Wednesday, October 12, 2022

mc2 Gallery at Art Verona 17 October 14-16, 2022






mc2gallery parteciperà ad ArtVerona2022
Opere di Giuliano Sale, David Serpetti e Antoine d'Agata



 Stand G4 / Pad. 12

ORARI DELLA FIERA

Inaugurazione (solo su invito)
giovedì 13 ottobre, 18:00 - 21:00

Apertura al pubblico
venerdì 14 ottobre, 11:00 - 19:00
sabato 15 e domenica 16 ottobre, 11:00 - 19:00



Per ricevere un biglietto per la fiera non esitate a contattatarci.



mc2gallery will participate in ArtVerona2022
Works by Giuliano Sale, David Serpetti and Antoine d'Agata



Stand G4 / Hall 12

TIMETABLE OF THE FAIR

Opening by invitation only
Thursday 13th October, 18:00 - 21:00

Open to public
Friday October 14th, 11:00 - 19:00
Saturday 15th and Sunday 16th October, 11:00 - 19:00

 
To receive a ticket for the fair do not hesitate to contact us.
 
Giuliano Sale - A chicken wings kind of afternoon (2022)
Olio su tela / Oil on canvas
200 x 150 cm
Davide Serpetti - Dioniso / Ramingo (2022)
Olio, acrilico e spray su tela / Oil, acrylic and spray on canvas
190 x 140 cm
Antoine d'Agata - Amsterdam (2004)
Stampa C-Type / C-Type print
90 x 120 cm
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Bortolami Gallery announces the new edition of its Artist / City initiative to be held in downtown Las Vegas

BORTOLAMI BRINGS THE LATEST ITERATION OF ITS  ARTIST / CITY INITIATIVE TO LAS VEGAS, FEATURING NEW WORKS BY KOICHI SATO, SUSUMU KAMIJO, AND JONAS WOOD

The exhibition will take over the vacant site of a former Greyhound Bus Station next to the Plaza Hotel & Casino, in the historic Fremont district, and will be on view from November 18 to February 26

Former Greyhound Bus Station and Plaza Hotel & Casino.
Courtesy of Bortolami, New York.

(New York, US) – Bortolami announces the new edition of its Artist / City initiative to be held in downtown Las Vegas with New York–based Japanese painters Koichi Sato and Susumu Kamijo, and Los Angeles–based artist Jonas Wood. Expanding exhibition programming outside the gallery’s walls, the Artist / City initiative pairs artists with an unconventional space in an American city for a longer duration than a standard gallery exhibition, granting artists freedom to push the boundaries of their creative practices. On the occasion of this site-responsive exhibition in Las Vegas, the artists have each worked on a series of new paintings, which will occupy the vacant site of a former Greyhound bus terminal adjacent to the Plaza Hotel & Casino. 

In the context of Las Vegas’ status as over-the-top icon of America, the three artists have created new works based on their individual experiences of “Americana,” responding to the project individually and collaboratively. Koichi Sato, a self-taught painter known for his vibrant and cartoon-like figures, worked on new portraits of individuals and groups of people representing a wide spectrum of characters and identities in American culture. Susumu Kamijo continued his signature explorations of animals’ physical and behavioral peculiarities, presenting heavily-abstract canvases of poodles. The exhibition will be completed with never-before-seen works by internationally acclaimed artist Jonas Wood, including a large-scale landscape painting that will serve as a pictorial, boldly graphic background of the show. Visitors will enter the once-abandoned bus station and immerse themselves in a surreal yet ordinary scenario imagined by the three artists, reminiscent of travelers waiting for their bus.

Stefania Bortolami, Founder of Bortolami Gallery, comments, “The Artist / City initiative reflects our interest in artistic experimentation outside the ordinary gallery setting. With the ever-changing and fast-paced art market that we navigate today, Artist / City aims for an additional paradigm in exhibition programming, offering site-responsive installations that broader audiences can experience over a longer period of time. We look forward to bringing the latest edition of the initiative to Las Vegas and showcasing Koichi, Susumu, and Jonas’s unique artistic perspectives on American culture.”

“The Plaza Hotel & Casino has always believed in the power of art in revitalizing communities,” 
said Jonathan Jossel, CEO of the Plaza Hotel & Casino. “We were proud to transform our North Tower into a canvas for three 21-story murals and now, we are excited to welcome the next iteration of Bortolami’s Artist / City program. The public art exhibition at the former Greyhound bus station shows how the space can be a prime feature of our plans to transform Main Street into a vibrant and diverse destination in downtown Las Vegas.”

Bortolami Gallery has presented eight previous iterations of its Artist / City initiative since the launch in 2015 with a yearlong exhibition by French artist Daniel Buren in Miami’s Wynwood Arts District. Subsequent pairings placed Eric Wesley at an abandoned Taco Bell in St. Louis, Tom Burr at the Brutalist Marcel Breuer building in New Haven, Jutta Koether in a classic three-story “Trinity House” in Philadelphia, Barbara Kasten at the Mies van der Rohe designed Illinois Institute of Technology in Chicago, Paul Pfeiffer at the Watergate Office Building in Washington, D.C, Ann Veronica Janssens at various cinemas and theaters in Baltimore, and Cecily Brown at a local High School in Buffalo.

For additional information on the Artist / City initiative, please visit bortolamigallery.com/artistcity.

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Tuesday, October 11, 2022

Art Basel,This week’s Art Basel Stories, featuring leading voices from the art world and beyond !!!

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Lowell Ryan Projects presents new paintings by Michael Harnish, October 15 - November 12, 2022

Michael Harnish
Shangri-La
October 15 - November 12, 2022

Opening Reception:
Saturday, October 15, 5-8pm 

***Please join us for drinks and tacos to celebrate Shangri-La by Michael Harnish.

Michael Harnish
Odyssey, 2022
Acrylic and oil on canvas
72h x 60w inches / 182.88h x 152.4w cm

Lowell Ryan Projects is pleased to present Shangri-La, a solo exhibition of new paintings by Southern California-based artist Michael Harnish. Utilizing a vibrant palette and varied forms of mark-making, these acrylic and oil-based works incorporate juxtapositions that allude to native flora, pattern, Japanese woodblock prints, horizon lines, house plants, and ceramics. Taking its title from the mythical local in James Hilton’s novel Lost Horizon, Harnish brings a dose of Southern California insouciance to the subject matter—infusing an east-meets-west visual dialog indicative of his home surroundings with a spray of neon paint under the shadow of a palm tree.
 
In Shangri-La, the works are installed as a montage, reading off each other as color, form, and imagery echo throughout the exhibition. Harnish who frequently begins his process by creating collages—tearing pages from books and magazines, and combining images and color intuitively—reflects that action in these paintings. A cartoonish depiction of a Japanese woodblock print is juxtaposed against a pink sky over the ocean at sunset, rich gold and black brocade set off a brushy rendering of a hanging fern, while painterly applications of bold swaths of color intersperse the picture planes throughout the works. The paintings in Shangri-La reflect glimpses of place, memory, and illusion that tell a story unique to the artist’s whims. 
 
As a native Californian, the concept of ’Shangri-La’ itself plays out in Harnish’s surrealist works. The experience of growing up and living in such a diverse culture is envisioned in Harnish’s choice of subject matter. As told in the book Lost Horizon, a meeting of cultures plays out in a fictional utopian lamasery where time stands still. Los Angeles with its mild climate, sense of possibility, and imported palm trees is a beacon for people from all over the world, and while Hollywood has long explored a fabled concept of Los Angeles, living in a place that lacks distinct seasons has the ability to distort one’s perception of time. As we find in the novel, a distortion of reality does not always work out to one’s advantage, however maintaining a feeling of wonder and youth can operate as a tonic to the soul.

Michael Harnish (b. 1982, Dana Point, CA) lives and works in Fullerton, CA. Utilizing imagery pulled from various sources including botanical books, fashion magazines, and commercial signage in his native Southern California, Harnish begins his painting process by first making paper collages. These collages then become the inspiration for his paintings—sometimes accurate depictions of the original collage, other times improvisation takes the lead once the brush hits the canvas. Having received his MFA from the Laguna College of Art and Design in 2010, Harnish has exhibited at various galleries in Southern California including a recent exhibition with the Newsstand Project, Los Angeles.

For more information contact: info@lowellryanprojects.com
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image courtesy of the artist and Lowell Ryan Projects

4619 West Washington Blvd.
Los Angeles, CA 90016
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