Saturday, January 31, 2026

The January update for. the Conservation Center at Chicago Calendar listings





It’s been a chilly January in Chicago, and we’re excited to share three new projects that have been keeping us busy!


First up: Gary Fencik’s Super Bowl–winning commemorative Lombardi trophies are getting the star treatment. Every detail is cleaned, stabilized, and polished, making these icons of football history shine brighter than ever. Next, a 19th-century ledger is being given a new lease on life: after its fragile pages and delicate binding were carefully preserved, it’s time to digitize the piece for future reference and research while the original remains safely stored away. Finally, a vibrant Edward J. Holslag landscape takes center stage, as conservation treatment brings to light a relic of Chicago’s Gilded Age.


Scroll down to see our latest projects in action.


Facebook icon
Instagram icon
Website icon



Plan you Trip ahead to the city of Minneapolis, Minnesota's New Walkers Art Center Center New design terminal opens October1 7 , 2026.

In the midst of this winters political. upset and cold a bright spot for art,and dialogue stand out: An  impressive lineup for The Art Walker Center, October 17, 2026. 


Walker Art Center
 
Media News
 

Walker Art Center Announces Title, Dates, and Complete Participant List
For Its New Design Triennial
 

Triennial to Feature 26 Designers and Collectives from More than 10 Countries,
Capturing the Pulse of Today’s Design Innovations and Conversations

October 17, 2026–February 14, 2027

Objects of Common Interest, Tube Lights, Courtesy the artist.
 
MINNEAPOLIS, January 29, 2025—On October 17, 2026, the Walker Art Center will open Walker Design Triennial: Beyond Materialism, the first iteration of its new design triennial created to explore the narratives, philosophies, and innovations that have and continue to define the realm of design. Curated by architect, curator, and editor Joseph Grima, in close collaboration with Asli Altay, the Walker’s Head of Design, Communication & Content, Walker Design Triennial: Beyond Materialism explores the fundamental shift taking place within design toward considerations of the mind, psyche, and spirit. While prior generations of designers have emphasized the functional needs of the body and daily activity, today’s practitioners seek to also embrace more existential human needs and questions as we confront broader social challenges and opportunities. Walker Design Triennial: Beyond Materialism features some of the historical contexts for this dynamic shift and highlights the work of some of today’s most captivating designers and collectives from across the globe. The triennial will remain on view though February 14, 2027.
 
“Since its emergence as a distinct field in the Industrial Revolutions of the 18th and 19th centuries, design has been propelled by a sense of higher purpose. Today, we are witnessing an incredible depth of creativity and imagination as contemporary designers freshly push beyond mass production, function, and traditional notions of access to grapple with significant questions about environmental degradation, community-building, social and political justice, the rapidity of technological advancement, and the meaning and experience of spirituality and transcendence. Walker Design Triennial: Beyond Materialism explores these questions through the work of more than two dozen global designers, who are advancing the changing nature and growing significance of design,” said Grima.
 
The triennial opens by tracing important historical precursors for contemporary design’s engagement with spirituality, cultural and social ritual, and the creation of new futures. This section includes the philosophies and works of the Shakers as well as design icons Buckminster Fuller and Alessandro Mendini. The triennial, then, unfurls across three major galleries with works by contemporary practitioners representing more than 10 countries, including Austria, Belgium, Denmark, Greece, Italy, Nigeria, South Korea, Spain, Taiwan, the United Kingdom, and United States. Of the group, seven are presenting in the U.S. for the first time, including Espace AygoStef FusaniShao-Chun HsuJonghoo JeongMaximilian MarchesaniMoon Seop Seo, and Christoph Wimmer Ruelland, and five are creating new work, including two major commissions by Navine G. Dossos + James Bridle and Lucas Muñoz Muñoz.
 
The complete list of the 26 designers and collectives featured in Walker Design Triennial: Beyond Materialism follows below, with those creating new works denoted with a *.
 
 
Anna Aagaard Jensen (Denmark)
Ananas Ananas* (US/Mexico)
Astronauts* (Greece)
Germane Barnes (US)
Michael Bennett (US)
Navine G. Dossos + James Bridle* (Greece)
Nathalie Du Pasquier (Italy/France)
Buckminster Fuller (US)
Espace Aygo (Belgium)
Stef Fusani* (Italy/Spain)
Theaster Gates (US)
Shao-Chun Hsu (Taiwan/Netherlands)
Jonghoo Jeong (South Korea/Netherlands)
Kostas Lambridis (Greece)
Maximilian Marchesani (Italy)
Nifemi Marcus-Bello (Nigeria)
Alessandro Mendini (Italy)
Lucas Muñoz Muñoz* (Spain)
Objects of Common Interest (Greece/US)
Kevin Quale (US)
Moon Seop Seo (South Korea)
The Shakers (US)
Ettore Sottsass Jr. (Italy)
Superflux (UK)
Christoph Wimmer Ruelland (Austria)
WKND Lab (South Korea)
 
“Joseph and I are thrilled to work with such an incredible cadre of global designers, who represent some of the most exciting and innovative work emerging in the field. I am very much looking forward to engaging audiences with the depth and range of works in the triennial, which span widely in concept, material, and technical approach, and think visitors, whether new or familiar with the subject, will be inspired, moved, and even surprised with the possibilities that design affords us,” said Altay. “Walker Design Triennial: Beyond Materialism is also such an important moment for the Walker as we expand on our institution’s longstanding commitment to design and continue our history of giving artists and designers from across the world opportunities to present in the United States.”
 
More details about specific themes, featured works—including the commissions—and accompanying public programming will be shared throughout 2026.
 

About Design at the Walker
The Walker’s design history can be traced to its earliest days as a public art center, when its first director, Daniel Defenbacher, an architect by training, initiated several groundbreaking projects about modern design. This included the installation of Idea Houses I and II (1941, 1947), which featured the latest innovations in domestic architectural, product, and interior design. The Idea Houses were further augmented by The Everyday Art Gallery, which opened in 1946. Curated by Hilde Reiss, the Gallery offered ambitious exhibitions on design—that also served to bridge the more accessible products of modern living and the less familiar world of modern art. Since those first presentations, the Walker has organized dozens of exhibitions exploring the work of visionary architects and designers. It has also been a leading voice in the development of printed materials and digital resources, exploring new formal and aesthetic approaches to exhibition catalogs, books, and online platforms.
 
In fall 2023, the Walker launched Idea House 3, a new physical and digital retail platform that brought unique design objects, furniture pieces, and essential texts on design actively into museum context. The emphasis on craftsmanship, singularity of vision, and scholarship inherent in Idea House 3 serves as the foundation for the design triennial, creating another pathway for visitors to connect with contemporary collectible design.
 

Curatorial Team:
Joseph Grima, Architect, Curator, and Founder of Space Caviar with Asli Altay, Head of Design, Communication & Content; Hanna Babyna, Design Programming Administrator, Design and Editorial; and Laurel Rand-Lewis, Curatorial Fellow, Visual Arts, Walker Art Center​.
 

About Joseph Grima
Joseph Grima is an architect and curator based in Milan, Italy. He is the founder of Space Caviar, an architecture and research studio working at the intersection of design, technology, critical theory, and the public realm. Through built projects, publications, exhibitions, and films, Space Caviar’s work has been widely presented at institutions such as the Venice Architecture Biennale, Vitra Design Museum, Victoria & Albert Museum. He is also the cofounder of Alcova, an independent platform for forward-looking design held yearly during Milan Design Week and Miami Art Week.
 
Grima was previously editor-in-chief of Domus magazine and director of Storefront for Art and Architecture in New York. He co-curated the inaugural Chicago Architecture Biennial in 2014 and co-directed the first Istanbul Design Biennial in 2012. He has curated exhibitions for major cultural institutions, served on international juries—including the 2010 Venice Architecture Biennale—and taught at the AA in London and Strelka in Moscow. He also previously served as Chief Curator of Design at Triennale di Milano, where he oversaw exhibitions and research exploring contemporary design’s impact on society. From 2017 to 2025, he served as Creative Director of Design Academy Eindhoven, shaping the institution’s progressive approach to design education.
 

About Asli Altay
Asli Altay is the Head of Design, Communication & Content at the Walker and serves as the artistic director of the triennial. Previously, she was a creative director at Apple and the founding director of Future Anecdotes, a leading design studio in Istanbul. Altay has collaborated with various art institutions and museums, contributing to significant projects such as the İstanbul Design Biennial, a touring exhibition on Soviet Architecture, and the Van Abbe Museum's permanent collection. She has also taught design courses at Bilgi. With a keen interest in building narratives through design, Altay works on diverse projects that encompass branding, communication strategies, and publishing.
 

About the Walker Art Center
The Walker Art Center is a renowned multidisciplinary arts institution that presents, collects, and supports the creation of groundbreaking work across the visual and performing arts, moving image, and design. Guided by the belief that art has the power to bring joy and solace and the ability to unite people through dialogue and shared experiences, the Walker engages communities through a dynamic array of exhibitions, performances, events, and initiatives. Its multiacre campus includes 65,000 sq. ft. of exhibition space, the state-of-the-art McGuire Theater and Walker Cinema, and ample green space that connects with the adjoining Minneapolis Sculpture Garden. The Garden, a partnership with the Minneapolis Park & Recreation Board, is one of the first urban sculpture parks of its kind in the United States and home to the beloved Twin Cities landmark Spoonbridge and Cherry by Claes Oldenburg and Coosje van Bruggen. Recognized for its ambitious program and growing collection of more than 16,000 works, the Walker embraces emerging art forms and amplifies the work of artists from the Twin Cities and from across the country and the globe. Its broad spectrum of offerings makes it a lively and welcoming hub for artistic expression, creative innovation, and community connection.
#walkerartcenter#sunstormfineartmagazine#sunstormfineart,agazine.com



Friday, January 30, 2026

The American Littoral Society UpComing Events! Take a look. to see what you like.Cumberland County Winter Eagle Festival Mauricetown, NJ February 7, 7am - 4pm

Hi All My FineArt Magazine Blog readers.I love the beauty found in our enviornment.Take a look and see what's happening The Cumberland County Eagle fest looks great, as do all of the programmes offered!!! Have a great day enjoying what in your back yards!!!Jamie Forbes, Publisher. 

Catch the Fantastic work. by Petrit Halilaj, Seen Below. The Diriyah Contemporary Art Biennale 2026, In Interludes and Transitions, Opens at the JAX District in Saudi Arabia


Hi All MY FineArt Magazine Blog readers The, image below is possibly the most creative work I have seen in many years. I think if you can make it to the Diriyah Contemporary Art Biennale 2026 should be worth the trip!!!!  Jamie Forbes,  publisher,

The Diriyah Contemporary Art Biennale 2026, In Interludes and Transitions, Opens at the JAX District in Saudi Arabia
  • The third edition of the Diriyah Contemporary Art Biennale opened to the public on January 30, 2026, and will run through May 2, 2026
     
  • The Biennale, titled “في الحِلّ والترحال” / In Interludes and Transitions, is led by Co-Artistic Directors Nora Razian and Sabih Ahmed
     
  • The Biennale features the work of more than 65 artists representing more than 37 nations, and includes more than 25 new commissions
Petrit Halilaj, Very volcanic over this green feather at the 2026 Diriyah Contemporary Art Biennale. Photo by Alessandro Brasile, courtesy of the Diriyah Biennale Foundation.

Diriyah, Saudi Arabia, January 30, 2026

The third edition of the Diriyah Contemporary Art Biennale, titled “في الحِلّ والترحال” / In Interludes and Transitions, opened its doors to the public on January 30, 2026, and runs through May 2. Organized by the Diriyah Biennale Foundation, the Biennale takes place at JAX, Diriyah’s creative district, close to the UNESCO World Heritage Site At-Turaif. 

Led by Co-Artistic Directors Nora Razian and Sabih Ahmed, In Interludes and Transitions is conceived as a choreography in which histories, ancestors, and migrations move together through song, stories, dance, and whirlwinds. It unfolds through various movements inspired by the flows, migrations, and transformations that have long connected the Arab region with the world. The 2026 edition features the work of 68 artists representing more than 37 nations, and includes more than 25 new commissions. 

The exhibition scenography, created by design studio Formafantasma, reimagines the JAX creative district’s industrial architecture as a weightless arrangement of color and form. The design guides visitors through a flowing composition of shifting planes and curved passages in a continuous, immersive movement across 12,900 square meters of exhibition halls, courtyards, and terraces.

The 2026 edition of the Biennale foregrounds musicality as a way of probing the essential role oral and aural modes of knowledge transfer have played in transmitting social histories in the Arab region and beyond. This is exemplified through a specially commissioned procession by Saudi artist Mohammed Alhamdan (7amdan), titled Folding the Tents (2026), which moves through the Wadi Hanifah valley and the JAX District, concluding with a performance by the musical group Miniawy Trio. In the performance, supported by Lexus, the multidisciplinary artist explores the notion of the procession, its transformation, and the inventiveness of an ancient practice in the age of electric, electronic, and digital culture, weaving pertinent connections between gestures of the past and practices of today.

Aya Al-Bakree, CEO of the Diriyah Biennale Foundation: “It gives me great pleasure to welcome audiences from near and far to the Diriyah Contemporary Art Biennale 2026. The 2026 edition marks the foundation’s fifth biennale since its inception five years ago, and documents a remarkable breadth of artistic practices from across regions and disciplines, and it speaks to an exciting moment in artistic activity around the world, with more centers of work and thinking gaining greater visibility. We are grateful for the continued opportunity to platform artists, drive cultural exchange, and invest in our community. That this exhibition is taking place at JAX District, our home in Diriyah, demonstrates our role as a convener and incubator of creativity in Saudi Arabia and far beyond.”

Nora Razian and Sabih Ahmed, Co-Artistic Directors of the Diriyah Contemporary Art Biennale 2026: “With the opening of In Interludes and Transitions, we invite audiences to move through and with the biennale, and experience a range of artworks, ideas, and propositions that speak to our world today – a world in flux, in movement, in constant procession, and to share in an invocation of the world shaped not by fixity, but by itinerancy; not by single points of origins, but by overlapping vectors of routes, rhythms, and relations.”

:For more information and images
Download Press Kit

NOTES TO EDITORS

CURATORIAL TEAM
The Diriyah Contemporary Art Biennale 2026 is led by Co-Artistic Directors Nora Razian, Deputy Director and Head of Exhibitions and Programmes at Art Jameel in Jeddah and Dubai; and Sabih Ahmed, a curator, cultural theorist, and educator serving as Projects Advisor at the Ishara Art Foundation in Dubai. They are joined by a team of international curators: Maan Abu Taleb, May Makki, Kabelo Malatsie, and Lantian Xie. The Milan-based architect Sammy Zarka has been appointed as Associate Architect and Exhibition Designer to collaborate closely with the curatorial team.

FULL ARTIST LIST
Pacita Abad, Pio Abad, Rand Abdul Jabbar, Abdullah Miniawy Trio, Etel Adnan, Yussef Agbo-Ola [Olaniyi Studio], Leen Ajlan, Ahaad Alamoudi, Elyas Alavi, Afra Al Dhaheri, Shadia Alem, Mohammad Al-Ghamdi, Mohammed Alhamdan (7amdan), Nouf Al-Harthi, Ramy Alqthami, Abdullah Al Saadi, Ruba Al-Sweel, Lulua Alyahya, Ismaïl Bahri, Taysir Batniji, Dineo Seshee Bopape (Raisibe), Raven Chacon, Ayman Yousry Daydban, Nolan Oswald Dennis, Rohini Devasher, Merve Ertufan, Ivana Franke, Rahima Gambo, Eric Gyamfi, Samia Halaby, Petrit Halilaj, Hazem Harb, Aziz Hazara, Ho Rui An, Alana Hunt, Kamala Ibrahim Ishag, Amaka Jaji, Kayfa ta, Yazan Khalili, Moshekwa Langa, Daniel Lind-Ramos, George Mahashe, Guadalupe Maravilla, Naminapu Maymuru-White, Théo Mercier, Nour Mobarak, Mochu, Nancy Mounir, Hussein Nassereddine, Daniel Otero Torres, Thảo Nguyên Phan, Gala Porras-Kim, Sarker Protick, Abdelkarim Qassem, Raqs Media Collective, K.P. Reji, Faisal Samra, Oscar Santillán, Amina Saoudi Aït Khay, Bogosi Sekhukhuni, Karan Shrestha, Elias Sime, Trương Công Tùng, Rajesh Chaitya Vangad, Wolff Architects, Agustina Woodgate, Müge Yılmaz, and Yu Ji.

ABOUT THE DIRIYAH BIENNALE FOUNDATION
Inspired by the changes taking place in Saudi Arabia and the heritage site of Diriyah, and chaired by H.H. Prince Badr bin Abdullah bin Farhan Al Saud, the Diriyah Biennale Foundation (DBF) assumes a critical role in nurturing creative expression and instilling an appreciation for culture and the arts and their transformative potential. The Foundation aspires to be a catalyst for lifelong learning and serves Saudi Arabia’s communities by offering opportunities to engage with the burgeoning local art scene. Central to the Foundation’s mandate is to stage two recurring world-class Biennales of contemporary and Islamic arts, year-round interactive educational programs, and overseeing the activation of JAX, a creative district with industrial heritage in Diriyah. At this historic moment of evolution and growth in Saudi Arabia, DBF’s Biennales showcase some of the world’s leading artists, drive cultural exchange between the Kingdom and international communities, promote dialog and understanding, and further establish Saudi Arabia as an important cultural center. 

#dirayhabiennalefoundation#sunstormfineartmagazine#sunstormfineartmagazine.com