Friday, September 25, 2015

OK For you Mythology mavens: Narcissus Now Festival Reimagining the Myth through Artists' Eyes till Oct 12th




Narcissus Now Festival

Reimagining the Myth through Artists' Eyes

New Commissions by Andreas Angelidakis, Angelo Plessas and Konstantin Kakanias

U.S. Premieres by Blind Adam, Georgia Kotretsos and
Eriphyli Veneri

Works on Loan by Lynda Benglis and Jenny Holzer
  
New York, NY (September 25, 2015): The Narcissus Now Festival, a multidisciplinary weekend of arts and ideas expressed through art, music, film, choreography, literature and fashion, presents new, emerging and renowned artists, both Greek and American, as they respond to, interpret and celebrate the central Festival theme-Narcissus. Newly commissioned works by Andreas Angelidakis, Angelo Plessas, and Konstantin Kakanias will share the spotlight with works by artists working from Greece and in the U.S. at the Onassis Cultural Center NY. Online audiences can view the digital version of The Art Wall installation by Plessas and Kakanias's illustrations commissioned for the Festival.

Presented free of charge during the Festival and extended for the Columbus Day holiday through Monday, October 12, the artists and works on view include:


Newly Commissioned Works
THE ART WALL
I AMness 2015 by Angelo Plessas
I AMness is a site-specific installation that comprises a website and a mural exploring the allure of the Internet for modern narcissists. In the virtual universe of the web, the narcissist discards one identity only to reappear in a myriad of aliases. Similarly, the repeating mandalas of I AMness create vivid and hallucinatory visual effects that attract and capture the gaze, dictating the viewer's perceptual experience. The installation is accompanied online by the website www.i-amness.com.

Angelo Plessas, a Greek-Italian artist based in Athens, investigates the changing role of art and social practice in the time of the Internet through performances, sculptures, installations, books, interactive websites (more than sixty since 2000), and live-stream events. His work focuses on themes of authority and identity, as well as on the nature of abstract emotions experienced through electronic communication. He recently won the prestigious DESTE Prize 2015 awarded by a distinguished international jury.

The Art Wall remains on viewthrough December 2015 in the Olympic Tower Atrium, daily 8 am to 10 pm.

Mirrorsite 2015-ongoing by Andreas Angelidakis
Andreas Angelidakis has curated the display of all works of art on view in the gallery of the Onassis Cultural Center to create an immersive atmosphere. Part of this artistic ensemble is his Mirrorsite, an ongoing investigation into the information overload that is experienced on the Internet. The project, an environmental projection, is based on a series of landscapes of mirrors, the ideal retreat for the modern Narcissus, one where he or she seeks refuge from saturation. However, the mirrors and their reflections will eventually trap Narcissus with an illusion of infinite virtual spaces from which he will never be able to escape.

Angelidakis is an Athens-based artist and architect educated at the Southern California Institute of Architecture and Columbia University. His works lie at the intersection of art and architecture and focus on the concept of space and buildings, the society that inhabits them, and the ways in which the Internet changes our behavior and perception of architecture. His projects have been on display in solo and group exhibitions in prestigious venues in Europe, Asia, and the U.S.



On View Online premiering September 30, 2015
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On view, online at onassisfestivalny.org and onassisusa.org

The Inaugural Season Illustrations by Konstantin Kakanias

Konstantin Kakanias was commissioned to provide the illustrations for both the Onassis Festival NY 2015 and the Inaugural Season. Based on the iconographies that traditionally decorated Greek ceramics from antiquity, the images are updated with contemporary relevance through the insight and creative genius of the artist.

Kakanias's drawings, paintings, sculptures, ceramics and animated films have been exhibited worldwide. His drawings have been published in magazines internationally including the New YorkerInterviewVogue, and the New York Times, where he is currently a contributing editor for magazine. He has also published several books of his work, and designed textiles for both fashion and home decoration.


Works on Loan for the Narcissus Now Festival
Ten Columns (Sanctuary) 2013 by Blind Adam U.S. Premiere
Blind Adam (Thanos Kyriakides) isa former fashion editor whose genetic condition restricts his sight. This physical visual impairment has challenged the artist toward a new vision to explore and communicate art: his yarn constructions and canvases focus on the impossibility of perfect perception, demonstrating the deceptiveness of physical form and the fallibility of vision.

On view is Ten Columns, part of the installation Sanctuary, a ghostly Parthenon that charges the space with spirituality. The classically inspired columns are testimony to the futile human impulse to create order out of chaos through aesthetic harmony, and to circumscribe and communicate the unknown. The structure of Sanctuary is insubstantial: the elements of this virtual temple collapse upon physical contact, confirming the treachery of human perception.

Blind Adam is based in Athens, Greece. He has presented his work in solo exhibitions at Galerie 104 Kleber, Paris (2014); The Breeder, Athens (2013); Kunsthalle Athena, Athens (2013); and Suzy Tros Project Space, Athens (2012). Selected group exhibitions include Hell As Pavilion curated by Nadja Argyropoulou, Palais de Tokyo, Paris (2013); The Art of This Century, Alex Mylona Museum, Athens (2011); A Shaded View on Fashion Film, Centre Pompidou, Paris (2011); and Chagallesque, Hydra School Projects, Hydra (2010).

NOW 1973 | 11:45 minutes by Lynda Benglis
The artist plays with two refracted images of herself on screen, directing and commanding her other self. The video was extensively edited and retaped to blend present and past sequences and selves, enhancing the feeling of artifice. Using this technique, Lynda Benglis blurs the line between documentary and performance, making it impossible for the viewer to understand which version of the artist is present, which is past, and which of these is therefore truly performing.

Benglis, a Greek-American sculptor and visual artist, is known for her wax paintings and poured latex sculptures. She has worked and studied in Lake Charles and New Orleans, Louisiana, and New York. She has held over seventy-five solo exhibitions and numerous retrospectives within the U.S. and around the world, and her work is on display in national and international public collections. In the mid-1970s, Benglis executed a number of videos, continuing her exploration of female sexuality and identity-an overriding theme in her work. The interest in human form and presence in her process-oriented sculptural work finds its way into her self-reflexive, investigative videos.

YOU MUST KNOW WHERE YOU STOP AND THE WORLD BEGINS
From Truisms 1977-79 by Jenny Holzer
Projected on the Olympic Tower waterfall
For more than thirty-five years, Jenny Holzer has presented her astringent ideas, arguments, and sorrows in public places and international exhibitions, including 7 World Trade Center, the Venice Biennale, the Guggenheim Museums in New York and Bilbao, and the Whitney Museum of American Art. Her medium, whether formulated as a T-shirt, a plaque, or an LED sign, is writing, and the public dimension is integral to the delivery of her work. Starting in the 1970s with her New York City posters, and continuing through her recent light projections on landscape and architecture, Holzer's practice has rivaled ignorance and violence with humor and kindness. She received the Leone d'Oro at the Venice Biennale in 1990, the World Economic Forum's Crystal Award in 1996, and the Barnard Medal of Distinction in 2011. She holds honorary degrees from Smith College, The New School, the Rhode Island School of Design, Williams College, and Ohio University.
On view in the Olympic Tower Atrium, Oct 8-11 from 10 am to 8 pm; Oct 12 from 10 am to 6 pm.

Being-seen-by-another is the truth of seeing the other 2011
by Georgia Kotretsos U.S. Premiere
In the myth of Narcissus, a pool served as the surface onto which he gazed at his own reflection. In Georgia Kotretsos's work, that surface is the audience's gaze: her artwork is the place where the viewer's gaze finds refuge, and yet the work is also reflected in the viewer's gaze, in a complex and mutual narcissistic relationship. The triptych on view in the Foyer is the result of three consecutive moments, an open invitation for further narcissism that finds an interesting parallel with the ancient Greek myth, where the act of gazing takes central stage in the doomed love of the nymph Echo for Narcissus.
Kotretsos is a visual artist based in Athens who has lived and studied in South Africa, Greece and the United States. Her practice encourages speculative approaches to how knowledge is produced by resisting its traditional and historical acquisition.

She has exhibited in group exhibitions in Greece and abroad and has had five solo shows, most recently at the Maximilians Forum in Munich, organized and curated by C9. With the artist Natasha Papadopoulou, Kotretsos cofounded the Athens-based collective WOMEN WITH TALENTS (2013); she also cofounded Boots Contemporary Art Space, St. Louis, Missouri (2006). She founded and edited the journal Boot Print (2006-10) and in 2009-13 served as a columnist for PBS's Art21 with her column "Inside the Artist's Studio." In December Kotretsos will be an artist-in-residence at the International Artists in Bern program.

Moonstruck 2010 | 3:47 minutes by Eriphyli Veneri U.S. Premiere
Described by the artist as "a re-contextualization of the self, the return journey to homeland Greece," the video presents obvious visual cues for Narcissus, perverting the myth with refreshing humor and self-derision. In Moonstruck, Eriphyli Veneri throws effervescent paracetamol tablets into the sea, reflecting on the melancholia of returning to a place where the familiar has turned unfamiliar, and homesickness is experienced at home.

Veneri is an artist based in Greece. She has studied painting at the Fine Arts School of Athens, and she holds a master's degree from the Bauhaus University Weimar and a second master's from the Berlin University of the Arts. She has displayed her work in solo and group exhibitions since 2006; in 2012 she was awarded the 2nd Spyropoulos Prize for her artistic practice, and in 2013 she represented the Greek Participation at the 16th Biennale of Young Artists from Europe and the Mediterranean in the field of visual arts. Since 2014 Veneri has been a doctorate student in the Department of Architecture of the University of Thessaly in Greece.
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