Saturday, September 28, 2013

New York Film Festival Al Transmedia Experience

**NEW YORK FILM FESTIVAL TRANSMEDIA EXPERIENCE**
WORLD PREMIERE OF ELINE JONGSMA’S AND KEL O’NEILL’S EMPIRE


**Join us for a special filmmaker-guided press tour of EMPIRE on Saturday, September 28th at 3pm at Lincoln Center followed by a panel discussion moderated by Nicolas Rapold at 4pm**

Read the VICE interview with the filmmakers here:

Building on the success of last year’s debut, the second edition of the New York Film Festival Convergence transmedia section will feature the world premiere of Eline Jongsma and Kel O’Neill’s EMPIRE.
Shot in ten countries over four years, EMPIRE employs a broad range of storytelling techniques—including nonfiction filmmaking, multi-channel video projection, and experience design—to unearth the contemporary aftershocks of the world's first brush with global capitalism.
By turns epic and intimate in its approach, EMPIRE explores the ways in which the conditions of past continue to define our lives in the present.
A hidden synagogue in the mountains of Indonesia. A Dutch-style village in the Sri Lankan rainforest. A white separatist enclave in the South African desert. These are just a few of the communities brought to light in EMPIRE, an immersive documentary project that examines the still-unfolding legacy of Dutch colonialism.
EMPIRE videos and installations will be on display September 28 – 30 throughout NYFF at several venues on the Lincoln Center campus including the Film Center, Walter Reade Theater, and Alice Tully Hall.  Viewers are invited to chart their own course through the work, and to draw their own thematic connections as they go and then join Directors Eline Jongsma and Kel O’Neill for a discussion about the genesis of this one of a kind experiential documentary.
Please join directors Eline Jongsma and Kel O’Neill in a special guided press tour of the project on Saturday, September 28th at 3pm.    Participants in the tour are asked to meet in the lobby of the Elinor Bunin.
Eline & Kel will also be participating in a discussion with Nicolas Rapold about the genesis of this one of a kind experiential documentary at 4pm on Saturday, September 28th at the Elinor Bunin amphitheater.   Press are welcome to attend.
To request a press pass to the tour and/or panel discussion, or if you are interested in an interview with the directors please email Gerilyn@Brigademarketing.com

ABOUT THE FILMMAKERS
Eline Jongsma & Kel O’Neill are a married Dutch-American filmmaking team focused on cross-platform storytelling. They work as a two-person crew, and film, edit, research and produce all of their work by themselves. They spent 2010-2013 travelling more than 140,000 kilometers by car, boat and airplane through Asia, Africa, Oceania and the Americas while filming Empire. Before creating Empire, Eline and Kel were the US Correspondents for VPRO Television’s Prix Europa-winning documentary series “Metropolis.” Their journalism work has appeared in the Huffington Post, Vice and The Creators Project. Their videos and installations have been presented by museums, galleries and festivals throughout the world, including: the Los Angeles Film Festival (LAFF); the International Documentary Film Festival Amsterdam (IDFA); the International Architecture Biennale Rotterdam (IABR); Apex Art, New York; Stevenson Gallery, Cape Town; Jogja National Museum, Yogyakarta; Khoj, New Delhi; and CBK Zuidoost/Stedelijk Museum Bureau Amsterdam (SMBA). Before they began working together, Eline worked as a fine art photographer, and Kel worked as an actor in independent film.

ABOUT NYFF CONVERGENCE
Focusing on the intersection of technology and storytelling, NYFF Convergence offers audiences and creators the unique opportunity to experience a curated selection of some of the most exciting immersive storytelling projects being produced today.

For more information please visit:

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Friday, September 27, 2013

National Endowment for the Arts Presents Highlights from the 2012 Survey of Public Participation in the Arts

                                                                                                Contact:  Sally Gifford, NEA Public Affairs
September 26, 2013                                                                                                        202-682-5606 | giffords@arts.gov


The latest survey explores five areas of arts engagement

WASHINGTON, DC—How do Americans participate in the arts in the course of a year? What kinds of art forms and activities do they engage with, and in what numbers? The NEA investigates these questions and more in the 2012 Survey of Public Participation in the Arts (SPPA), the nation’s largest population survey of arts participation trends. Today the NEA released an initial report of the survey's findings. A more comprehensive report will be available in 2014.

“One of the most important things we can do as the National Endowment for the Arts is to understand how our nation engages with the arts,” said NEA Senior Deputy Chairman Joan Shigekawa. “This iteration of the Survey of Public Participation in the Arts is our most comprehensive look yet at the myriad ways art works for Americans.”

A Yardstick for Arts Engagement

The NEA has partnered with the United States Census Bureau six times since 1982 to conduct the SPPA. The 2012 survey asked a nationally representative sample of adults ages 18 and older if they had participated in five broad categories of arts activity in the past year: attending, reading, learning, making/sharing art, and consuming art via electronic media.

Within the arts attendance category, the survey collected data on performing arts events; art museums, galleries, and visual arts events; destinations with historic or design value; and movies. In the reading category, the survey measured reading rates for literature (novels or short stories, poetry, and plays), as well as reading rates for any book (fiction or nonfiction) outside of school or work. The art-making or art-sharing category gathered data on dance; photography; various types of music; film/video; the fiber arts; leatherwork, metalwork, and woodwork; scrapbooking; creative writing and books in general; the visual arts; pottery, ceramics, and jewelry-making; theater; and opera. The survey also asked about electronic consumption of books and literature, the visual arts, dance, theater, opera, and various types of music. In addition, the survey asked people if they had taken an arts class or lesson in or out of school, or had learned arts subjects through some other means. 

For the 2012 survey, the NEA doubled the sample size in order ask more questions and discover new patterns of arts engagement. The NEA developed the new questions through dialogues with researchers, policymakers, and practitioners in the arts. Since the survey captures more art forms, it also captures more people who are participating in the arts. 

Key Findings

This initial analysis of the 2012 SPPA shows that large segments of the U.S. adult population reported taking part in at least one kind of arts activity. A closer look at the data reveals subtle shifts in demographic and behavioral patterns that occurred since 2008, the previous survey year.

Art and Electronic Media

  • More than two-thirds of American adults (71 percent or 167 million) accessed art via electronic media, including TV, radio, handheld or mobile devices, the Internet, and DVDs, CDs, tapes, or records.

  • Music viewing and/or listening is the most popular form of media arts participation—whether on TV, radio, or the Internet. Fifty percent of adults used TV or radio to watch or listen to music, and 29 percent used the Internet to watch, listen to, or download music.

  • Mobile devices appear to narrow racial/ethnic gaps in arts engagement. Whether listening to music, looking at a photo, or watching a dance or theater performance, all racial/ethnic groups show roughly the same rates of engagement via mobile devices.

Attending Arts Events and Activities

  • Nearly half of the nation's adults (49 percent or 115 million) attended at least one type of visual or performing arts activity. Fifty-nine percent of adults attended at least one movie, an activity that increased substantially among most demographic subgroups.

  • Musical play attendance saw the first significant drop since the 1985 SPPA: a 9 percent rate of decline from 2008 to 2012. Non-musical play attendance fell at a 12 percent rate over the same period.  Museum-going also saw a decline: 21 percent of adults (or 47 million) visited an art museum or gallery in 2012, down from 23 percent in 2008.

  • Non-white and Hispanic Americans saw no declines in their arts attendance rates from 2008 to 2012; on the contrary, they even saw increases in some categories. In 2012, African Americans outpaced whites' attendance rates at jazz events.

  • Festivals show promise as entry points to the arts. One in four younger adults (ages 18-24) attended an outdoor performing arts festival in 2012, up from 22 percent in 2008. 

Art-Making and Art-Sharing

  • About half of the nation's adults created, performed, or shared art of various types. Social dancing is the most popular form of art-making or art-sharing; nearly one in three adults (32 percent) danced at weddings, clubs, or other social settings. Young adults and Hispanic Americans are the most avid dancers; 40 percent of 18-34 year olds and 36 percent of Hispanics reported social dancing.

  • One in four adults (26 percent) e-mailed, posted, or shared photography in 2012. One in five adults (21 percent) e-mailed, posted, or shared music. Fifteen percent shared their own photos, and 13 percent shared film or videos. Thirteen percent did photo editing, and 12 percent did photography for artistic purposes.

  • In this category, the fiber arts were among the most popular. Thirteen percent of adults reported participating in weaving, crocheting, quilting, needlepoint, knitting, or sewing in 2012. Twelve percent of adults played a musical instrument. Nine percent reported singing, either alone or with others, and 8 percent created leatherwork, metalwork, or woodwork.

Reading Books and Literature

  • More than half of American adults read a work of literature or a book (fiction or nonfiction) not required for work or school. However, adults' rates of literary reading (novels or short stories, poetry, and plays) dropped back to 2002 levels (from 50 percent in 2008 to 47 percent in 2012).

  • Older Americans (65 and older) now have higher rates of literary reading than any other adult age group. 

Arts Education

As of 2012, roughly half of all adults had experienced some arts learning at some point in their lives, whether through classes or lessons, in or out of school, or outside of formal instruction. But disparities persist by gender, race/ethnicity, and level of general education. For example, a college graduate is nearly twice as likely to have taken an art class or lesson in childhood than a high school graduate (59 percent compared to 32 percent). Meanwhile, adults of all racial and ethnic backgrounds reported similar rates of taking arts classes or lessons in the last year.

  • The most popular classes adults reported taking in childhood (in or out of school) were voice training or playing an instrument (36 percent), visual arts (19 percent), and art appreciation or art history (18 percent).

  • A new, more inclusive question about arts education reveals more arts participants than before. Fifty-six percent of adults reported that they received arts education at some point in their lives—whether through classes, lessons, or through informal instruction (from friends, family tradition, or teaching oneself). This compares to the 49 percent who reported having taken formal instruction (a class or lesson, in or out of school) at some point in their lives. The most popular informal learning experiences were voice training or playing an instrument (18 percent), dance (16 percent), photography or filmmaking (13 percent), and music appreciation (11 percent).   

Next year, the NEA will release a full report with in-depth findings including more geographic and demographic details for arts engagement among U.S. adults. Beyond today's highlights report, the entire survey questionnaire, raw data, and user's guide are available to researchers and the public atarts.gov.

The SPPA Challenge: Presenting Arts Data Artfully

Big data presents big challenges, and the SPPA is no exception. Consequently, the NEA is issuing a challenge to create interactive visualization tools to make the 2012 SPPA more accessible to the public. This challenge seeks to help researchers, academics, and the media explore and explain the reach of the arts in American life.  More than $20,000 will be awarded to select contestants; learn more when the SPPA Challenge goes live on September 30 at Challenge.gov.

NEA Art Works: Research Grants

The SPPA and its host survey instrument, the Current Population Survey, include a wealth of demographic information that can be mined for detailed characteristics of arts participants. Researchers are encouraged to analyze the SPPA through the NEA Research: Art Works grant program; the next deadline is November 5.

About NEA Research

The NEA is the only federal agency to conduct long-term and detailed analyses of arts participation. For more than 30 years, the NEA Office of Research & Analysis has produced periodic research reports, brochures, and notes on significant topics affecting artists and arts organizations, often in partnership with other federal agencies such as the U.S. Census Bureau and the Bureau of Labor Statistics. The NEA is committed to extending the conversation about arts participation by making data available to both the research community and the public at large. 

About the National Endowment for the Arts

The National Endowment for the Arts was established by Congress in 1965 as an independent agency of the federal government. To date, the NEA has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector. To join the discussion on how art works, visit the NEA at www.arts.gov.

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Museum of Contemporary Art Chicago

November2013 - March 9, 2014
 
White Rabbit, Red Rabbit

Co-presented with the Chicago Humanities Festival

November 2-10, 2013

Iranian playwright Nassim Soleimanpour is a conscientious objector who refused to take part in military service, mandatory for all Iranian men. Forbidden to travel, Soleimanpour turned his isolation to his advantage with an absurdist, highly original play that blends comedy and drama. The MCA Stage co-presents the Midwest premiere ofWhite Rabbit, Red Rabbit with the Chicago Humanities Festival onNovember 3-9, in the Edlis Neeson Theater at the Museum of Contemporary Art (MCA) Chicago.

White Rabbit, Red Rabbit is a solo play written by Nassim Soleimanpour, which features a different, notable Chicago actor for each performance: Usman AllyFawzia MirzaYasen Peyankov, orMichael Shannon. Each actor receives the script just prior to going on stage, and as part of the intrigue, audience members do not know who is performing until the play begins. 

In White Rabbit, Red Rabbit Soleimanpour distills the experience of an entire generation born amid the hardship of the Iran-Iraq war -- computer-literate, well-informed young people who have never known an Iran other than the Islamic Republic. His play has no director, no set, and a different guest performer for each performance. Using a menagerie of allegorical animals, the play is "not about Iran," but grapples with the social phenomena of power, obedience, and manipulation.

Usman Ally's credits include originating the role of Amir in the Pulitzer Prize-winning play Disgracedat American Theatre Company (Jeff Award Nomination, Actor in a Principal Role), VP in the Pulitzer Finalist Elaborate Entrance of Chad Deity at Victory Gardens Theater, and most recently, originating the role of Bagheera in The Jungle Book at the Goodman Theatre.

Attorney-turned-actor, producer and writer Fawzia Mirza's credits include The Happiest Song Plays Last at Goodman Theatre, Scorched at Silk Road Rising, and In the Heart of America at Theatre Seven, along with producing, writing, and staring in her own comedic web series Kam Kardashian.

Steppenwolf Theatre Company ensemble member Yasen Peyankov's credits include Morning Star(Jeff Award, Actor in a Supporting Role), Frankie and Johnny in the Clair de LuneHysteriaThe Duel, produced in association with European Repertory (co-founded by Peyankov), Three Sisters, and the upcoming production of The Wheel.

Academy Award-nominated actor Michael Shannon's credits span both stage and screen, with roles in the films Man of Steel and Revolutionary Road, the latter for which he received his first Academy Award nomination, HBO's Boardwalk Empire as agent Nelson Van Alden, and most recently on stage at A Red Orchid Theatre as Carter in Simpatico.

Nassim Soleimanpour is an independent multidisciplinary theater maker from Tehran, Iran. Best known for his play White Rabbit Red Rabbit, his work has been awarded the Dublin Fringe Festival 'Best New Performance,' Summerworks 'Outstanding New Performance Text Award,' and the Arches Brick Award at the Edinburgh Festival Fringe, as well as picking up nominations for a Total Theatre and Brighton Fringe Pick of Edinburgh Award.

Artists Up Close
Post-Show Talks
Following all performances
Yolanda Cesta Cursach, Associate Director of Performance Programs, and other invited guests lead discussions with the actor and audience immediately following each performance.

American Sign Language (ASL) Interpretation
Saturday, November 9, 3 pm performance

Ticket Information
Performances of White Rabbit, Red Rabbit take place Sunday and Monday, November 3 and 4, at7:30 pm; on Tuesday, November 5 at 6 pm; and Saturday, November 9 at 3 pm in the Edlis Neeson Theater, 220 East Chicago Avenue. Tickets are $18 and a limited quantity of $10 student tickets are available. The MCA Box Office is at 312.397.4010 or www.mcachicago.org, the CHF Box Office is at312.494.9509 or www.chicagohumanities.org. One free museum admission is granted with an MCA Stage ticket stub, valid up to seven days after the performance.

About the MCA Stage
MCA Stage is a nationally recognized presenter of contemporary theater, dance, music, and multimedia performances. Featuring leading performers from around the globe, including Chicago's most innovative artists, MCA Stage is the most active interdisciplinary performing arts presenter in Chicago. MCA Stage enjoys working year round with numerous arts and community organizations for the co-presentations of the performing arts, making the MCA a shared resource for the cultural life of our city. MCA Stage celebrates artists and their creative process, connecting audiences with artists in meaningful discourse with its Artists Up Close series of post-show talks, panels, roundtable discussions, workshops, and residencies. Audiences at MCA Stage performances receive one free museum admission with each ticket stub on the performance date or during the following week. For information and tickets, call the MCA Box Office at 312.397.4010 or visit www.mcachicago.org.

About the Chicago Humanities Festival
The Chicago Humanities Festival began in 1989 as a dream shared by a determined group of Chicago's cultural leaders eager to extend the riches of the humanities to everyone. Since that first year, some of the world's most exciting thinkers, artists, and performers have come to Chicago each fall for a festival that celebrates ideas in the context of civic life. Past Festival themes include Laughter, The Body, Tech Knowledge, America, and this year's Animal: What Makes Us Human,Oct. 13, 20, and Nov. 1-10, 2013. Under the leadership of Executive Director Phillip Bahar and Artistic Director Matti Bunzl, CHF partners with Chicago's premier cultural institutions, and the festival has become an annual highlight for thousands of people from Chicago and beyond. In addition to the annual fall festival, CHF also presents the spring Stages, Sights & Sounds, a global performance festival for families, students, and theatergoers of any age, and programs throughout the year that encourage the study and enjoyment of the humanities. Visit chicagohumanities.org for more information.


  
Image: White Rabbit Red Rabbit. Image courtesy of Aurora Nova Productions.
Lead support for the 2013-14 season of MCA Stage is provided by Elizabeth A. Liebman. Additional generous support is provided by Graff, David Herro and Jay Franke, Caryn and King Harris, Lois and Steve Eisen and The Eisen Family Foundation, and Mary Ittelson. The MCA is a proud partner of the National Performance Network. Air transportation is provided by American Airlines, the Official Airline of the Museum of Contemporary Art. MCA Chicago is a proud member of Museums in the Park and receives major support from the Chicago Park District.
The Museum of Contemporary Art, Chicago (MCA) is a nonprofit, tax-exempt organization accredited by the American Association of Museums. The MCA is generously supported by its Board of Trustees; individual and corporate members; private and corporate foundations; and government agencies including the Illinois Arts Council, a state agency, and the City of Chicago Department of Cultural Affairs and Special Events.  Museum capital improvements are supported by a Public Museum Capital Grant from the Illinois Department of Natural Resources. The Chicago Park District generously supports MCA programs. Air transportation is provided by American Airlines, the Official Airline of the Museum of Contemporary Art. The MCA is located at 220 E. Chicago Avenue, one block east of Michigan Avenue. The museum and sculpture garden are open Wednesday through Sunday from 10 am to 5 pm and Tuesday from 10 am to 8 pm. The museum is closed on Monday. Enjoy free admission every Tuesday. Suggested general admission is $12 for adults and $7 for students and seniors. Children 12 years of age and under, MCA members, and members of the military are admitted free. Information about MCA exhibitions, programs, and special events is available on the MCA website atmcachicago.org or by phone at 312.280.2660.
 
Karla Loring
email: kloring@mcachicago.org
voice: 312.397.3834
Elena Goetz
email: egoetz@mcachicago.org
voice: 312.397.3828
Chicago Humanities Festival: Anna Marie Wilharm 
This email was sent to jamieforbes@fineartmagazine.com by kloring@mcachicago.org  
Museum of Contemporary Art | 220 E. Chicago Ave | Chicago | IL | 60622

Fine Art Magazine - Blues & Brews on the Bay with the Bobby Nathan Band

Thursday, September 26, 2013

Artist Opportunity

ARTIST OPPORTUNITY
Contact:       Annette Bernhardt, Marketing Coordinator, 631.462.5400 x223

Inline image 1

Call for Artists:  58th Annual Members’ Exhibition at the Art League of Long Island

The Art League of Long Island seeks entries for their 58th Annual Members’ Exhibition.  Current members and artists who join as members are welcome to submit applications for the exhibit showing in two parts: Part One (artist last names A-L) runs from November 10 to December 1 and Part Two (artist last names M-Z) runs from December 15 to January 5.

Original works in 2-D and 3-D in any medium (within certain size specifications), except for video and installation art, can be accommodated in the Art League’s spacious Jeanie Tengelsen Gallery.          

Awards of Excellence and Honorable Mentions will be determined by exhibition juror Robert Carter, Professor of Art at Nassau Community College.  As an artist/illustrator, his paintings, drawings and illustrations are in great demand by collectors throughout the United States.  His work is in the permanent collections of several museums and has been featured in exhibitions across the country.

To obtain prospectus call (631) 462-5400 or download at www.artleagueli.org.  Deadline to submit application is October 25, 2013.

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The Naples Art Association presents: Downtown Naples New Year's Art Fair

The Naples Art Association 
   
 presents:  

NAA New Years PIX for CTA 2013
 
Downtown Naples New Year's Art Fair  
Call to Artists  

What: Downtown Naples New Year's Art Fair

Where: 5th Avenue South in beautiful downtown Naples, Florida

When: January 4-5, 2014
          10am - 5pm Saturday and Sunday

NOTEWORTHY:
  
*18th Annual Event
  
*Estimated Attendance: 19,000
  
*Present your art to an affluent, art savvy clientele
  
*Held in an upscale dining and shopping district
  
*Extensive Marketing through paid advertising, media sponsorship and editorial publicity
  
*Drive-up loading and unloading
  
*Quads setup for great visibility
  
*Artist amenities: Free parking, free shuttle during set-up and teardown, overnight security, booth sitting 

A new year and new opportunities await you at this wonderful, well established art festival. Ranked as one of the 100 Best Fine Art Shows in the U.S. by Sunshine Artist Magazine, this fine arts fair will showcase about 230 professional artists from around the country.

Held in the heart of Downtown Naples, on prestigious 5th Avenue South, this festival attracts art-savvy attendees and features upscale shops and restaurants.Quad setup for artists along the street means that every artist gets a corner booth with great visibility.

This festival is hosted by the Naples Art Association and receives maximum promotion from media and communication resources.  The mission of the Naples Art Association is to promote and advance education, interest and participation in the contemporary visual arts. Festivals hosted by the Naples Art Association provide the primary funding source for art education and related programs.
NOW ACCEPTING APPLICATIONS

Deadline: October 2, 2013

Notification: October 23, 2013

Booth Fee Due: November 6, 2013

For additional information and to apply, go to  www.juriedartservices.com

Email questions to: marianne.megela@naplesart.org 

This Call to Artists is brought to you as a service of The Art Festival Newsletter,
the nation's only quarterly newsletter dedicated to the success of art festival artists.
Please visit us at:  www.theartfestivalnewsletter.com


We also invite you to visit the incredible homepage for artists: 
www.art-linx.com

Searching for festivals? Visit www.theartfestivaldirectory.com 
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Breaking Boundaries: The Art of Susan Weinreich

Reynolds Fine Art
Presents

Breaking Boundaries:
The Art of Susan Weinreich


 

Reynolds Fine Art is pleased to offer a hand picked selection of early Vintage Drawings executed by the artist, Susan Weinreich, in the 1970’s. Raw and Frenetic, these drawings were created on the cusp of the artist’s descent into schizophrenia.  Also included in this exhibition is a selection of signed Black and White Woodcut Prints, Powerfully Bold and Unique, produced from the 35 original blocks executed by Weinreich during the acute phase of her illness.  A corresponding selection of the original Blocks, themselves, will also be on display throughout the show. The exhibit concludes with significant and highly compelling Large Scale Pastels and Mixed Media works created during the early phase of Weinreich’s recovery.
 “Art is the noblest way to make a seeming tragedy into the occasion of triumph.  Susan Weinreich’s drawings and paintings have that redemptive quality: they reach unabashedly into darkness and thrust into shattering clarity, telling the story of their sometimes tortured inspiration from a hard-earned place of safety.  These brave pictures, suffused with intimacy, elaborate her unstinting gaze at both the smoothness of the world’s surfaces and the jagged turmoil of the human mind.  Susan Weinreich is remarkable for the art she has made in sickness and in health, for the profound emergence from schizophrenia she has achieved, and for the intense self-awareness that has marked her recovery.” -Andrew Solomon, PhD, is a writer and lecturer on politics, culture, psychology and the arts.
Susan Weinreich is a celebrated American Artist, Lecturer and Mental Health Advocate whose paintings and drawings have been exhibited across the nation. At the request of galleries, universities, public corporations and private non-profit organizations, Susan has spoken in the United States and Canada about her art and the impact of her past illness on her life. Her art and life story have been featured in the national press, including the New York Times.
Originally diagnosed in 1975 with paranoid schizophrenia while attending the Rhode Island School of Design. Weinreich’s recovery from her illness provides an important lesson for us all in the power of heroic commitment, perseverance and healing to affect change. Her work both as an advocate for those less fortunate and as an artist has made much impact on the lives of many people and their energy.
Ms. Weinreich’s artwork is in the collection of numerous individuals, public and private, including, The William Jefferson Clinton Presidential Library in Little Rock, Arkansas, the World Corporate Headquarters of Eli Lilly in Indianapolis, Indiana, and the Four Winds Hospital, in Katonah, New York.
The Show will be on display from October 4th through the 29th at Reynolds Fine Art located in New Haven’s historic 9th square on 96 Orange St. The Shows opening reception will be held on Friday the 4th of October. Open Studio lectures scheduled for the 19th and 20th of October. For inquiries please contact us at 203.498.2200 or email us at info@reynoldsfineart.com.

Best,

Daniel Bennick 
Gallery Manager/Curatorial Assistant

Reynolds Fine Art



96 Orange St.
New Haven, CT 06510
203.980.3364 (Mobile)

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Rich Brilliant Willing


Visit the RBW Studio

98 4th Street, Studio 107 (Rich Brilliant Willing’s Brooklyn HQ) welcomes visitors!

Meet the designers, see a selection of installed products and view the hands-on
workshop (
all RBW production is executed onsite).

If you are an architect, interior designer or design savvy follower, we would love
to show around our space. Please contact Olivia to book a studio tour.
olivia@richbrilliantwilling.com.


Olivia Sholler
Olivia@RichBrilliantWilling.com
+1-212-388-1621
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