Friday, December 4, 2020

Catch Scope's IMMERSIVE MIAMI BEACH | OPEN NOW DECEMBER 01 - 06 and enjoy your viewing!!


IMMERSIVE MIAMI BEACH | OPEN NOW

DECEMBER 01 - 06
SCOPE Art Show is pleased to present part two of Immersive Miami Beach, now open through December 6th via scope-art.com.
VISIT THE EXHIBITION
At the lead of the digital frontier, SCOPE is using its momentum as an online pioneer to build awareness and educate buyers. Immersive Miami Beach | Part 1 was a great success, virtually welcoming over 19,100 visitors from 72 countries and 987 cities. Click here to check out the highlights.
David Stenbeck, Jesolo Cloud, 3D Rendering on Archival Paper, 2019 | Courtesy of Jenn Singer Gallery
Honoring its mission to provide an experiential platform for discovery, Immersive Miami Beach | Part 2 welcomes 34 exhibitors from around the world featuring The New Contemporary, a genre that stands as a critical contribution to both global politics and local community engagement. 

Immersive Miami Beach | Part 2 is open to the public through Sunday, December 6th at11:59pm EST via scope-art.com
EXHIBITORS
SCOPE is pleased to welcome, AC Contemporary Art (Buenos Aires), ARP Gallery(Miami), Art Zone Gallery (London), Arte Globale (London), Artêria (Bromont), ARTREVOLTS (Atlanta), Azul Art Gallery (Nassau), Blue Gallery (Delray Beach), Charly Palmer Fine Art (Atlanta), Chic Evolution in Art (Atlanta), Colour Senses Project (Miami), FEATURED (New York), Gallery Henoch (New York), GALLERyLABs (Buenos Aires & New Haven), Haven Gallery (Northport), Jade Flower Gallery (Seoul), Jenn Singer Gallery (New York), JoAnne Artman Gallery (Laguna Beach & New York), LeMieux Galleries (New Orleans), Mirus Gallery (San Francisco & Denver), Moonlight Art Space (Buenos Aires), Mortal Machine (New Orleans), New Apostle Gallery (New York), NG Art Gallery (Panama City & Havana), PDP Gallery (Paris & Los Angeles), Retrospect Gallery (Byron Bay)SeeMe Gallery (New York), Stick Together Gallery(Amsterdam), Thinkspace (Los Angeles), Vail International Gallery (Vail), and Vellum Projects (Brooklyn).
NG Art Gallery in Immersive Miami Beach
PROGRAMMING
Leading the industry with cutting-edge technology, once again Immersive Miami Beach presents daily New Contemporary programming on a large scale video wall inside the show featuring wellness programs presented by Invisible Hand, talks by Paul Laster, Tyler Shields, the Black Artists and Designers Guild, and Eva Woolridge, videos from ICA Boston and Art24, courtesy of Programming Partner Daily Plinth, and more. Immersive also welcomes artist activations by Fahamu Pecou, courtesy of Kasper Contemporary, and Refik Anadol, courtesy of ARTECHOUSE. After-hours, this multi-functional transforms into a premium virtual nightlife experience featuring music curated by NHOAH and R.O.T., all without an access link or password.
We Can't Cop Cars Without Seeing Cop Cars by Fahamu Pecou on the Programming Wall
These programs are presented at the same time each day. The full schedule of events can be found on our website and on the virtual Show Information wall inside the show.
ANNOUNCING SCOPE MIAMI BEACH 2021
Quintessenz, Golden Drown at SCOPE Miami Beach 2019
SCOPE is excited to return to the sandy beaches of Miami Beach for its 20th edition November 30 - December 5, 2021, featuring the very best of the New Contemporary. Gallery applications for this historic edition are now open. Apply Today.
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Art Basel hase a very good online presentation: Catch the 2020 art and artists showcased! Have fun!!!

Thursday, December 3, 2020

Cach the fremin Gallery opening Dec. 3 rd. 6-8 PM !!!!

Screen Shot 2019-01-24 at 5.26.06 PM
 
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Fremin Gallery is welcoming you on Thursday, December 3rd from 6 to 8pm for our second Connecting the Dots opening, featuring the thread and nail artworks of Nemo Jantzen and the black & white photography of Nicolas Auvray.

View the complete Connecting the Dots series on our Artsy Page and the full exhibition video Here!!

Following the CDC guidelines we will be rigorously cleaning and sanitizing the gallery as well as practicing social distancing recommendations. Only 20 people will be allowed inside the gallery at any given time, mask will be required and hand sanitizer will be provided at the entrance.

Please RSVP at info@fremingallery.com so we can plan accordingly.

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High Fashion 112.5x150cm copy 1

“High Fashion” _
Content: Fashion, haute couture, brands, fashion-photography, catwalks etc.
Size: 44”x 59” Inches with Ø1.5” Spheres (112x150cm. with Ø3cm. Spheres)_

In a captivating new body of works, Nemo Jantzen elevates Neo-Pointillism to dazzling new heights, creating vividly representational renderings that are composed entirely of nails and thread.

Demonstrating remarkable craftsmanship, Jantzen first creates a guiding map from hundreds of stainless-steel nails, mounting each individual nail onto a wooden board. With meticulous precision, the artist then charts a single thread, moving from nail-head to nail-head, layering the fiber in such a way that the desired image materializes with dramatic clarity. Each layer of thread is further activated by the play of light on its surface as cast-shadows blend together into one united visual effect. The result: a photo-realistic relief sculpture forged from the artist’s raw materials that are beholden to every unique viewer’s individual perspective.

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unnamed-99

“Keep Cool"
Content: Thread and Nails. _
Size: 55.5”x 48” Inches_

Prolific across medium, Nemo Jantzen has worked in both two and three-dimensional modes of artistic expression over the course of his lengthy career. Until now, he is perhaps best known for hyper-realistic paintings that explore cinematic stills, or portraits of celebrities; evoking iconic images which are often embedded in our collective unconscious. His chosen subject matter often illustrates the overlap between our memories of images from contemporary cinema and our real-world experiences. It is from this ardent source of pop-culture inspiration that Jantzen conceived of the incredible works on view in Connecting the Dots.

Wonderland-N-Auvray

“Wonderland"
Content: Photography. _
Size: 43”x 53” Inches_

For Connecting the Dots, Nicolas Auvray selected work from «Attractions Nocturnes» to presents a series of night photographs. It begins as a walk through the cities at night. Familiar places are re-discovered, figures appear and disappear in the darkness where metamorphosis and transitions take place. The bright street lights appear as a Leitmotiv between the images, linking them and embarking us on his journey. We are invited to follow the dots that connect these scenes.
In these images, the city is a metaphor. Paris, Stockholm, New York…no importance… what matters is the universality of impressions. Spectators are invited to explore other worlds and be transported in dreamlike scenes to follow their aspirations, and maybe, deeper, darker passions and to look further into their identities
Nicolas Auvray relies on traditional photographic materials to capture the extraordinary atmosphere of tangible realities. Whilst stopping for a moment, he tries to reveal something almost nonexistent in scenes that will stimulate or highlight ones senses, emotions and past experiences.

Nicolas Auvray was born in France. After several years living in various countries around the world, he moved to New York in 2005 where he currently lives. He studied at the International Center of Photography (I.C.P.) in New York where he also works. For his work, he uses analogue cameras (medium and large format) and prints primarily in the traditional darkroom in Paris and in New York. His work has been presented internationally in France, Japan, the UK and the USA and is collected in private and public collections. In 2018, a selection of his work entered the photography collection of the Bibliothèque nationale de France (BnF).

 

©2020 Fremin Gallery | 520 West 23rd Street, ground floor.

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Catch The Lisa Sette Gallery: Nature & Structure Kim Cridler, Mayme Kratz, & Marie Navarre March 6, 2021 – May 1, 2021!!!

URE & STRUCTURE

KIM CRIDLER, MAYME KRATZ, & MARIE NAVARRE

Marie Navarre at Lisa Sette Gallery

Nature & Structure
Kim Cridler, Mayme Kratz, & Marie Navarre

March 6, 2021 – May 1, 2021
Opening Reception: TBD

Celebrating a season of renewal and a long-anticipated transition toward new patterns of being, Lisa Sette Gallery’s spring exhibition, Nature & Structure, features works that involve the natural world as both symbol and science: human representations of nature become a vital means of transmitting information toward future generations. Marie Navarre’s serenely inquiring photographic constructions, Mayme Kratz’s glowing resin castings, and Kim Cridler’s steel vessels all illuminate the contradictions at play in a moment of dramatic environmental and social change. 

Capturing timeless, universal scenes, such as the abstract pattern of a flock of birds traversing the sky, a spray of branches in early bloom, or horizons unmoored from specific times and places, Marie Navarre’s photo constructions resemble the Japanese haiku form that inspires her. Working with vast collections of images of natural phenomena captured on her travels, Navarre conjures images that appear to be from just outside the realm of human observation. Navarre’s prints are often collaged and hand-stitched over backgrounds of satin-like Gampi paper, enigmatic photographic constructions that document the implications of a moment in nature and in time. “I have this trouble of being a photographer but wanting to make the photographs into something else. I still think like a photographer even though in some ways I’m sabotaging the way that photography works. I still begin my artmaking process by making pictures. I don’t know how to begin without the photograph.”

 

Mayme Kratz at Lisa Sette Gallery

Mayme Kratz is an artist and advocate for the flora and fauna existing within the high deserts of the Southwest. Kratz draws inspiration from the stark beauty of these environments, memorializing not only the botanical treasures that she finds on her restless travels across Western landscapes, but also the overlooked minutiae: In Kratz’s cast resin forms, a handful of gravel or small burrs may be transformed into a likeness of the vast swirling galaxies from which it originates. Kratz captures the ephemeral radiance of these harsh environments and the delicate calibrations of fragile ecosystems. They also provide her with material: seedpods, insect wings, cactus roots, bleached animal bones, leaves, grasses and flowers. Kratz’s precise formal designs lead the viewer to contemplate the infinitely large, calling to mind the cosmos of stars and planets, as well as the impossibly small, alluding to cellular and crystalline structures.

 

Kim Cridler at Lisa Sette Gallery

Kim Cridler’s steel vessels are made up of the angular forms and facets of fabricated metal, but among these angles are unexpected organic treasures: berry-like jewels, beeswax, and horsehair. The juxtaposition of materials allows Cridler to explore vessel forms as a means for holding memory and meaning. “I was making raised hollow ware, like that made by Paul Revere, and was fascinated with the kind of work that carried a lot of sentimental value in families. I learned about my family through these types of things… The reason they were important was the family connections, the memories and the sentiment that invested in the objects, not how they were used. I started making objects that were stripped down, torn apart, because I wanted to get the emotional charge these things carry.”

Navarre, Kratz, and Cridler convey a relationship between human aesthetic, practice, and biological patterns beyond our control, holding specific memories of our world while introducing the possibility of existence within changed landscapes.

 

Essay and images copyright Lisa Sette Gallery. To request high resolution images, please contact us at (480) 990-7342 or email Ashley Rice Anderson at sette@lisasettegallery.com.

For over 35 years, Lisa Sette has remained committed to discovering and exposing original, intriguing forms of expression. Lisa Sette Gallery exhibits painting, sculpture, photography, video, installation and performance pieces from an impressive roster of emerging and established artists, as well as maintaining a clientele of local and international collectors devoted to its founder’s adventurous curatorial vision.


Images:
1) Marie Navarrefind us soon, 2020, archival digital print on Surface Gampi, Rives BFK, 25.5" x 25" unframed, Edition of 5, 2AP

2) Mayme KratzBlue Moon 5, 2020, resin, seeds, bones, shells, Hollyhock blossoms, Cicada wings on panel, 36" x 36"
3) Kim Cridler, Hare, 2020, steel, brass, chrysoprase, 33" x 26" x 17"

 








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