the helmeted, armed police were affected, rather than the couple of hundred citizens who they harrassed, intimidated and beat up for being

San Diego Festival of the arts, Catch it today!!!

Starts Today! June 8-9 10am-6pm Booth D511 click logo for more information...      Click here for 50% off!! TICKETS  enter the code word ARTIST   Dellorco will be exhibiting this spectacular new piece,  "Andante"   (40"x30") Be one of the first to have the opportunity to acquire the original or order a limited edition.    Dellorco Fine Art 818-889-7003 1218A S. Westlake Blvd. Westlake Village, CA 91361  sales@dellorcofineart.com We accept all major credit cards. Ask about our interest free, 6 month payment program.   to view art: www.dellorcofineart.com #finenartmagazine

KIRA DOMINGUEZ HULTGREN Upcoming & Current Exhibitions June, 2019 at the Eleanor Harwood Gallery

KIRA DOMINGUEZ HULTGREN  Upcoming & Current Exhibitions  June, 2019 Kira Dominguez Hultgren CAPTCHA: Maiden Name VhQf3Y, 2019 Hoop, thread/yarn  (metallic, cotton, acrylic, wool),  needle, net  30 x 22 x 10 inches She has done it! Kira has officially completed her MA in Visual Critical Studies and her MFA in Fine Arts from California College of the Arts. Amidst all of those long hours writing papers, Kira still had time for her studio practice! Her work will be included in "My Mother's Maiden Name" at Root Division in San Francisco, "Stitching and Weaving in the Digital Age" at CURRENTS 268 in Santa Fe, and a solo show next year at the San Jose Museum of Quilts. She also has graciously accepted the Graduate Fellowship at the Headlands Center for the Arts. Weave with Kira during her first open studios at the Headlands on July 12th, 12 - 5PM. Last but not least, Kira will have a solo exhibition here at the gallery in January, 2020.  Scroll down to find out more information about what Kira is up to! Visit Artsy for the best way to see her works and pricing info.  View our Website for more information on the artists and to view our previous shows Be in touch with inquiries and questions. All the best, Eleanor Harwood & Chloe Ghillani  +1 415 867 7770 #fineartmagazine

In Basel? Catch the MadeIn Gallery in LISTE 2019 June 10 – June 16, 2019 Booth 0/7/3

MadeIn Gallery in LISTE 2019 June 10 – June 16, 2019 Booth 0/7/3 Burgweg 15 4058 Basel Schweiz

Miao Ying

MadeIn Gallery is pleased to present in LISTE 2019 Miao Ying's artwork series "Hardcore Digital Detox" (HDD) commissioned by M+ Museum (HK) and "Chinternet Plus" commissioned by New Museum (New York) created between 2016 to 2018. About Hardcore Digital Detox" (HDD) www.hardcoredigitaldetox.com is a strategic brand and concept website commissioned by Hong Kong’s M+ Museum. The series revolves around the artist's concept brand "Hardcore Digital Detox" (HDD), showcased in the form of VR devices, video, oil paintings and sculptures, all derived from HDD concept strategy website. It appears that people need to escape the control of technology more than ever. The popular "data detox", a process that restricts the usage of electronic networking devices such as smartphones and computers, has been touted as a new form of health maintenance in the information age. The concept brand "HDD (Hardcore Digital Detox)" is inspired by the lifestyle branding constantly generated in the post-material society. Those brands market their products by selling specific lifestyles. In this exhibition, Miao also adopts such an approach to distribute strategic lifestyle advice to the audience. The hardcore of HDD is the suggestion of a new, crude method of "fighting fire with fire" data detoxification to achieve unexpected therapeutic effects.

Miao Ying, Behind HDD Spiritual Essentials, 2018, C-print on dibond, wood frame, steel seal of the brand, 61 x 61 cm MadeIn Gallery  106, 2879 Longteng Avenue, Xuhui District, 200232 Shanghai #fineartmagazine

Catch the Foley Gallery for summer fun

Let a Thousand Flowers Bloom       Love at First Sight.    2007, a one-night-only group exhibition at some upper floor architectural firm in DUMBO.  Thomas Allen was asked to be in the group show.  Having had the gallery for less than 3 years, I was excited to attend.  It was a quick visit...Tom wasn't there and I had a series of events that night.  And then I saw it, perched above some books on a long wall.   1000 Flowers Bloomed & A Black Leather Jacket.   55 inches high, 98 in length.  Cut paper is a personal passion and this was just exquisite.  But who was Casey Ruble?  No one seemed to know.  Frustrated, I left for the subway platform, but not before I saw this group of people outside, having cigarettes, talking art, leathered up...Casey among them.   Do You Wanna Do a Show Together?   Conversation, studio visit, conversation.  This all led to our first exhibition together, Except in Struggle.  For whatever reason, the piece I loved in DUMBO was not in our show.  But we sold it.  Twice.  It lives in Maryland now, quite content.   Present Tense   I am on my fourth exhibition with Casey.  The current, Red Summer, is up until June 23rd.  This group of 47 paintings was completed as part of a Smithsonian Artist Research Fellowship.  Which brings me to why I love Casey.  It's the time I know she takes to work with the details, both in content and craft.  And she is just so lovely to work with!  And did I mention...there is a "limited to 100 copies" catalog to the exhibition with brilliant essays by Casey and Arlene Keizer available here?  Well, there is.   What Happened in 1919?!?   The exhibition looks at the bloody year of 1919 on its centennial anniversary.  1919 marked the deadliest period of white-on-black violence in U.S. history, with over thirty race riots — most started by white mobs — breaking out across the nation. The bloodshed led civil-rights activist James Weldon Johnson to dub the period the “Red Summer.”     Smithsonian Connection     1919 was also when the Smithsonian Institution began planning its National Portrait Gallery, whose mission has been to “acquire and display portraits of men and women who have made significant contributions to the history, development, and culture of the people of the United States.” Yet all of the subjects in the museum’s works from 1919 are white, and the few with any connection to the racial tensions of the time came down on the wrong side of that history.   Who is Casey? Casey Ruble received her BA from Smith College in 1995 and her MFA from Hunter College in 2002. She is an Artist in Residence at Fordham University, where she teaches painting and drawing and curates exhibitions for the university galleries. Her work has been shown nationally and abroad, and she has been the recipient of grants and fellowships from the New Jersey State Council on the Arts (2019, 2013), the Warhol Foundation through a residency at PARSEnola (2017), the Smithsonian Institution (2016), and the New Jersey State Council for the Humanities (2015). She resides in New Jersey in a village overlooking the Delaware River.   The Details   Open this weekend!   Red Summer is on view through June 23rd, 2019. Foley Gallery is open Wednesday through Saturday, 11 – 5:30pm and Sunday from 12-5pm. To request images; please contact the gallery at info@foleygallery.com.   Walter Hampden (I), 12 x 12 inches, carbon ink on paper - Michael's favorite   #fineartmagazine

Morgan Lehman Gallery , Woven Walls June 6-July 19th

Woven Walls Paolo Arao Carly Glovinski Crystal Gregory Elana Herzog Tamara Kostianovsky June 6 - July 19 Opening Reception: Thursday, June 6, 6 - 8 pm Carly Glovinski, Day Off (detail), laser cut paper, 96 x 40 inches, 2018 Morgan Lehman is very pleased to present Woven Walls, a summer group exhibition featuring five artists whose unique practices mine the historical, material, and imagistic possibilities of textiles. The artworks on display occupy a range of formats including painting, sculpture, and installation, and utilize notions of the textile as both a source of inspiration and a generative tool for expanding the vocabulary of contemporary art. Here, dyed fabric is deployed like paint and becomes a means to channel color; patterns provide a framework for abstract compositional strategies; discarded garments become the building blocks of three-dimensional structures; weaving serves as a process of construction and material transformation; and the sociopolitical weight of the textile tradition initiates a conversation about human labor, sexual politics, and freedom. Paolo Arao received his BFA from Virginia Commonwealth University. Solo exhibitions include Western Exhibitions (Chicago, IL); Franklin Artworks (Minneapolis, MN); Jeff Bailey Gallery (NYC); and Barney Savage Gallery (NYC). Residencies include Skowhegan School of Painting and Sculpture, The Studios at MASS MoCA, Millay Colony, Vermont Studio Center, NARS Foundation, LES Printshop Keyholder Residency,  Wassaic Artist Residency, BRIC Workspace Residency and the Fire Island Artist Residency. Arao is a recipient of a New York Foundation for the Arts Fellowship in Drawing and his work has been featured in New American Paintings, Maake Magazine and Esopus. The artist has a forthcoming solo exhibition at Bridge Productions in Seattle. Carly Glovinski received her BFA from Boston University. She has been awarded residencies at the Studios at MASS MoCA, Teton ArtLab, and the Vermont Studio Center. Recent solo exhibitions include Morgan Lehman Gallery (NYC); Colby Museum of Art (Waterville, ME); and IMoCA (Indianapolis, IN). Group exhibitions include the deCordova Museum and Sculpture Park (Lincoln, MA); Center for Maine Contemporary Art; Boston Center for the Arts; Portland Museum of Art (Portland, ME); Museum of Contemporary Art (Jacksonville, FL); Utah Museum of Contemporary Art; and Visual Arts Center of New Jersey. The artist lives and works in Dover, New Hampshire. Crystal Gregory received her BFA from the University of Oregon and her MFA from The School of the Art Institute of Chicago. In 2013 she was awarded The Leonore Annenberg Fellowship for the Performing and Visual Arts. Gregory's work has been shown at the Rockwell Museum of Art (Corning, NY); Dorsky Gallery Curatorial Projects (Queens, NY); Hunterdon Art Museum (Clinton, NJ); and Black and White Project Space (Brooklyn, NY). Her work has been reviewed in publications including Surface Design Journal, Art Critical, and Peripheral Vision Press. Gregory is an Assistant Professor within the School of Arts and Visual Studies at the University of Kentucky. Elana Herzog received her BA from Bennington College and an MFA from Alfred University. She has had solo and two person exhibitions at venues including the Sharjah Art Museum (United Arab Emirates); The Boiler (Brooklyn, NY); Western Exhibitions (Chicago, IL); Aldrich Museum of Contemporary Art (Ridgefield, CT); Smack Mellon (Brooklyn, NY); Herbert F. Johnson Museum at Cornell University (Ithaca, NY); and Daum Museum of Contemporary Art (Sedalia, MO). Herzog is the recipient of awards and fellowships including a Guggenheim Foundation Fellowship, Anonymous Was A Woman Award, Louis Comfort Tiffany Award, NYFA Fellowships, Lillian Elliot Award, Lambent Fund Fellowship, and Joan Mitchell Award, and residencies at the MacDowell Colony, the Josef and Anni Albers Foundation, Marie Walsh Sharpe Space Program, LMCC Workspace, Dieu Donne Paper Mill, Wave Hill, among others. Tamara Kostianovsky received her BFA from the National School of Fine Arts in Buenos Aires, Argentina, and an MFA from the Pennsylvania Academy of the Fine Arts. She has exhibited at venues such as El Museo del Barrio (NYC); Jewish Museum (NYC); Nevada Museum of Art; and has received distinguished awards including a Guggenheim Fellowship and grants from New York Foundation for the Arts and from the Pollock-Krasner Foundation. Her work has been reviewed in the New York Times, Boston Globe, Village Voice, Marie Claire, La Repubblica, El Diario New York, Colossal, and Hyperallergic, among others. Residencies include Wave Hill Gardens, LMCC, Socrates Sculpture Park, and Franconia Sculpture Park. Click here for a preview of works in the exhibition. Morgan Lehman Gallery 526 West 26th Street, 4th Floor New York, NY 10011 Exhibition hours: Wednesday - Saturday 11am - 6pm (through June 29) gallery closed week of July 4 Tuesday - Friday 11am - 6pm (beginning July 7) #fineartmagazine

This looks like fun to me. Catch this interesting Exhibition at the Tarq Gallery on line or stop by if your in Mumbai June 6th.

OSMOSIS   |   JUNE AT TARQ   | Curated by Shaleen Wadhwana | PREVIEW: THURSDAY, 06TH June 2019 | 6:30 PM – 9:30 PM  Rithika Merchant | Samanta Batra Mehta | Savia Mahajan Exhibition conitinues till Saturday, 10th August 2019   The team at TARQ is thrilled to present Osmosis—a group exhibition of artists Rithika Merchant, Samanta Batra Mehta, and Savia Mahajan, curated by Shaleen Wadhwana. The exhibition, which is a result of months of conversations between the artists and the curator, works with the ideas and the knowledge of the symbiotic universal truths of life, death, distance and belonging. JUNE EVENTS AT TARQ   06/June: Osmosis Preview 08/June: Walk-Through with Shaleen and Rithika Merchant | To Register Click Here 13/June: Art Night Thursday 22/June: Film Screening 29/June: Letter Writing Workshop for Children   For more about the exhibition click here

#fineartmagazine