Friday, April 19, 2024

Main State : Nathan Allard Chosen As 2024 Allagash Wilderness Waterway Visiting Artist

DACF News Release


Nathan Allard Chosen As 2024 Allagash Wilderness Waterway Visiting Artist

Augusta—The Allagash Wilderness Waterway (AWW) proudly announces Somerville, Maine-based artist Nathan Allard as the Visiting Artist for 2024. Renowned for his works in egg tempera and watercolor, Allard brings a unique blend of traditional techniques and contemporary vision to capture the essence of nature.

Nathan Allard

Since his formative years, Nathan Allard has been enamored with drawing and painting. His journey into the world of fine arts took a pivotal turn when he encountered Botticelli's masterwork, "The Birth of Venus," during high school. Intrigued by the qualities of egg tempera, Allard embarked on a quest to master this ancient medium, drawing inspiration from the likes of Andrew Wyeth and Winslow Homer.

Allard's artistic process is deeply intertwined with nature, reflecting his profound appreciation for the natural world. He meticulously crafts his brushes from organic materials and hand-grinds pigments sourced from the landscapes he portrays.

During his August 2024 two-week residency at Lock Dam on the AWW, Nathan Allard will immerse himself in the wilderness's untamed beauty, capturing its moods in sketches, watercolors, and egg tempera paintings. His creations will serve as a timeless homage to the Allagash's magnetism.

Learn more about Nathan Allard by visiting www.nathanallardartist.com. Read more about the AWW Visiting Artist Program at https://www.maine.gov/allagash

Nathan Allard - Daybreak

"Daybreak," by Nathan Allard (Courtesy of the artist)

Nathan Allard portrait by Elizabeth Hershey Photography

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Media contact: Jim Britt

Thursday, April 18, 2024

Gerald Peters Gallery, Logan Maxwell Hagege Flowers Will Grow, April 18, opes today NYC


#geraldpertersgallery#fineartmagazie#fineartfun

Patti Oleon's Opening Reception: Saturday, April 20th, 5–7pm Lowell Ryan Projects



Wednesday, April 17, 2024

Smith College of Art, exhibits exhibition A Beacon to the World: Art from the Sylvia Smith Lewis ’74 and Byron E. Lewis Sr. Collection from February 23 to September 22, 2024.

Smith College if Art Exhibition unveils works of Black artists donated by Sylvia Smith Lewis ’74 and Byron E. Lewis Sr.


Northampton, MA April 16, 2024 – Smith College Museum of Art (SCMA) presents the exhibition A Beacon to the World: Art from the Sylvia Smith Lewis ’74 and Byron E. Lewis Sr. Collection from February 23 to September 22, 2024. A Beacon to the World showcases the generous donation of artwork to SCMA by the Lewis family. Visitors can view more than twenty works by Richmond Barthé, Romare Bearden, Betty Blayton-Taylor, Fred Brown and Richard J. Watson. This exhibition was supported by the Suzannah J. Fabing Programs Fund.


Sylvia Smith Lewis ’74 and Byron E. Lewis Sr. are prominent collectors of and advocates for Black artists. “I chose to donate our art to Smith because the campus museum has done tremendous reparative work, as have other major museums, to include African American, Caribbean and African art, which is our primary collection,” says Smith alumna Sylvia Smith Lewis ’74. She adds “When all is said and done about African Americans and our complicated history, it will be our art that will bring about understanding and positive change.”


The Lewises’ remarkable collection grew alongside their long-standing personal connections with and promotion of Black artists. At times when these artists could not find representation in the art market, Byron opened the walls of his corporate offices as a de facto gallery where artists could display their work and bring in potential buyers. Currently on display at SCMA is a portrait, Byron Lewis, by Fred Brown, whose works are widely displayed in museums such as the Smithsonian’s National Museum of American Art and the Metropolitan Museum of Art.


Sylvia Smith Lewis ’74 is an independent art consultant, collector and archivist specializing in public art and 20th-century American art, especially work by African American artists. She is the founder and CEO of Narrative Network, which amplifies the art and voices of diverse women and communities through publishing and events. She also serves as director of the New York Auntyland Film Festival, which highlights short films by diverse women, especially filmmakers over the age of 50.


Byron Lewis was dubbed “The Original Black Media King” in a 2021 profile in the New York Times. He founded and ran the pioneering advertising firm UniWorld, which championed multicultural advertising and promoted the interests of Black and Latino/Latinx consumers, creating campaigns for clients such as Mars Inc., Metro-Goldwyn-Mayer, AT&T, Stax Records, Avon and many others. His office materials and business archives are on display in the American Enterprise exhibition at the Smithsonian’s National Museum of American History.


“Smith is deeply grateful to Sylvia and Byron Lewis for this remarkable gift,” says Smith College president Sarah Willie-LeBreton. “The museum of art is among the college’s most valued resources for teaching, for research and for the enjoyment of our students, faculty and staff, as well as the surrounding community. Its collection is both broad and deep. The gift of these works adds yet more strength in an area that the museum is dedicated to expanding. Smith welcomes visitors from all over the world to see the Lewis Collection. It has been a pleasure and an honor for me personally to get to know Sylvia and to share her joy in the work of these great artists.”


Jessica Nicoll, director and chief curator of SCMA, notes, “The Smith College Museum of Art is committed to diversifying its collection, with particular attention to acquiring work by artists of color in all periods and media. This transformative gift from Sylvia and Byron Lewis both deepens and expands SCMA’s representation of work by artists of African descent. Valuably, it also tells the story of visionary and activist collectors.”


Beverly Morgan-Welch ’74, senior deputy director of external affairs for the Museum of Modern Art in New York, serves on both the Smith College Board of Trustees and the SCMA Visiting Committee. She also is a fellow member of Smith’s class of 1974, along with Sylvia Lewis. Morgan-Welch says, “At this time, cultural institutions are seeking to include women and BIPOC [Black, Indigenous, and People of Color] artists in their collections and exhibitions. Sylvia, always an advocate for Smith and Black artists, has stepped forward to help elevate these artists and SCMA’s collection. She is strategic and generous beyond measure by gifting to Smith the spectacular collection she and Byron have lovingly built over their lives. In choosing Smith as the repository for these works, she has affirmed the college’s dedication to the recognition of these artists . . . ensuring that generations of Smith students, faculty and visitors will be exposed to their work, to learn and be inspired.”


“I am a proud member of the class of 1974, the largest class of Black women in Smith's history,” Sylvia said. “We improved Smith through diversity and campus activism.” She and fellow leaders were instrumental in founding the Africana Studies program, the Black Student Alliance and the Emergency Fund for Students of Color. Sylvia has hosted numerous Smith College alumnae gatherings at her home in New York City, including a celebration of Meridians, Smith’s peer-reviewed journal of feminism, race and transnationalism.


The timing of the exhibition A Beacon to the World will allow Sylvia and her classmates to view these works during their 50th Reunion at Smith College this spring.



O O O O


ABOUT SCMA



As a teaching museum affiliated with Smith College, SCMA is dedicated to connecting people to art, ideas and each other by engaging people with firsthand experiences of art, artists and museum practice; collecting, researching, presenting and preserving an expansive collection of art in the service of learning, teaching and critical dialogue; and by fostering an inclusive and accessible environment that welcomes diverse perspectives and inspires imagination.


SCMA and the Museum Shop are open to the public year-round Tuesday–Sunday, 11 a.m. to 4 p.m. In SCMA’s galleries and classrooms, visitors experience a world-class collection of art spanning ancient times to the present and encompassing the arts of Africa, the Americas, Asia and Europe. The Cunningham Center for the Study of Prints, Drawings, and Photographs houses and hosts the study of a comprehensive collection of works on paper. 


In November 2023, SCMA was awarded support from Art Bridges Foundation through its new “Access for All” grant initiative. Joining a generous gift from Smith College alumnae Jan Fullgraf Golann ’71 and Jane Timken ’64 that enabled the museum to eliminate all admission fees, this funding will be used to provide further access to art through a wide range of initiatives. SCMA will invest in access and audience development with extended hours, innovative programming and student outreach.


An accredited member of the American Alliance of Museums and a founding member of Museums10, a regional cultural collaboration, SCMA is also a member of the College Art Association and the New England Museum Association. For more information, visit scma.smith.edu.

 

https://scma.smith.edu/news-press



O O O O


Smith College Museum of Art

20 Elm Street at Bedford Terrace

Northampton, MA 01063

Tiffany Bradley

tbradley@smith.edu



Follow SCMA: Facebook | Instagram

#smithcollegeofar#fineartmagazie#fineartfun

During the Venice Biennalle Carole Feuerman will be exhibiting ‘Global Travellers’ at ‘In Paradiso Café & Gallery’, in front of Giardini Biennale Entrance (Castello 1260 Giardini della Biennale, 30122 )



"Carole A. Feuerman's biography presents her as a pivotal figure in the American superrealist movement. Her unique contribution to the art world marks a significant achievement in a field that often celebrates male artists. Feuerman's journey through the art world, from her early work creating 3D illustrations for famous singers to her poignant sculptures that capture human emotion and resilience, her art showcases her versatility and deep connection to her subjects. Her ability to draw inspiration from her surroundings, whether it be her childhood memories of the beach or the struggles of immigrants, speaks of her profound empathy and observational skills. Her recognition and accolades, including awards and exhibitions at prestigious venues, underline her status in the art world. Feuerman's works not only adorn various esteemed collections and public spaces but also serve as a medium through which she engages with pressing societal themes, such as migration and human endurance. In her artist statement, Feuerman articulates a deep sense of purpose in her artistry, aiming to give a voice to the voiceless and shine a light on significant human experiences. Her commitment to reflecting on human conditions, particularly through the lens of her superrealist sculptures, allows her to connect with a broad audience, offering viewers a chance to engage in a visual and emotional dialogue with her works. Through her sculptures, Feuerman not only captures the physical likeness of her subjects, but also imbues them with a narrative depth that resonates with viewers inviting them to ponder the broader human stories behind the figures"

#carolfeurmanscluptor#fineartmagazine#fineartfun

Tuesday, April 16, 2024

Marco Sassone Studio: Body of Work

 

Marco Sassone Studio: Body of Work. 


Opening reception at the Berenson Fine Art gallery on Thursday, April 18, 2024 from 6:00 pm - 9:00 pm at 198 Davenport Road in Toronto. 

The exhibition runs until May 5, 2024.

 
Featured are 16 works from various periods of the artist’s career. The inclusion of new pieces created especially for this exhibition will allow visitors to explore the artist’s powerful research into the relationship between images and reality and the connection between his personal life and our collective history.
 
Marco Sassone has enjoyed international acclaim as a painter for over forty years. He was born in Florence and today lives and works in Toronto. The most poignant and enduring of his influences can be traced back to his studies at the Academy of Fine Arts in Florence in the 1960s with painter Silvio Loffredo, himself a student of the Austrian master Oscar Kokoschka. His teachers’ agitated brushstrokes and vibrant colours appealed to Sassone, offering the artist a foundation that has remained constant throughout his career. 

In a review for Toronto Life in April 2008, David Balzer observed: “As products of Sassone’s hand, even such unsightly things as expressways and parking lots become magical, not only because they are cast in an ethereal, post-impressionistic glow, but also because the artist sees them as dynamic, muscular routes into the heart of a vibrant city.”
 
The artist’s work is deeply indebted to the history of European painting and portraiture, with a particular emphasis on the status of power, reconnecting with the archetypes of centuries-old conventions of representation. More at ease with his brushes than with theory, Marco Sassone has continued to employ the figurative style he learned in his youth in Florence. In an era of mass reproduction and the digital exploitation of imagery, his subjects express the tension between conventional forms and contemporary relevance, thus inviting interpretation in a classical as well as a modern perspective.
 
The artist's work has been included in numerous exhibitions, at the National Academy of Design, New York (1977); Los Angeles Municipal Art Gallery (1988); Berheim-Jeune, Paris (1988); Cloisters of Santa Croce, Florence (1997); Pietrasanta Museum, Pietrasanta, Italy (2003); San Angelo Museum of Fine Art, San Angelo, Texas (2014); Bata Shoe Museum, Toronto (2016); Columbus Centre, Toronto (2019). Significant among the numerous books and catalogues that have been published about Sassone’s work is the monograph "Sassone" (1979) by art historian Donelson Hoopes, one-time senior curator of American Art at the Los Angeles County Museum of Art.
 
Sassone’s autobiography, American Journey: My Life in Art was released in March 2023.

Marco Sassone was knighted into the Order of Merit of the Italian Republic by President Sandro Pertini in 1982.   

#marcosassonestudio#fineartmagazine#fineartfun


 
The show will feature 16 works from various periods of the artist’s career. The inclusion of new pieces created especially for this exhibition will allow visitors to explore the artist’s powerful research into the relationship between images and reality and the connection between his personal life and our collective history.
 
Marco Sassone has enjoyed international acclaim as a painter for over forty years. He was born in Florence and today lives and works in Toronto. The most poignant and enduring of his influences can be traced back to his studies at the Academy of Fine Arts in Florence in the 1960s with painter Silvio Loffredo, himself a student of the Austrian master Oscar Kokoschka. His teachers’ agitated brushstrokes and vibrant colours appealed to Sassone, offering the artist a foundation that has remained constant throughout his career. 

Patrick Heide Contemporary Art exhibition: Martin Assig Promise Exhibition dates: 3 April - 18 May 20



Martin Assig, Promise - Installation views at Patrick Heide Contemporary Art
Martin Assig 
Promise

Exhibition dates: 3 April - 18 May 2024 

11 Church Street, NW8 8EE, London, UK
 
 
Patrick Heide Contemporary Art
11 Church Street
London NW8 8EE, UK
+44 (0)2077245548
info@patrickheide.com
#parickheideart#fineartmagazine#finearfun