Tuesday, October 13, 2020

Andy Warhol Museum Announces New Hours.


The Andy Warhol Museum Announces New Hours

The Andy Warhol Museum will have new hours starting on Sunday, November 1, 2020. The new hours are as follows:
  • Monday, 10 a.m.–5 p.m.*
  • Tuesday, Closed
  • Wednesday, 10 a.m.–5 p.m.
  • Thursday, 10 a.m.–5 p.m.
  • Friday, 10 a.m.–10 p.m.
  • Saturday, 10 a.m.–5 p.m.
  • Sunday, 10 a.m.–5 p.m.
*Mondays, 10 a.m.–12 p.m., are reserved for those in our community who are most at risk– seniors, visitors with disabilities, or those with compromised immune systems. We ask that other visitors respect these dedicated hours.
 
For the health and safety of the community, the use of timed ticketing for all visitors, including members, will continue to be in effect. Visit warhol.org/health-and-safety for The Warhol’s health and safety protocols.
The Andy Warhol Museum
Located in Pittsburgh, Pennsylvania, the place of Andy Warhol’s birth, The Andy Warhol Museum holds the largest collection of Warhol’s artworks and archival materials and is one of the most comprehensive single-artist museums in the world. The Warhol is one of the four Carnegie Museums of Pittsburgh. Additional information about The Warhol is available at warhol.org.

The Warhol receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania; the National Endowment for the Arts, a federal agency; and The Heinz Endowments. Further support is provided by the Allegheny Regional Asset District.

Carnegie Museums of Pittsburgh
Established in 1895 by Andrew Carnegie, Carnegie Museums of Pittsburgh is a collection of four distinctive museums: Carnegie Museum of Art, Carnegie Museum of Natural History, Carnegie Science Center, and The Andy Warhol Museum. The museums reach more than 1.4 million people a year through exhibitions, educational programs, outreach activities, and special events.
        
Copyright © 2020 Carnegie Museums of Pittsburgh, All rights reserved.
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The Andy Warhol Museum
One of the four Carnegie Museums of Pittsburgh

warhol.org
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Monday, October 12, 2020

Jim Dine's 85th birthdat, exhibition, Paris,

#jimdine#fineartmagazine#fineartfun

 

Photographs: Ecotone is now part of the Cnap collection.

sweet news

Ecotone is now part
of the Cnap collection


I am super happy and honored to let you all know that these 2 pieces from Ecotone, are now part of the public collection of Cnap (Centre National des Arts Plastiques).

Cnap is one of the main operators of the French Ministry of Culture. Its mission is to support and promote contemporary art.
On behalf of the State, the Cnap acquires artworks for one of the most important French public collections, which it made available to cultural institutions in France and abroad. The collection includes more than 102,500 pieces acquired over more than two centuries from living artists.
Ecotone is one of the 83 proposals selected over 603, during the exceptional acquisition commission related to the current health crisis.



 
Find out more about CNAP's collection
Find out more about my Art

upcoming photo festival

Ecotone + InCadaques

#fineartmagazine#funart#cnap

Friday, October 9, 2020

Catch the Art Basel online Conversation with Cao Fei & Hans Ulrich Obrist October 15th, 2020

WORDS, WORKS, WORLDS
Recent works by Sophie Bouvier Ausländer 
Open Day: Saturday 10 October, 12-4pm
Please RSVP if you would like to attend.

7 October - 12 December 2020
How do you feel? / The Financial Times series (SBAFT20200302), gouache on waxed newspaper, 66 x 53 cm, 2020
Much time of Sophie Bouvier Ausländer’s past years has been dedicated to words, namely her PHD at Slade London, culminating in her doctoral thesis on the notion of tangibility, contemporary reliefs and continuous dimensions. 

The topic ties in with Bouvier’s preeminent, multi-faceted interest in our planet as a sculpture, present in all her bodies of work, and underlines the importance of understanding our world from an artistic viewpoint. Making Worlds, the title of Daniel Birnbaum’s 2006 Biennale, expressed the desire to launch a new beginning from existing parameters, a credo Bouvier very much shares. To complement her thesis at Slade, Bouvier presented a work not surprisingly entitled Ways of World Making\Self Portrait. 

A freestanding, octagonally shaped library, it consists of all the publications she read and researched to nourish her thesis. Every book has an individually created opening within a structure of connected yet moveable walls that can be experienced while navigating around it. An autobiographical sculpture, visually permeable, whose information is accessible beneath the surface, while having to dig deeper to explore its depths and mysteries. 

Bouvier Ausländer has simultaneously refined her map series, submitting her new series to comparable, and familiar, modes of digging and revealing. The series entitled Radar employs aerial maps, inspired by the gift of a collector friend. Diagonal corridors that simulate flight routes abandon the grid often prevalent in her former Avalanche series. The map’s differing function as a route map sparked visual shifts resulting in dynamic, interlacing compositions. The historical notion of navigating only “as far as you can see” chimes with current times of obscured views into the future. In her new series Bouvier reworks the surfaces vigorously, adding colour or darkening it by reheating. The outcome are deeper and varying tonalities within pulsating and more dexterous images, whose handling and flaking, extraction and revelation process consequently intensifies. In her Austerlitz series Bouvier reuses the crumbling paint parts, a sediment of the artistic process, to apply them on tissue paper and mirror the elaborated map as a fragile negative. Recently Bouvier moved from aerial to geological and topographical maps, which reveal more contrasting colour charts when worked on and exposed. Endorsing the actions of layering and erosion, Bouvier began to superimpose colour flakings of different works, rendering the “geology” of her oeuvre increasingly complex. 

Since Covid-19, Bouvier has worked on a new series entitled The Financial Times series, emulating the freer use of colour and gestures. Skin coloured papers, containing news on our global instability, are again covered, then harmed and laid bare, yet simultaneously recharged, rearranging our post-pandemic world and vision.
 
Government guidelines will be followed. 
For appointments please contact the gallery at info@patrickheide.com or +44 (0)20 7724 5548
Patrick Heide Contemporary, 11 Church St., London.
#patrickhydegallery#fineart#funart

Tuesday, September 29, 2020

Congrats!!!!The Oliver Cole Gallery opens a new location.

 

Oliver Cole Gallery

is glad to welcome you

to our new location

in the iconic Wynwood building

 
 

OLIVER COLE GALLERY

2750 NW 3rd Avenue, suite 22

Miami, FL 33127

Monday to Friday: 10 am to 5 pm

Saturday and Sunday: by appointment

+1.305.392.0179 | info@olivercolegallery.com

 
 

Get out of town for the day and catch the Woodstock Film fest/ NYWIF Saturday Oct. 3.

nywift.org

Join NYWIFT for our first drive-in films this weekend! NYWIFT is proud to co-present two double feature screenings featuring films by members at the 2020 Woodstock Film Festival.

 

Saturday, October 3rd:

Double Feature: I Carry You with Me and Stake Land

Tickets are $25 per person. One car limit per order.

Doors open at 6:00pm. First film starts at 7:00pm. Second film starts at 9:30pm.

I Carry You with Me, Academy-Award® nominee (and NYWIFT member) Heidi Ewing’s luminous, moving debut as a narrative filmmaker, follows a tender romance between Iván and Gerado, spanning decades. Starting in provincial Mexico and continuing as first Iván, then Gerardo, journey towards sharing a life together in New York City. The film, winner of two awards at the 2020 Sundance Film Festival, is an intimate love story, as well as a soulful rumination on family, sacrifice, regret, and ultimately, hope.

Ewing gracefully traces both men’s lives from childhood through the decisions that lead them into adulthood. Iván, an aspiring chef and young father, hopes to secure a spot in a restaurant kitchen while supporting his child. But the discovery of his relationship with Gerardo causes conflict and, in despair, he makes the arduous choice to cross the border into the United States, promising his son and his soulmate Gerardo that he will return.

Register

 

Sunday, October 4th:

Double Feature: What the Constitution Means to Me and The Sit In: Harry Belafonte Hosts The Tonight Show

Tickets are $25 per person. One car limit per order.

Doors open at 6:00pm. First film starts at 7:00pm. Second film starts at 9:30pm.

In 1968, Johnny Carson was king of late-night television. As host of the top-rated “Tonight Show,” he gave America mild humor and middle-of-the-road entertainment. But when Carson planned a week’s vacation, his choice of replacement host was no less than revolutionary. Black entertainer and civil rights activist Harry Belafonte was given five nights on air. Belafonte did not squander the opportunity; he booked guests calculated to change the hearts and minds of a country embroiled in racial crisis. Among them, Aretha Franklin, Sidney Poitier, Dionne Warwick, Zero Mostel, Diahann Carroll, Paul Newman, and national leaders Robert F. Kennedy and Martin Luther King. THE SIT-IN is an exhilarating documentary about a rare moment when truth and justice entered the living rooms (and bedrooms) of middle-class America.

Although three of the five TV segments are now lost, director (NYWIFT Member) Yoruba Richen pieces together the programs through archival photographs and footage, as well as contemporary interviews with historians, politicians and activists, including Whoopi Goldberg and Norman Lear. Indeed, the film captures a chaotic time in American history, drawing inescapable parallels with the Black Lives Matter movement.

Register

Thanks to our partner:

Monday, September 28, 2020

The Conservation Center Chicago, looks like fun catch a glimpse!

September at The Center
As a fall begins in Chicago, our conservators have been busier than ever in the laboratories. This month, read about the collection of the Fisher Community Center in Marshalltown, Iowa, as we highlight a Degas pastel from their collection. Then, join us as we learn about the history of the Ketubah as our Paper Department dramatically transforms a family heirloom.  Next, we plunge into Rococo-style decorative arts as our Objects Department delicately handles a damaged porcelain urn.  Click each image to learn more, then scroll down to watch a tour of The Center narrated by Heather Becker, CEO.
Enjoy a glimpse into The Center narrated by Heather Becker, CEO. 
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ABOUT THE CONSERVATION CENTER
The Conservation Center is the largest and most comprehensive private art conservation laboratory in the country. With 37 years of experience, The Center is a leader in the field of art preservation, evolving new treatments and methods to adapt to the rapidly-changing art world. We have cared for fine art from some of the country’s most prestigious private collections, museums, galleries, insurance companies, and corporations. 
Copyright © 2020 The Conservation Center, All rights reserved.

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