Friday, March 31, 2023

The Lucore Gallery, Montauk, shows Charles Waller til April 25th

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Paolo Arao
Peach Kiss, 2020
Sewn cotton, canvas
16h x 20w in
40.64h x 50.80w cm
$ 3,500
Click here to inquire
Paolo Arao is a Filipino-American artist working with textiles. He received his BFA from Virginia Commonwealth University and attended the Skowhegan School of Painting and Sculpture. Arao has presented solo exhibitions at the Columbus Museum (Columbus, GA); Morgan Lehman Gallery (New York, NY); David B. Smith Gallery (Denver, CO); and Western Exhibitions (Chicago, IL); among others. Residencies include MacDowell (Peterborough, NH); Bemis Center for Contemporary Arts (Omaha, NE); The Museum of Arts and Design (New York, NY); the Millay Colony (Austerlitz, NY); the Studios at MASS MoCA (North Adams, MA); Vermont Studio Center (Johnson, VT); Lower East Side Printshop Keyholder Residency (New York, NY); NARS Foundation (Brooklyn, NY); Wassaic Project (Wassaic, NY); BRIC Workspace (Brooklyn, NY); Atlantic Center for the Arts ( New Smyrna Beach, Florida); and the Fire Island Artist Residency (Long Island, NY). He is a 2021 recipient of an Artist Fellowship from The New York Foundation for the Arts. Arao’s work has been published in New American Paintings, Maake Magazine, Artmaze, Dovetail, Harper’s Magazine, and Esopus. Paolo Arao is a 2021 NYSCA/NYFA Artist Fellow in Painting from The New York Foundation for the Arts. He lives and works in West Shokan and Brooklyn, NY.
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Thursday, March 30, 2023

Iranian Artist’s Exhibition Responds to Oppression & Denial of Rights, with Freedom of Expression and a Call for Awareness


“Outcast”, Pencil on paper, 2023


The works of Raoof Haghighi, who was raised in a family of 8 artists under authoritarian regime in Shiraz, Iran, convey his belief in the importance of truth for the future of his nation, particularly the freedom of Iranian women.


Raoof’s mid-April London exhibition, “Painting is Like Breathing for Me” explores his poetic, no-holds-barred response to the restrictions and domination of his fellow nationals and barbaric treatment of women. After experiencing decades of denied free-speech, his drawings respond by communicating as freely as possible, focussing on banned subjects. By expressing what those still in Iran are prevented from saying, Raoof’s works have become a beacon of the Persian tradition of poets, artists and philosophers.

“Woman, Life, Freedom”, Pencil on paper, 2023


Since the Iranian government’s September ’22 ban of Instagram, where Raoof has 223,000 followers, he doubled down: Raoof dedicated his portrait of a tattooed woman toying with her hijab at the Royal Institute of Portrait Painters to “all the brave women in Iran who are currently fighting for their freedom”, painted a portrait of actress and activist Golshifteh Farahani, hashtagged a drawing of a woman’s loose hair turning to wings with #MahsaAmini, the woman who died in suspicious circumstances after being jailed for not covering her hair.

Raoof also added to his “Adam & Eve” series, exposing the hypocrisy of forced veils:

“Adam and Eve”, Pencil on paper, 2022


The exhibition’s window-piece, titled “Just Take Them and Leave Me Alone” touched on the most raw-nerve at the centre of the Iranian Women’s Rights movement. It depicts a surreal image of a woman who, as her breasts and groin have been removed, is left free from the abusive constraints or demands placed on her because of the male response to those parts of her body. This drawing went viral, being shared 40k+ times on Facebook and getting 36k+ likes on Instagram. It was placed on the front cover of Reddit where it received 2.6k comments such as This is haunting. Thinking the other night how I wanted to walk somewhere, but then changed my mind because we’ve had a lot of sexual assault in the area recently” and “Being reduced on your superficial sexual characteristics is sad, you are more than just appearance of skin, muscles and forms of your body”.

“Just Take Them and Leave Me Alone”, Pencil on paper, 2022


Raoof’s uncompromising attention to expressing his truth and its often cathartic effect on others, is testament to what we miss when the right to speech is taken away. Through Raoof Haghighi’s dedication to confronting the constraints and hostility of present reality, he hopes awareness will spread from his paintings, and perhaps some more of us may be able to breathe.


Request image use or to interview Raoof Haghighi by emailing: fraser@agallery.uk


Exhibition: “Painting is Like Breathing for Me

Artist: Raoof Haghighi

Date: 6 – 15 April, 2023

Gallery: A Gallery

Location: 2 Motcomb St, Knightsbridge, London, SW1X 8JU 

Web: www.agallery.uk