Friday, April 12, 2019

Coming up April 25 -28th Art Market San Francisco,. Visit the Nancy Toomey Fine Art booth 303

Nancy Toomey Fine Art is pleased to participate in Art Market San Francisco. Enjoy a free VIP pass, compliments of the gallery, and visit us at booth 303. Preview the works here on Artsy.

Art Market San Francisco returns to Fort Mason Festival Pavilion this April 25 to 28 for the fair's anticipated ninth edition with 80 galleries from around the world featuring top modern and contemporary art. 

Download your complimentary VIP Pass here which provides entry for you beginning with the VIP Preview on Thursday evening, April 25, and includes admission to the fair all weekend long.



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Current Exhibition at Nancy Toomey Fine Art



Carole Silverstein, these languages of reverence, 2018, Acrylic Ink on Mylar, 48 x 36 Inches
Through May 18, 2019

View on: Artsy | 1stdibs

 

Carole Silverstein our mingling spirits Exhibition View at Nancy Toomey Fine Art

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1275 Minnesota Street, San Francisco
Tues-Fri 11am-5:30pm, Sat 11am-5pm

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Very interesting: De Primi Fine Art in Lugano exhibition 10 May - 28 June 2019 opening Thursday 9 May 2019 at 6 pm

Roberto Crippa - Piero Dorazio - Fausto Melotti - Bruno Munari - Gio Ponti - Ettore Sottsass
10 maggio - 28 giugno 2019
vernissage giovedì 9 maggio 2019
alle ore 18:00
Lun - ven 9:00-13:00 / 14:00-18:00
Sabato previo appuntamento.
La De Primi Fine Art di Lugano è lieta di annunciare la mostra Textile. Crippa, Dorazio, Melotti, Munari, Ponti, Sottsass.

Nel pieno del moto di ricostruzione che marca gli spiriti dell’Italia del Dopoguerra, l’industria tessile vive un forte rilancio e decide di far capo al fervente mondo artistico. Nascono così delle interessanti e poco note collaborazioni tra arte e design tessile. In mostra vengono presentati svariati progetti e disegni per la stampa su stoffa, realizzati da rinomati artisti italiani in occasione dei concorsi indetti dalle aziende tessili e presentati al pubblico durante le edizioni IX, X e XI de La Triennale di Milano (1951, 1954, 1957).
10 May - 28 June 2019
opening Thursday 9 May 2019
at 6 pm
Mon - Fri 9:00-13:00 / 14:00-18:00
Saturday by appointment only.
De Primi Fine Art in Lugano is pleased to announce its new exhibition Textile. Crippa, Dorazio, Melotti, Munari, Ponti, Sottsass.

In the midst of the reconstruction that marks the Italian post-war, the textile industry experiences a strong re-launch and decides to join forces with the fervent artistic world. This is how some interesting and little-known collaborations between art and textile design are born. The exhibition presents various projects and designs for printing on fabric, made by renowned Italian artists on the occasion of the competitions organized by textile companies and presented to the public during the IX, X and XI editions of La Triennale di Milano (1951, 1954, 1957). 

Image
Ettore Sottsass (1917 - 2007), Untitled, 1956, tempera on paper, 67 x 48 cm

De Primi Fine Art sa, Piazza Cioccaro 2, 3rd floor, 6900 Lugano, Switzerland
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Thursday, April 11, 2019

Catch Stan Brodsky Exhibit at the Jeanie Tengelsen Gallery, Huntington Art League April 13-28


 
 
Exhibiting in the Jeanie Tengelsen Gallery
April 13 - April 28
Stan Brodsky  & Friends
 
clockwise from top left: photo of Stan Brodsky by Peter Scheer; "Galactic Oceans", acrylic on convex circle canvas by Alicia Peterson; "The Journey", oil on canvas by Janice Sztabnik; "Pink/White Square", oil on canvas by Ellen Hallie Schiff; "Abstract Thinking", acrylic on canvas by Ennid Berger; "She wears her heart on her sleeve...", mixed media by Susan Canin; "Space Time", acrylic on canvas by Catherine Morris; "Superficial Information", oil on canvas by Marceil Kazickas; Woman in a Car", oil/acrylic on canvas by Doug Reina; "Meadow", acrylic on canvas by Lois Walker

 
Artists' Reception:
  April 14, 2019, 3:30pm - 5:30pm

An exhibition originally planned in tribute to Stan Brodsky is going on as planned, and serves as a poignant remembrance and appreciation for the late artist, who passed away on March 30, 2019 at age 94. "Stan Brodsky and Friends" pays homage to the man who inspired the 27 artists whose works are also in this exhibit. Stan will be sorely missed, but his legacy carries on in the artwork of those he mentored.

Participating Artists:
Stan Brodsky, Ennid Berger, Susan Bird, Susan Canin, 
Denise DiGiovanna, Simon Fenster, Stuart Friedman, Peter Galasso, 
Lenore Ann Hanson, Ginger Balizer-Hendler, Caroline Isacsson, 
Vincent Joseph, Deborah Katz, Marceil Kazickas, Denise Kramer, 
Barbara Miller, Catherine Morris, Pamela Long Nolan, Dianne Parker, 
Alicia R Peterson, Doug Reina, Fran Roberts, Susan M. Rostan, Ellen Hallie Schiff, Laura Powers-Swiggett, Janice Sztabnik, Lois Walker, Hiroko Yoshida.
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Many Thanks To Our 2018-19 Exhibition Season Sponsors
 
Fluid image 1
Fluid image 2

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Gallery Itsutsuji is pleased to present the 5th Guillaume Bottazzi's solo show at the gallery from 17 May to 22 June 2019 in Tokyo.


Gallery Itsutsuji is pleased to present the 5th Guillaume Bottazzi's solo show at the gallery from 17 May to 22 June 2019 in Tokyo.



Colours of “Japan, my love” are sober, with cobalt blue and turquoise on beige and white mediums. Ten recent oil paintings on raw linen canvas or fabric, of 146cm x 97cm are shown but also backlit installations on aircraft canvas.

This major Japanese gallery enabled Guillaume Bottazzi to establish his style through several commissions for artworks. The Gallery Itsutsuji has introduced movements such as the Supports / Surfaces group, and artists such as Claude Viallat, Louis Cane, Daniel Dezeuze, Jean-Pierre Pincemin, and other as Pierre Buraglio, François Rouan, Jean-Michel Meurice, Simon Hantaï and Pierre Soulages.

In 2004, Guillaume Bottazzi was artist in residence in Japan and he has spent a great deal of time in the Land of the Rising Sun. In 2010, at the initiative of the Tokyo Metropolitan Government, the Tokyo Metropolitan Foundation of History and Culture, the Tokyo National Art Center, the Suntory Museum of Art, Tokyo Midtown, the Mori Building company and the Mori Art Museum, Guillaume Bottazzi created an abstract artwork 3m high and 33m wide in the center of Tokyo. In 2011 the Miyanomori International Museum of Art in Japan commissioned him to create the largest painting in the country. An exhibition of Guillaume Bottazzi ’abstract paintings was organized at the same time. Admissions fees have been donated for the reconstruction of areas affected by the earthquake and tsunami.In 2012, selected by the Mori Art Museum, the Mori Building  company commissioned artworks from French artist Guillaume Bottazzi. They have been incorporated in the new Ark Hills Sengokuyama high-rise building in the heart of the rejuvenated Toranomon district in Tokyo.
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Wednesday, April 10, 2019

Madein Gallery, Hon Kong receives mention on the shortlist for Art Basel Hong Kong,

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MadeIn Gallery Artists March Activities

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SHEN XIN SHORLISTED FOR SIGG PRIZE, M+ HONG KONG
111681554183088 .pic hd
Courtesy of the West Kowloon Cultural District Authority
On Mar. 29th at Art Basel Hong Kong, M+ announced the six artists shortlisted for the inaugural Sigg Prize, which recognises outstanding artistic practice in the Greater China region. The six nominated artists are: Hu Xiaoyuan, Liang Shuo, Lin Yilin, Shen Xin, Tao Hui, and Samson Young.
3011554348933 .pic
Shen Xin, Provocation of the Nightingale, 2017, four-channel video installation, 23’, 10’34”, 20’39”, 20’39”
Shen Xin’s major work Provocation of the Nightingale in 2017 explores the artist’s acute observation of collective memory and personal relationships through a multi-screen video installation. At its heart, the work is a narrative focused on systems of belief and power, with a kaleidoscope-like effect of shifting perspectives taken from filmed documentary portraits, recorded performances and interviews.
SHEN XIN SHORTLISTED FOR BMW ART JOURNEY AWARDS, DISCOVERIES SECTOR, ART BASEL HONG KONG
P90342192 highRes f-l-t-r-andrs-sznt-a
Courtesy of the BMW Group
During this year’s Art Basel in Hong Kong, the joint initiative of Art Basel and BMW to recognize and support emerging artists worldwide was continued with the announcement of the shortlist for the next BMW Art Journey. Nominated artists are Clarissa Tossin (born 1973, lives and works in Los Angeles), Lu Yang (born 1984, based in Shanghai) and Shen Xin (1990, lives and works in London).
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Shen Xin Solo Project "Commerce des Esprits", Art Basel Hong Kong, MadeIn Gallery Booth View
Commerce des Esprits is a four channel video installation presenting a scripted monologue through animation and text. Based on the research of works by French sinologists on Zhuangzi (370 BC-287 BC), Shen Xin translates the perspectives and productivities of comparative philosophy into an event which narrates an unconscious state. Two animation channels traces human bodies through motion capture, while the two text channels reveal in English and French the commerce of language, and its potential for new ways of producing meaning. The work is supported by New Century Art Foundation, Beijing.
©2019 MadeIn Gallery 没顶画廊 | 上海市徐汇区龙腾大道2879号 邮编:200232 | 2879 Longteng Avenue, Xuhui District, 202232 Shanghai | info@madeingallery.com | www.madeingallery.com
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Catch The Whitney Museum announces 300 recent acquisitions. Catch the Biannual May 17-September 22.

Whitney Museum of American Art

WHITNEY MUSEUM ANNOUNCES 300 RECENT ACQUISITIONS AND 60 ARTISTS NEW TO THE COLLECTION, INCLUDING NINA CHANEL ABNEY, MERIEM BENNANI, ED CLARK, BARBARA HAMMER, CHANNA HORWITZ, SIMONE LEIGH, WILLA NASATIR, MARY WEATHERFORD, AND OTHERS

NEW YORK, April 9, 2019—The Whitney Museum of American Art announced today that it has acquired 300 works of art in the last six months. As a result of these acquisitions, 60 new artists and collectives have entered the collection.
Several of the acquisitions were first presented in the Whitney's ongoing series of exhibitions focused on emerging artists, including Carolina Caycedo and Lena Henke (Between the Waters, 2018), Christine Sun Kim (Christine Sun Kim: Too Much Future, 2018), Guadalupe Maravilla, Ronny Quevedo, and Clarissa Tossin (Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art, 2018), and Willa Nasatir (Willa Nasatir, 2017).
In addition, the Whitney deepened its commitment to artists already represented in the collection by adding works by Diane Arbus, Richard Avedon, Carol Bove, Bruce Conner, John Currin, Roe Ethridge, Nan Goldin, David Hammons, Hock E Aye Vi Edgar Heap of Birds, Jasper Johns, Mark Rothko, Wu Tsang, David Wojnarowicz, Grant Wood, and others.
“The Whitney’s collection is a living, growing, and dynamic resource that allows us to continually reframe the history of American life and artistic culture. Our new acquisitions permit us to present new art histories, especially when we put those works on the Whitney’s walls so soon after acquiring them. Recent acquisitions such as Emma Amos’s Baby (1966) and Kay WalkingStick’s April Contemplating May (1972) are now displayed in Spilling Over: Painting Color in the 1960s, and an important 1959 painting by Ed Clark will reenergize our understanding of mid-century painting when it hangs this summer as part of a new collection display,” noted David Breslin, DeMartini Family Curator and Director of the Collection.
Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator added: “We’re thrilled that many of our recent acquisitions, particularly by artists new to the collection, arose through our reenergized emerging artist program. This continues our historical commitment to acquiring works by contemporary artists directly from our groundbreaking exhibitions and allows us to extend our dialogue with these artists as stewards of their work. We also are delighted that twelve of the artists in the upcoming Whitney Biennial are already in the collection, including Meriem Bennani, Barbara Hammer, Simone Leigh, and Christine Sun Kim, whose works have just entered the collection for the first time.”
The Whitney’s collection includes nearly 25,000 works created by some 3,500 artists during the twentieth and twenty-first centuries. This focus on the contemporary, along with a deep respect for artists’ creative process and vision, has guided the Museum’s collecting ever since its founding in 1930. The collection begins with Ashcan School painting and follows the major movements of the twentieth century in America, with strengths in  modernism and Social Realism, Precisionism, Abstract Expressionism, Pop art, Minimalism, Postminimalism, art centered on identity and politics that came to the fore in the 1980s and 1990s, and contemporary work.

ABOUT THE WHITNEY

The Whitney Museum of American Art, founded in 1930 by the artist and philanthropist Gertrude Vanderbilt Whitney (1875–1942), houses the foremost collection of American art from the twentieth and twenty-first centuries. Mrs. Whitney, an early and ardent supporter of modern American art, nurtured groundbreaking artists at a time when audiences were still largely preoccupied with the Old Masters. From her vision arose the Whitney Museum of American Art, which has been championing the most innovative art of the United States for more than eighty years. The core of the Whitney’s mission is to collect, preserve, interpret, and exhibit American art of our time and serve a wide variety of audiences in celebration of the complexity and diversity of art and culture in the United States. Through this mission and a steadfast commitment to artists themselves, the Whitney has long been a powerful force in support of modern and contemporary art and continues to help define what is innovative and influential in American art today.

CURRENT AND UPCOMING EXHIBITIONS

Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
Through April 14

Derek Fordjour: Half Mast
Through May 5

Where We Are: Selections from the Whitney's Collection, 1900–1960
Through June 2

Spilling Over: Painting Color in the 1960s
Through Summer 2019

Moved by the Motion: Sudden Rise
April 26–27

2019 Whitney Biennial
May 17–September 22, 2019

The Whitney Collection: Selections from 1900–1965
Opens Summer 2019

Jason Moran
September 20, 2019–January 5, 2020
Rachel Harrison
October 25, 2019–January 12, 2020

Alan Michelson: Wolf Nation
October 25, 2019–January 12, 2020

Pope.L: Instigation, Aspiration, Perspiration
Opens October 2019

Vida Americana: Mexican Muralists Remake American Art, 1925–1945
February–May 2020

Agnes Pelton: Desert Transcendentalist
Opens Spring 2020

Julie Mehretu
June 26–September 20, 2020

Public Art Project: Day's End
2020

Jasper Johns
Opens Fall 2020

Dawoud Bey
Opens November 2020
The Whitney Museum of American Art is located at 99 Gansevoort Street between Washington and West Streets, New York City. Museum hours are: Monday, Wednesday, Thursday, and Sunday from 10:30 am to 6 pm; Friday and Saturday from 10:30 am to 10 pm. Closed Tuesday except in July and August. Adults: $25. Full-time students, visitors 65 & over, and visitors with disabilities: $18. Visitors 18 years & under and Whitney members: FREE. Admission is pay-what-you-wish on Fridays, 7–10 pm. For general information, please call (212) 570-3600 or visit whitney.org.
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