Saturday, November 19, 2022

Artists For Peace & The Environment

Robert F. Kennedy, Jr. and Ron English at RiverKeeper Alliance picnic in 2000. Both had images on view along with other works from the Artists For Peace and the Environment Woodstock ’99 collection.
 

By JAMIE ELLIN FORBES, Publisher Fine Art Magazine

 “Artists for Peace and the Environment” was originally exhibited in the summer of ’99 in Rome, NY at the 30th anniversary of the Woodstock Music and Art Festival, “An Aquarian Exposition.” Artists were invited to participate and with the support and agreement of Michael Lang (Woodstock Ventures) and Robert Kennedy Jr., (Riverkeeper Alliance). While curating the collection, I entitled the exhibit “Artists for Peace and the Environment.” Calls for peace were not significant that year, peace accords had been signed for Bosnia. The luster of environmental causes was waning somewhat as the glamor of the rally to save the Amazon rain forest had died out. The Columbine High School massacre lent a picture of an emerging profile of youth in America. Youth and violence. Artists for Peace and the Environment got lost in the shuffle of the disorder that surrounded this, third Woodstock event.
Still, with the help and support of many, this collection of nearly 100 large paintings on 4’ x 8’ canvases caught the rising tide of warmth, peace, love and rock and roll of the original Woodstock Nation and all of the hallmark signature athems that were never associated with the ’99 theme — “Not  Your Parents Woodstock.”
 

Most folks having anything to do with that event distanced themselves right away from the festivals’ violence. Some people—like me—hung on to the concept of Love, Peace and Rock and Roll. Peace and the Environment never seemed like a bad idea which can go out of style. It was timeless.
Having committed myself to these works, I was able to show the images in several national and international events from ’99 -2005. Dieter Schneider of Nuremberg, Germany was a staunch supporter of the Woodstock Nation and hosted the canvases into Berlin, Nuremberg and Munich through 2006. In NY, we held a big party on the Intrepid Museum with the aid of Mary Asta. The canvases were exhibited at the Nassau Museum in Roslyn Harbor with Graham Nash flying in to sing a few tunes. Bobby Kennedy Jr. as a supporter and participating artist displayed selected works  at River Keeper events.  Harry  Wahab of the Stendhal Gallery was kind enough to host an event in 2,000 and Victor Forbes and myself exhibited these works at the Blue Poodle Gallery in 2004. I built a small website and the collection can be seen in it’s entirety at www.fineart magazine.com.
So why take a look now at this collection now? Because the theme is more relevant than ever. Michelle Estrick has become an acclaimed  film producer, Ron English, now a well noted politically active and collectable painter; Wavy Gravy, a cultural icon; Tico Torres, drummer of Bon Jovi and serious painter contributed a work, as did Lorraine Bracco of the Sopranos. These are just a fraction of the artists involved. Peace and the environment are more important than ever and the time has come for these works to stand alone as a viable and important artistic  statement related to today’s urgent cries for social change. There are no more pressing issues than peace and the environment. The war we wage as the US since 2001 has bankrupted our system. The environmental changes we see are real and we are on the precipice of not being able to stop a climatic shift which will make war seem remote as a problem.
Why is peace important as a principle? It matters little if there is a war taking place in Vietnam, Bosnia, or Iraq. People are slaughtered every day in fighting. Children, civilians, soldiers. Our  loved ones and theirs senselessly die every day. So peace is a good idea, yes?
The Sudan had the largest migration due to drought and war of any refugee nation until it was replaced by the Afghan refugee  migration into Pakistan this last year. War and drought still plague the planet.
Why the environment? It is because  fires burn in the western part of the United States, no longer as a phenomena of the Santa Ana Winds, known within the region as seasonally due in November. Brush fires occur for more than half the year now. The devastation has affected the resilience of the economy of California, which until the  recent fiscal debacle was the fifth largest in the world. California’s main source of irrigation water is expected to go dry this year for most of its growers due to drought, idling at least 60,000 workers and up to 1 million acres of farmland, federal officials and experts said.
Dust turns the sky of Sydney, Australia red, due to the largest dust bowl recorded on our planet. The cause? Prolonged regional drought. The Zoological Society of London and the Global Footprint Network also gave the following statistics: land species have declined by 25%, marine life by 28% and freshwater species by 29%. The rhythm of  our inter-relatedness as a species is the music we follow when we are not hearing sound. Every time one species is eliminated from the tree of life our internal sound diminishes. The musical chord is changed forever. Like a guitar string snapping, a richness is lost. Artists For Peace and the Environment uses necessary to be communicated as image, borrowing from and played out, in the background of the memory Woodstock Nation in the summer of ’99. The ideas are now in the foreground.  The art works called then and now to an end to war and assault on the environment.
Lack of conservation and pollution of our natural resources, land and water are now major general health and population concerns for all communities in all cultures. People go to war for lack of land, water, food and natural resources which sustain life and cultures. Between multiple wars and a continued lack of environmental concern, we are now forever propitiating the cycles of lack.  
The possibility that ideas as images may universally be understood in this collection of art   using iconic message, which travel fasted than the speed of light to make change happen was instituted in ’99. Graffiti artist Anthony Asutang, sculptors Steve Zaluski, and Bob Wade, painter/musicians known and unknown contributed to Artists for Peace and the Environment. All used image to dialogue the importance of the peace, love, rock and roll and Mother Earth. Through these images, they bridge and forge new forms of descriptive metaphor. The artists tackled and addressed the immense magnitude of the issues facing each person today. Peace and the Environment are timesless  canvases, messages form a simple fundamental universal language, as a collection,  for the now famous peace sign, the slogans of the “Woodstock Nation”  used art for 40 years  carry  over the message that “Now—more than ever—Peace  and the Environment go hand in hand." 

Thursday, November 17, 2022

Phillips to Host the London 2022 Sovereign Art FoundationStudents Prize Finalists’ Exhibition.




 





Phillips to Host the London 2022 Sovereign Art FoundationStudents Prize Finalists’ Exhibition

 

On View in Phillips Berkeley Square Galleries Alongside New Now this December

 


Doll by Xi Yang, of Dulwich College

Courtesy of the artist and The Sovereign Art Foundation

 

LONDON – 17 November 2022 – Phillips is proud to partner with The Sovereign Art Foundation (SAF) this December to present the third edition of the The Sovereign Art Foundation Students Prize, London. Established in 2012, The Sovereign Art Foundation (SAF) Students Prize is an annual award designed to celebrate the importance of art in the education system and recognise the quality of artworks produced by secondary school students citywide. As official venue partner of The Sovereign Art Foundation (SAF) Students Prize, Phillips will host the 20 shortlisted artworks in a Finalists’ Exhibition at Phillips London headquarters at 30 Berkeley Square, where it will run alongside Phillips’ New Now auction preview from 1 – 8 December 2022.

 

Tamila Kerimova, Director, Senior Specialist, 20th Century & Contemporary Art, Phillips, said: “Phillips is delighted to partner with The Sovereign Art Foundation and honoured to host the London Students Prize Finalists’ exhibition for the third year in a row. The exhibition will run alongside our New Now auction which will feature a broad spectrum of cutting-edge contemporary works from both blue chip and emerging artists alike. The aim of our ongoing partnership with The Sovereign Art Foundation is to celebrate the importance of art in education and to support them in their endeavours to champion young artists. At Phillips, our goal is to discover and showcase exceptional works of art and part of that is recognising the tremendous significance and role we all must play in encouraging and supporting the next generation of artists as much as possible. As we saw in the exhibition last year, the students entering the competition produce the most extraordinary works of art, and their talents should be recognised and celebrated so they feel confident to continue to nurture their creativity. We look forward to welcoming visitors to view the Students Prize Finalists’ Exhibition alongside our New Now auction highlights in our galleries on Berkeley Square this December.”

#phillipssovereignrize#fineartmagazine#fineartphillips

The Morgan Lehman Gallery, Sara Jimenez Fevered Tropics November 17 - December 23 Reception for the Artist: November 17, 6-8pm

Sara Jimenez
Fevered Tropics

November 17 - December 23
Reception for the Artist: November 17, 6-8pm
Sara Jimenez: Fevered Tropics, 2022
(installation view)
Morgan Lehman is pleased to present “Fevered Tropics,” an exhibition of recent mixed-media works by Sara Jimenez. This marks the artist’s first solo exhibition with the gallery.

Jimenez investigates the nature of transcultural relationships and memory through installation, collage, sculpture, and performance. As a Filipinx-Canadian artist, Jimenez is especially interested in ideas of origins and home, loss and absence, from which she creates visual metaphors that allude to mythical environments and reimagined artifacts.

The artworks on display use as their source material imagery from early 20th Century American colonial text books written about the Philippines. The main piece in the exhibition, “Tainted Siege” (2017), is part of a series of hanging paper sculptures made from painted and collaged inkjet prints from these texts. In “Tainted Siege,” the black and white sections are sourced from the colonial photos while the bright red sections are painted and collaged contemporary tourist postcards of the islands.

The form of “Tainted Siege” was inspired by tropical canopies, overgrown vines, Spanish moss, and theatrical stage props of “the tropics.” In making this series, the color of the sculptures shifted from greens to bright reds. Jimenez was imagining a color that signaled poison and caution, which came from her line of questioning, ‘What would the color of the landscape be if the trauma of the past were visible?’ This led her to envision these vibrant collaged hanging pieces as radioactive, powerful, entities with agency. She imagined these entities as absorbing and regenerating all written and unwritten histories, as opposed to being passive backdrops of recorded events.

The collages are made from the material scraps that accumulate from Jimenez’s process of making the sculptures. These collages often employ a lattice structure or porous patterned boundary on the surface.  In other instances, they take the form of fantastical and disorienting fragments of landscapes, such as in “Fevered Tropics” (2020) and “Roots Burrow” (2021). In regards to their chromatic sensibility, the works refer to the exaggerated, overly saturated sunset trope of travel postcards of ‘foreign places,’ and use hues that are seductive while also signaling danger.
 
"Fevered Tropics" had the honor of curatorial consultation from writer and curator Re’al Christian. 
 
Sara Jimenez received her BA from the University of Toronto (2008) and her MFA from Parsons the New School for Design (2013). Exhibitions include El Museo del Barrio, BRIC Gallery, Cornell University, Miriam Gallery, The Brooklyn Museum, The Bronx Museum, Morgan Lehman Gallery, and Smack Mellon. Jimenez has performed at The Dedalus Foundation, The Glasshouse, and Dixon Place, among others. Artist residencies include Brooklyn Art Space, Wave Hill’s Winter Workspace, Vermont Studio Center, the Bronx Museum’s AIM program, Yaddo, BRICworkspace, Art Omi, Project for Empty Space, LMCC’s Workspace, and Bemis (upcoming). Jimenez is the recipient of the Cecily Brown Fellowship. Her work is part of the permanent collection of the Ford Foundation Center for Social Justice. Selected awards and grants include NYFA’s Canadian Women's Artist Award, Canada Council for the Arts’ Explore and Create Grant, and BRIC’s Colene Brown Art Prize.

Morgan Lehman Gallery | 526 West 26th Street, 4th Floor, New York, NY 10001

Getty Images and BAFTA announce new Official House Photography Partnership.

Getty Images and BAFTA announce new Official House Photography Partnership



Getty Images and BAFTA Partnership Announcement: Getty Images and BAFTA announce new Official House Photography Partnership

LONDON , Nov. 17, 2022 (GLOBE NEWSWIRE) -- Getty Images (NYSE: GETY), a preeminent global visual content creator and marketplace, today announced that it has been newly appointed as Official House Photography Partner by BAFTA, the world-leading arts charity for the film, games and television industries.

The multi-year global agreement will see Getty Images’ award-winning entertainment photographers and editors delivering exclusive high-quality content from BAFTA’s full programme, encompassing some of the biggest and most high-profile events in the UK and international cultural calendar.

Highlights include the EE BAFTA Film Awards, BAFTA Television Awards and BAFTA Games Awards as well as its year-round programme of master-classes, festivals and events with emerging and established talent to celebrate creative excellence and inspire the next generation.

As the Official House Photographer Partner, Getty Images will shoot exclusive positions such as roaming red carpet, to behind the curtain including the winners’ conferences.

Getty Images’ extensive event expertise will ensure that images from the red carpet hit customers’ feeds in record time, often landing exclusively on Gettyimages.com around the world in as little as 30 seconds.

In addition to capturing the glamour of upcoming events, Getty Images will also exclusively represent and license all BAFTA still photography, to include its extensive archives, portraiture and all newly co-created photography from future BAFTA events. Getty Images has long been the go-to for quality image licensing, and this agreement will ensure that the BAFTA Archive content is more accessible than ever.

Claire Rees, Director of Photography at BAFTA, said: “When looking for an in-house photography partner, Getty Images really impressed with their ability to deliver unmatched capabilities to seamlessly cover and distribute content from our events to a global audience. Getty Images has become synonymous with quality event coverage, and their expertise in the representation and distribution of content made them the ideal photography partner for BAFTA.”

“Achieving a BAFTA represents the very pinnacle of creative excellence in the British film, games and television industries,” commented Ken Mainardis, Senior Vice President of Content, Getty Images. “To partner with such a world-leading arts charity is a great honour, and we look forward to collaborating with BAFTA to bring our experience in capturing such globally beloved events to the BAFTA red carpet and beyond. Adding iconic imagery from BAFTA’s extensive and unique archive to our offering will once again extend our unrivalled ability to service the visual needs of our customers.”

For over 25 years, Getty Images’ team of content creators have worked tirelessly to create award‑winning imagery and video that allows customers to set themselves apart from their competition, while including a diverse set of experiences and perspectives throughout the content creation process. In addition to the partnership with BAFTA, Getty Images content creators are at every major entertainment event globally, from awards ceremonies to fashion weeks to film festivals, covering almost 70,000 entertainment events a year and partnering with major brands on creative content strategy.

About BAFTA:
BAFTA – the British Academy of Film and Television Arts - is a world-leading independent arts charity that brings the very best work in film, games and television to public attention and supports the growth of creative talent in the UK and internationally. Through its Awards ceremonies and year-round programme of learning events and initiatives – which includes workshops, masterclasses, scholarships, lectures and mentoring schemes in the UK, USA and Asia – BAFTA identifies and celebrates excellence, discovers, inspires and nurtures new talent, and enables learning and creative collaboration. For more, visit www.bafta.org. BAFTA is a registered charity (no. 216726).

About Getty Images:
Getty Images is a preeminent global visual content creator and marketplace that offers a full range of content solutions to meet the needs of any customer around the globe, no matter their size. Through its Getty ImagesiStock and Unsplash brands, websites and APIs, Getty Images serves customers in almost every country in the world and is the first-place people turn to discover, purchase and share powerful visual content from the world’s best photographers and videographers. Getty Images works with over 496,000 contributors and more than 300 content partners to deliver this powerful and comprehensive content. Each year Getty Images covers more than 160,000 newssport and entertainment events providing depth and breadth of coverage that is unmatched. Getty Images maintains one of the largest and best privately-owned photographic archives in the world with millions of images dating back to the beginning of photography.
For company news and announcements, visit our Newsroom.

#gettey&bafta#fineartmagazine#fineartphotography

Wednesday, November 16, 2022

Catch the Bronx Museum this season!!!

  
Abigail-DeVille-Talk-Invite-Animated-02-Web 1

November 19, 2022 
2pm-4pm

Join us for a talk and book launch! Artist Abigail DeVille; Thelma Golden,Director and Chief Curator, The Studio Museum in Harlem; Jane Ursula Harris, writer, curator, and art historian; and Brooke Kamin Rapaport, Deputy Director and Martin Friedman Chief Curator, Madison Square Park Conservancy will be in conversation about DeVille’s work, the history of the artist’s practice, and the contexts in which DeVille’s work has developed over the last decade. Moderated by Eileen Jeng Lynch, Director of Curatorial Programs at The Bronx Museum, this discussion is in conjunction with the catalogue launch of the artist’s survey Bronx Heavenswith essays by Jeng Lynch and Jadele McPherson, artist-scholar. A book signing will follow.

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On View

20221014 Argenis Apolinario BxMA DeVille 3937 Panorama

Abigail DeVille: Bronx Heavens

On view through April 9, 2023

Spanning over a decade of work, Abigail DeVille: Bronx Heavens examines the myths and realities of local, familial and ancestral histories and the convoluted notion of freedom. This survey features DeVille’s rarely exhibited earlier works as well as new large-scale immersive installations and sculptures that transform the galleries into a cosmic space—taking us on a journey from the ancient past to an imagined future. The Bronx has served as a sanctuary for immigrant and migrant communities, including for the artist and several generations of her family who have lived in the area and were part of the Great Migration. DeVille’s work unearths forgotten narratives of communities of color and explores issues of identity, culture, and class.

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Maria and Her Mother 1987 JA-87-SC-173

Swagger and Tenderness: The South Bronx Portraits of John Ahearn and Rigoberto Torres

On view through April 30, 2023

Inspired and enabled by the people who live in the vibrant community where The Bronx Museum is located, local artists John Ahearn and Rigoberto Torres have become world-famous for their portraits of their South Bronx neighbors. While museum-goers elsewhere have celebrated these renowned sculptures honoring Bronxites for four decades, this is the first time a large group of these artworks are exhibited together at home for the very people represented therein. Featuring over 60 portraits alongside archival materials from 1979 to the present, this major survey exhibition mirrors the creative and loving residents of the South Bronx whose personal stories and innovative aesthetics both reflect and shape culture internationally.

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50th Anniversary

Our Stories, Our Voices is a year-long series of exhibitions and public programs celebrating the 50th Anniversary of The Bronx Museum. To mark this milestone we are celebrating the cultural wealth of our communities and bringing to light the stories, voices, and visions of artists seeking a more just and equitable world.

Thank you to our generous supporters without whom our 50th Anniversary programming would not be possible.

Anonymous; Lily Auchincloss Foundation; Bloomberg Philanthropies; Anne Delaney; Agnes Gund; William Talbott Hillman Foundation; Donald A. Pels Charitable Trust; Sciame Construction, LLC; May & Samuel Rudin Family Foundation, Inc.; and the Bronx Museum’s Board of Trustees.

50th Anniversary Funders as of 4.7.2022
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Images: Portrait of Abigail DeVille, 2021, photo by John Edmonds. Thelma Golden, photo by Julie Skarratt. Brooke Kamin Rapaport, photo by Ellen Dubin. Jane Ursula Harris. Eileen Jeng Lynch, photo by Kevin Li. Installation view of "Abigail DeVille: Bronx Heavens," photo by Argenis Apolinario. John Ahearn and Rigoberto Torres, "Maria Greeting her Mother," 1987, oil on cast fiberglass. Courtesy of the artists.

  
#thebronxmuseum#fienartmagazine#fineartfn

Hayground School annual Local Artisan Fair holiday fair, Homegrown for the Holidays, Dec. 10, 2022, 10AM-3PM!

HOMEGROWN FOR THE HOLIDAYS: 
LOCAL ARTISAN FAIR at HAYGROUND SCHOOL in BRIDGEHAMPTON
 
SATURDAY, DECEMBER 10 2022, 10am-3pm
HAYGROUND SCHOOL, 151 Mitchell Lane, BRIDGEHAMPTON, NY
Hayground School is thrilled to welcome back our annual holiday fair, Homegrown for the Holidays, featuring over 30 local artisans and vendors who will be selling their locally-made products at Hayground School in Bridgehampton on Saturday, December 10 2022, from 10am to 3pm. This community event celebrates the small businesses, artists, designers and food purveyors who make the East End a unique center of creativity and innovation. Raffles, prizes, and cookies and cocoa from the student-operated Hayground School Kitchen will be on offer. Homegrown for the Holidays 2022 local participants include Illyrian Olive Oil Company, South Fork Bakery, Southampton Soap Company, and 8knots Shelter Island, to name a few. Proceeds from the event directly support the participating local vendors.
 
Homegrown for the Holidays also offers the community an opportunity to experience the magic of Hayground School. Founded in 1996 by local families, the Shinnecock Indian Nation, and progressive educators, Hayground School offers children ages 3 through 14 a hands-on education based on student-led inquiry, mentorship, and authentic endeavors in the arts, sciences and humanities. Hayground School’s 13 acre campus in Bridgehampton, NY, includes a multi-use classroom building, a culinary arts center, athletic fields, playscapes, edible gardens and free-roaming chickens.
 
Hayground School looks forward to welcoming all to Homegrown for the Holidays to kick off the holiday season and support the local community. 
 
Instagram: @homegrownfortheholidays , @hayground_school
Facebook: @HaygroundSchoolHomegrownForTheHolidays
 #haygroundschool#fieartmagazine#fienartholiday