Saturday, September 14, 2024

THe NCGR-NYC : Friday, September 27, 2024 at 7pm (Eastern Time) The Inner Life of the Astrological MandalaPresented by Claudia Bader - NCGR-PAA Level IV Counseling Astrologer, Licensed psychoanalyst and creative arts therapist!

✨ 2024 Annual Membership Meeting ✨

 

✨ 2024 Annual Membership Meeting ✨

 

Friday, September 27, 2024 at 7pm (Eastern Time)


The Inner Life of the Astrological Mandala


Presented by Claudia Bader - NCGR-PAA  Level IV Counseling Astrologer, Licensed psychoanalyst and creative arts therapist


Each year, the New York Chapter of NCGR kicks off the new season with a presentation on topical issues in astrology and in the world and about the future. And so, we have asked Claudia Bader to share her knowledge on The Inner Life of the Astrological Mandala. 


What makes the mandala form so powerful in the human psyche and how is it key how we help/are helped through astrology. What unites astrologers , no matter our orientation? Using the prism of Jung, attachment theory, psychoanalysis and art therapy, explore our divine science through the mandala archetype.  


Join us for this Zoom event, plus a chance for Q&A between Claudia Bader and attendees!  


This event is free for members, but a donation is suggested.  

Non-member fee is $10.  

Make a donation: https://www.paypal.com/ncp/payment/M79K8M5N7729C             


Use the link below to join the Zoom meeting:

https://us02web.zoom.us/j/89049072441?pwd=XbB2nfNaDUOEKC2LmJoZv6nlUWGfWE.1

Passcode: 434731


Note: You may need to download the Zoom application.


We look forward to seeing you on the 27th!


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Website



Each year, the New York Chapter of NCGR kicks off the new season with a presentation on topical issues in astrology and in the world and about the future. And so, we have asked Claudia Bader to share her knowledge on The Inner Life of the Astrological Mandala. 

What makes the mandala form so powerful in the human psyche and how is it key how we help/are helped through astrology. What unites astrologers , no matter our orientation? Using the prism of Jung, attachment theory, psychoanalysis and art therapy, explore our divine science through the mandala archetype.  

Join us for this Zoom event, plus a chance for Q&A between Claudia Bader and attendees!  

This event is free for members, but a donation is suggested.  
Non-member fee is $10.  
Make a donation: https://www.paypal.com/ncp/payment/M79K8M5N7729C             

Use the link below to join the Zoom meeting:
https://us02web.zoom.us/j/89049072441?pwd=XbB2nfNaDUOEKC2LmJoZv6nlUWGfWE.1
Passcode: 434731

Note: You may need to download the Zoom application.

We look forward to seeing you on the 27th!

#ncgr-nyc#fineartmagazie#fineartfun 

Twitter
Facebook
Website

Thursday, September 12, 2024

Michael Stipe, Angela West, John Chiara at Jackson Gallery, Atlanta

 

Jackson Fine Art is delighted to announce our Fall 2024 exhibitions with Michael Stipe, Angela West, and John Chiara opening on Tuesday, Oct. 1 at 6 p.m. with a reception celebrating the artists. Even the birds gave pause features work of artist and former R.E.M. frontman Michael Stipe and presents a sampling of the breadth of Stipe’s creativity - photographs of family and friends, an installation of folded portraits printed on delicate rice paper, brightly painted bronze fox sculptures, and book art portraits of his muses. In Conversation is an inspired pairing of JohnChiara’s dreamy, richly colored camera obscura photographs with Angela West’s painterly mixed media works. Both West and Chiara play with reflection, light and abstraction to create deeply evocative landscapes that are less about depiction of place but rather the memory of it. Stipe, West, and Chiara each embody a contemporary sensibility that addresses memory, identity, and the evolving relationship between people and nature.
Photo of Stipe with Bronze Fox Sculpture, credit: David Belisle
Michael Stipe, Megan & Lucy (Homage to Lee Friedlander), 2020
Stipe’s exhibition, Even the birds gave pause, takes imagery from his most recent book published by Damiani of the same name as the foundation and expands from there. The artist’s continual exploration of portraiture is the show’s central theme. Stipe’s portraits reflect a variety of different approaches - candid, conceptual, and classical – but always with a poignant sensitivity to the vulnerability of his subjects. The curation of images and objects presents a view into how the artist sees and interprets the world around him. This is Stipe’s first exhibition with the gallery.
Angela West, Facing another way, where I am, 2024
West’s work reimagines her earlier series of photographs of Dahlonega, GA (the artist’s hometown) through a reorientation of format and painting layers of impressionistic brushstrokes. The interplay of the glossy photograph and texture of paint creates a wholly new experience of subject and ground, and results in fantastical compositions that blur distinction between photography and painting. 
John Chiara, Avenue of the Palms facing Coit Tower, Treasure Island, 2023
Utilizing inventive cameras he designed and built himself, Chiara shoots directly onto positive color photographic paper, leaving behind visible traces of his process. The artist was invited by the San Francisco Arts Commission in 2022 to document the redevelopment taking shape on nearby Treasure and Yerba Buena Islands, and the exhibition focuses on works from this new series. His images draw our attention to shifting elements of the landscape and tell a thoughtful, complex story about the changing urban terrain.
About Michael Stipe
Michael Stipe (American, born 1960) is an artist, producer and singer/songwriter.  He fronted the band R.E.M. for 31 years, selling over 100 million records and touring the world. As film producer he made over 25 feature films, including Spike Jonze's Being John Malkovich, Jim McKay’s En El Septimo Dia, Chris Smith’s American Movie, and Todd Haynes' Velvet Goldmine.  For the past decade his personal focus has been cross-medium work, incorporating video,soundscape, sculpture, and photographic and digital imagery.  Recent photobooks include Volume 1 (with Jonathan Berger, 2018), Our Interference Times: A Visual Record (with Douglas Coupland, 2019) a third volume of portraits (2021), and the current Even the Birds Gave Pause (2023), all released through Damiani out of Bologna, Italy.  His first institution show was at ICA Milan in December 2023.  He is currently completing his first solo album to be released this year.  Michael lives in New York City and Berlin.
About Angela West
Angela West (born 1971, Dahlonega, GA) creates series of varied photographic projects relating to her hometown and the chronology of its inhabitants. Employing the traditional academic genres of art to explore the nature and place of community, Angela West’s series include portrait studies of small-town teenage girls, landscape explorations of neighborhoods, and still life’s that represent the passing of time. In each genre, her richly realized color photographs balance affection for her subjects with precise and unsentimental observation. Angela West's photography has been exhibited at the Pinchuk Art Centre, Kieve, Ukraine, the Modern ­­­­07, Munich, Germany, the Museum of Fine Arts, Houston, Texas, and the High Museum of Art, Atlanta, Georgia. Her work is included in the collections of the High Museum of Art, Atlanta, Georgia, The Ogden Museum of Southern Art, New Orleans, Louisiana, The Hirshhorn Museum, Washington D.C. and the Sir Elton John Collection. She was the recipient of a 2009 Artadia Award. West received a BFA from University of Georgia in 1995, and an MFA from Yale University in 2000 where she was the recipient of the George Sakier Memorial Award for Excellence in Photography. She lives and works in Atlanta, GA.
About John Chiara
John Chiara (born 1971, San Francisco) has developed a process that is part photography, part sculpture, and part event. It is an undertaking requiring invention in his tools, and patience in using them. He creates one-of-a-kind photographs in a variety of hand-built cameras, the largest of which is a 50 x 80-inch field camera that he transports on a flatbed trailer. Once he selects a location, he situates, and then physically enters, the camera, and maneuvers in near total darkness a sheet of positive color photographic paper onto the camera's back wall.  Throughout each exposure, his instinctive control limits the light entering the lens. He uses his hands to burn and dodge the large-scale images and develops them in a spinning dr­­um by agitating the chemistry over photographic paper lining the interior of the drum. Chiara’s photographs are perceptive eliciting a visceral response, yet they are rendered in soft hues that exude a strong sense of the viscosity of material and the ephemerality of presence. He received his B.F.A. in Photography from the University of Utah in 1995, and his M.F.A. in Photography from the California College of the Arts in 2004. Chiara’s work is included in numerous institutional including the Fine Arts Museum of San Francisco, CA; George Eastman Museum, Rochester, NY; Los Angeles County Museum of Art, CA; and Museum of Fine Arts, Boston, MA, among others. The artist currently divides his time between San Francisco and New York City.
About Jackson Fine Art
Jackson Fine Art is a world-renowned gallery with a 34-year history of supporting artists and collectors. The gallery cultivates and guides both emerging and established collectors to the best fine art photography of the 20th and 21st century, across both traditional and innovative photo-based mediums. Working closely with collectors, curators, consultants, and designers, JFA provides expertise in a warm, welcoming space in the Buckhead neighborhood of Atlanta, GA. The gallery is led by Co-Owner & Creative Director, Anna Walker Skillman, and Co-Owner Andy Heyman, Founder, ASH IP& ASH Atlanta. In the spring of 2023, Jackson Fine Art expanded into a custom-built, 4000 square-foot gallery  with expanded exhibition, office, inventory, library and meeting spaces to keep pace with the growing clientele and opportunity to exhibit large-scale works. In addition to 9-12 exhibitions annually, Jackson Fine Art participates in international art fairs including Paris Photo; The Photography Show (AIPAD) in New York; Art Miami; and Intersect Aspen. The gallery is a member of the Association of International Photography Art Dealers (AIPAD) and Ms. Skillman is a former member of the board of directors. Jackson Fine Art has placed work in numerous important private and public collections such as The Metropolitan Museum of Art; High Museum of Art; Los Angeles County Museum of Art; The Art Institute of Chicago; The Museum of Fine Arts, Houston; Museum of Fine Arts, Boston; Maison Européenne de la Photographie, Paris to name a few.

Jackson Fine Art is now located at 3122 East Shadowlawn Ave. NE.
Opening hours: Tuesday – Saturday, 10AM – 5PM.


Press contact: 
Alexa Rivera
alexa@jacksonfineart.com
Link to full press release
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Wednesday, September 11, 2024

News you can use from NOAA Planet Stewards September 11, 2024

NOAA Planet Stewards The Watch Newsletter

 

News you can use from NOAA Planet Stewards 

September 11, 2024

 

Keep Up with NOAA Planet Stewards:

Access our archive collections: past webinars, book club selections, and the newsletter!

Did a colleague or friend share this copy of The Watch with you? 

Thank them, then sign up to receive it.  See the sign-up link above!

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Stewards

NOAA Planet Stewards October Book Club

October 15, 2024 I 7:00 p.m. ET

Cover for Book of Hope by Jane Goodall

At October’s meeting we’ll discuss Jane Goodall and Douglas Abrams’ The Book of Hope. All the meeting selections, dates, times, and log in information for all our events are posted on the Planet Stewards upcoming events page. All are Welcome!

Time: 7:00 PM Eastern Time
Video Conference Log In: meet.google.com/mxo-fkqc-owb 
Phone Dial In #: (‪US‬) ‪+1 484-641-8305‬
Pin: 732 637 522#‬

In this book, Jane Goodall and Doug Abrams explore one of the most sought-after and least understood elements of human nature: hope. In The Book of Hope, Jane focuses on her "Four Reasons for Hope": The Amazing Human Intellect, The Resilience of Nature, The Power of Young People, and The Indomitable Human Spirit.

The Book of Hope touches on vital questions including: How do we stay hopeful when everything seems hopeless? How do we cultivate hope in our children? Filled with engaging dialogue and pictures from Jane's storied career, The Book of Hope is a deeply personal conversation with one of the most beloved figures in today's world.

There is still hope, and this book will help guide us to it.


Inspiration!: Restoring Native Ecosystems - One Plant at a time

text reading Scientific Greenhouse for Native Coastal Plants with an ocean view

Students in Laura Cummings sixth grade class are working to restore native plant species to a coastal area on the north shore of Oahu, HI. This is an important issue for their community as for many years people have impacted the natural areas of Oahu’s north shore, increasing erosion, as well as decreasing populations of endemic plant and animal species that used to thrive and keep the ecosystem in balance. Laura and her students are investigating and out planting native species that appear to be resilient in a changing climate, as well as those coastal plants that are best suited to coastal erosion prevention. As part of this process Laura’s students are working with community partners to learn and integrate traditional ecological knowledge.

Watch this short video that Laura’s students made and get inspired to make positive changes in your community.


Do you have an item you'd like to share

in future issues of The Watch? 

Recommend your submissions here.

 
noaa in focus

Helping protect Caribbean region’s coastal zones: An exciting adventure

Four persons planting coastal plants in mud

NOAA’s Office of Coastal Management (OCM) works with partners to rebuild and restore ecosystems’ natural capacities — supporting human communities in the process. 

Read about the work being done in the Caribbean region coastal zone to rebuild the mangroves in Jobos Bay National Estuarine Research Reserve in Puerto Rico after they were decimated by Hurricanes Irma and Maria in 2017.


NOAA Ocean Podcasts:

Sanctuary Spotlight: Olympic Coast

Olympic Coast Marine Sanctuary National Park

In this episode, we travel to Olympic Coast National Marine Sanctuary. Boasting rugged coastlines and encompassing over 3,000 square miles, this special place is home to a rich abundance of marine mammals, seabirds, fish, and invertebrate communities. We explore this area’s origins, maritime culture, and historical legacy, as well as ways you can dive into all of the United States’ National Marine Sanctuaries. Listen to the Olympic Coast National Marine Sanctuary podcast


noaa webinars

September 12, 2024 I 1 p.m - 2 p.m. ET
How citizen science can support fish stock assessments
Tune into the "Fish Stock Assessment" webinar

 

September 12, 2024 I 2 p.m - 3 p.m. ET

The influence of the extreme warm Atlantic Ocean on the longest lasting North American heat wave event of 2023
Tune into the "North American Heat Wave" webinar


Educator opportunities

NautilusLIVE.org Ocean Exploration Trust

Bring the excitement of deep-sea exploration LIVE to your classroom, science center, museum, aquarium, or community event. Live ship-to-shore interactions can be scheduled until December 11, 2024. Live ship-to-shore interactions with E/V Nautilus allow students to engage in a unique two-way, live dialogue with the educators, scientists, and engineers of the Corps of Exploration. Live interactions are available free to classroom and community events audiences. All live interactions are pre-scheduled to match your teaching schedule.

Request a Live Ship-to-Shore Interaction

#noaaplanetstewards#fineartmagazine#fineartfun

 

Tuesday, September 10, 2024

MC2GALLERY PRESENTS MOONLIGHT YOSHINORI MIZUTANI (Japan, 1987)


MC2GALLERY PRESENTA   I   MC2GALLERY PRESENTS



MOONLIGHT



YOSHINORI MIZUTANI

(Japan, 1987) 



Moonlight 18, 2014, Archival pigment print (on Hahnemuhle Fine Art Baryta paper),

63 x 84 cm, edition of 4+2 AP


Il termine giapponese per natura è “Shizen" che letteralmente significa “essere così come si è da se stessi”: la natura si produce da sé (non da Dio come in Occidente) in un processo completamente autoctono. Nessuna forza esterna, né l’uomo né altre entità, la creano e ne permettono lo sviluppo. Shizen compare per la prima volta in un dizionario olandese- giapponese del 1796 per tradurre la parola olandese “natuur”. Prima di allora, la concezione di natura come si trova in Occidente era significativamente assente in Giappone, o al più si usava il termine tenchi (“cielo e terra”) o sansui (“monti e fiumi”).


Lo Shizen è uno dei temi con cui si confronta Mizutani, mostrandoci una visione della Natura di città, che sa comunque stupire, ritagliandosi una sua realtà, a maggior ragione in una megalopoli come Tokyo di oltre 13 milioni di persone.



Moonlight 02, 2014, Archival pigment print (on Hahnemuhle Fine Art Baryta paper),

63 x 84 cm, edition of 4+2 AP


The Japanese term for nature is “Shizen", which literally means “to be as one is by oneself”: nature is produced by itself (not by God as in the West) in a completely indigenous process. No external force, neither man nor any other entity, creates it and allows it to develop. Shizen first appears in a 1796 Dutch-Japanese dictionary to translate the Dutch word “natuur.” Before then, the concept of nature as found in the West was significantly absent in Japan, or at most the term tenchi (“heaven and earth”) or sansui (“mountains and rivers”) was used.


Shizen is one of the themes that Mizutani deals with, showing us a vision of the Nature of the city, which still knows how to amaze, carving out its own reality, even more so in a megalopolis like Tokyo with over 13 million people.



Moonlight 17, 2014, Archival pigment print (on Hahnemuhle Fine Art Baryta paper),

63 x 84 cm, edition of 4+2 AP


Utilizzando la luce stroboscopica e una lunga esposizione, Yoshinori Mizutani ha fotografato i pini del suo quartiere a mezzanotte, alberi appena visibili nell'oscurità. In questa composizione, lo spazio è condiviso equamente dal ricco cielo dorato e dai pini, che ricordano i dipinti a inchiostro e oro della scuola Kano, che hanno dominato l'arte giapponese dalla fine del XV secolo alla metà del XIX secolo. Rifacendosi all'arte tradizionale giapponese, Mizutani esplora la relazione tra spazi negativi e positivi.



Moonlight 07, 2014, Archival pigment print (on Hahnemuhle Fine Art Baryta paper),

63 x 84 cm, edition of 4+2 AP


Using strobe light and a long exposure, Yoshinori Mizutani photographed the pine trees in his neighborhood at midnight, trees barely visible in the darkness. In this composition, the space is shared equally by the rich golden sky and the pine trees, reminiscent of the ink-and-gold paintings of the Kano school, which dominated Japanese art from the late 15th century to the mid-19th century. Drawing on traditional Japanese art, Mizutani explores the relationship between negative and positive spaces.


Moonlight 01, 2014, Archival pigment print (on Hahnemuhle Fine Art Baryta paper),

63 x 84 cm, edition of 4+2 AP


Nato nel 1987 a Fukui, Mizutani ha frequentato il Tokyo College of Photography dopo essersi laureato al Nihon University College of Economics. Nel 2014 è stato selezionato per i LensCulture Emerging Talents Awards 2014 Top 50 e il Foam Magazine Talent Call 2014. Mizutani ha rapidamente ottenuto un riconoscimento mondiale e ha accumulato un elenco impressionante di mostre personali in numerosi paesi, tra cui Tokyo (IMA), Pechino (aura gallery), Belgio (ibasho gallery), Svizzera (Christophe Guye Galerie), Londra (Webber gallery) e Milano (mc2gallery). Ha finora pubblicato molti libri; "Tokyo Parrots" (2014), "Colors" (2015), "YUSURIKA" (2015), "HANON" (2016), "HDR" (2018), "Sakura" (2021).


Le sue opere sono in numerose collezioni pubbliche e private, tra le piu' importanti il Kiyosato Museum of  Photographic Arts (KMoPA), Yamanashi, Japan, Amana collection, Tokyo, Collection de Heus-Zomer, Amsterdam, Baltimore Museum of Art, Baltimore, ecc.


Vive e lavora a Tokyo.



Moonlight 09, 2014, Archival pigment print (on Hahnemuhle Fine Art Baryta paper),

63 x 84 cm, edition of 4+2 AP


Born in 1987 in Fukui, Mizutani attended Tokyo College of Photography after graduating from Nihon University College of Economics. In 2014, he was selected for the LensCulture Emerging Talents Awards 2014 Top 50 and Foam Magazine Talent Call 2014. Mizutani has quickly gained worldwide recognition and has amassed an impressive list of solo exhibitions in numerous countries, including Tokyo (IMA), Beijing (aura gallery), Belgium (ibasho gallery), Switzerland (Christophe Guye Galerie), London (Webber gallery), and Milan (mc2gallery). He has published many books to date; "Tokyo Parrots" (2014), "Colors" (2015), "YUSURIKA" (2015), "HANON" (2016), "HDR" (2018), "Sakura" (2021).


His works are in numerous public and private collections, including the Kiyosato Museum of Photographic Arts (KMoPA), Yamanashi, Japan, Amana collection, Tokyo, Collection de Heus-Zomer, Amsterdam, Baltimore Museum of Art, Baltimore, etc.


He lives and works in Tokyo.



Moonlight 06, 2014, Archival pigment print (on Hahnemuhle Fine Art Baryta paper),

63 x 84 cm, edition of 4+2 AP


ONGOING EXHIBITION


VITTORIA GERARDI - MEMORIA EMOTIVA Group show

Colla super gallery, Via Pietro Crespi, 13 - Milan

Until September 11


_________


DUNE VARELA - GALATEIA

Hotel Plaza e de Russie, Piazza D’Azelio 1- Viareggio (LU)




ArtVerona fair - 11/13 October 2024

Presented Artists: CASPER FAASSEN and RENATO D’AGOSTIN


MAIN SECTION - BOOTH M8-N9 - Pav. 12


mc2gallery Italy - Montenegro

info@mc2.gallery
www.mc2.gallery
www.artsy.net/mc2gallery
tel: +382 69100110
mobile MNE: +382 69100104
mobile ITA: +39 3396632187

#mc2galleryitaly#fineartmagazine#fineartfun