PRESS RELEASE
MIAMI BEACH | SEPTEMBER 7 | 2017
Art Basel's 16th edition in Miami Beach will feature 268 leading galleries within an entirely new floorplan and show architecture
Today Art Basel announced the list of 268 leading international galleries selected for its 2017 Miami Beach show. Drawn from 32 countries across North and South America, Europe, Asia, the Middle East and Africa, the exhibitors will present artworks ranging from Modern masterpieces and historical projects to new works by both established and emerging artists. This year's show will introduce a new floorplan and show design, reflecting the improved possibilities provided by the Miami Beach Convention Center's (MBCC) ongoing renovation. 2017 is an important year for the cultural scene in Miami with The Bass re-opening after a large-scale renovation and The Institute of Contemporary Art, Miami (ICA Miami) inaugurating its new building in the heart of the Miami Design District. Art Basel, whose Lead Partner is UBS, takes place from December 7 to December 10, 2017 at the Miami Beach Convention Center. The MBCC, Art Basel’s home since its first edition in Miami Beach in 2002, is now in the second phase of a major renovation, which began in late 2015. Scheduled for completion in 2018, the construction will result in modernized exhibition halls, providing state-of-the-art facilities for exhibitors and visitors. As a result of the ongoing renovation, the 2017 show will feature a completely redesigned exhibition layout by Tom Postma Design. This enhanced show design comprises a new floorplan featuring more than 10 percent of added exhibition space – yielding larger booths, wider aisles and enhanced lounging and dining options – as well as four entrances to the halls. Now in its 16th edition, Art Basel in Miami Beach is the premier art show in the Americas, with more than half of the participating galleries having exhibition spaces in the region. Alongside a robust roster of returning galleries, the 2017 edition of the show features 20 galleries who are participating in the Miami Beach show for the first time. The show welcomes nine first-time participants from North and South America, including Anat Ebgi from Los Angeles; Chapter NY, David Lewis Gallery and Tyler Rollins Fine Art from New York; Inman Gallery from Houston; Patron from Chicago; Galeria Jaqueline Martins and Ricardo Camargo Galeria from São Paulo; and Isla Flotante from Buenos Aires. In addition, the 11 new exhibitors from Europe and Asia are: A arte Invernizzi from Milan; Applicat-Prazan and Ceysson & Bénétière from Paris; Dépendance from Brussels; Múrias Centeno with spaces in Porto and Lisbon; Hales Gallery, Offer Waterman and Richard Saltoun Gallery from London; Antenna Space from Shanghai; and Takuro Someya Contemporary Art and Taro Nasu from Tokyo. The Galleries sector will feature outstanding presentations of painting, sculpture, drawing, installation, photography and video works, presented by 198 of the world’s leading galleries. This year, a strong list of returning participants is joined by 10 galleries which have previously participated in the show’s Nova, Positions or Survey sectors: 47 Canal, Bureau, Garth Greenan Gallery, Kalfayan Galleries, Galeria Leme, Peres Projects, Galeria Plan B, Sfeir-Semler Gallery, Jessica Silverman Gallery and Tokyo Gallery + BTAP. One gallery – Applicat-Prazan – will be completely new to the show while Konrad Fischer Galerie and Fergus McCaffrey will both return to the Galleries sector in Miami Beach after a hiatus. For the full gallery list for Galleries, please visit artbasel.com/miami-beach/galleries. The Edition sector presents 11 global leaders in the field of prints and editioned works: Alan Cristea Gallery, Crown Point Press, Gemini G.E.L. LLC, Sabine Knust, Carolina Nitsch, Pace Prints, Paragon, Polígrafa Obra Gràfica, STPI, Two Palms and ULAE. For the full gallery list for Edition, please visit artbasel.com/miami-beach/edition. Positions allows curators, critics, collectors and visitors to discover new talents from across the globe by providing a platform for galleries to present one major project by a single artist. This year, the sector will feature 14 solo booths. At Antenna Space, Xu Qu (b. 1978) will display a new series of ceramic pot sculptures and typographic prints that examine how religious activities have influenced Chinese society. Ceramics will also be on view in an installation by Carl Mannov(b. 1990) at Christian Andersen. Arredondo \ Arozarena will present a daily performance by Israel Martínez (b. 1979). Adam Gordon (b. 1986) will transform Chapter NY’s booth into a performance installation – a document vaguely describing the performance will entice visitors to identify an anonymous woman who wanders the fair in close proximity to the booth for the duration of the show. Jibade-Khalil Huffman (b. 1981) will present a new body of work at Anat Ebgi that focuses on the black male figure in art history, film and literature, while Jamal Cyrus (b. 1973) will explore the cultural politics of Black American music and the civil rights movement of the 1960s and 1970s at Inman Gallery. Jill Mulleady (b. 1980) will treat Freedman Fitzpatrick’s booth as a stage for a social drama enacted through a set of six new paintings that create a mise-en-scène. Further, Patron will present sculptures, wall constructions and a large-scale mural by Harold Mendez (b. 1977), and Galeria Marilia Razuk’s booth will feature an extension of Rodrigo Bueno’s (b. 1967) studio. Dan Herschlein (b. 1989) will present a grouping of sculptures that together create an eerie domestic interior at JTT, while Nicolas Ceccaldi (b. 1983) will build on his interest in analyzing religion as a contemporary social phenomenon through new paintings and take-away brochures at Real Fine Arts. Sector highlights also include a collage-like hanging of monochrome paintings by Mariela Scafati (b. 1973) at Isla Flotante; a configuration of new works that disrupt the boundary between the domestic and the natural worlds by A.K. Burns (b. 1975) at Callicoon Fine Arts; and figurative paintings by Koichi Enomoto (b. 1977) at Taro Nasu. Nova provides galleries with a platform to present new work by up to three artists, and will feature 29 exhibitors this year. First-time exhibitors include: Dépendance featuring drawings, sculpture, painting and film by Ed Atkins (b. 1982), Gillian Carnegie (b. 1971) and Peter Wächtler (b. 1979); David Lewis Gallery presenting works by Dawn Kasper (b. 1977) and Lucy Dodd (b. 1981); and Tyler Rollins Fine Art staging a never-before-seen installation by Manuel Ocampo (b. 1965) reflecting on current global political events. There will be a number of presentations addressing various political and social issues. Prometeogallery di Ida Pisani will show work by Santiago Sierra (b. 1966), Regina José Galindo (b. 1974) and Hiwa K (b. 1975), exploring notions of communities and their transformative power. David Castillo Gallery will present works that raise urgent questions about representations of race, sexuality and gender in today’s society, including a live performance by Kalup Linzy (b. 1977), as well as photographs by Lyle Ashton Harris (b. 1965) and Xaviera Simmons (b. 1974). At Tanya Leighton, Sanya Kantarovsky (b. 1982) will display a new body of work juxtaposing the celebratory atmosphere of an art fair with the increased erosion of civil rights around the world, while Rosângela Rennó (b. 1962) and Teresa Margolles (b. 1963) will present a project about memory and violence at Mor charpentier. In Proyectos Monclova’s booth, Tercerunquinto(established 1996) will stage a performative work, painting Mexican political campaign murals directly onto the walls. This performance will be accompanied by a new video that will create a visual and conceptual link between campaign wall painting and Mexican Muralism as an artistic expression of modernism. Further highlights include: Dara Friedman (b. 1968) at Supportico Lopez, whose exhibition at Art Basel in Miami Beach will coincide with the artist’s retrospective at the Pérez Art Museum Miami (PAMM); Alexandre Estrela (b. 1971) at Travesía Cuatro, Barry McGee (b. 1966) at Ratio 3, Torey Thornton (b. 1990) at Essex Street, Carolina Caycedo (b. 1978) at Instituto de visión; Sascha Braunig (b. 1983) and Sara Cwynar (b. 1985) at Foxy Production, Alex Hubbard (b. 1975) and Emily Sundblad (b. 1977) at House of Gaga and Ishmael Randall Weeks (b. 1976) and Andrea Galvani (b. 1973) at Revolver Galería. For the full gallery list for Nova, please visit artbasel.com/miami-beach/nova. Survey will return for its fourth year with 16 focused presentations of work created before 2000. Artists in the sector include: Sérvulo Esmeraldo (b. 1929, d. 2017) at Galeria Raquel Arnaud; Judith Bernstein (b. 1942) at The Box; Wesley Duke Lee (b. 1931, d. 2010) at Ricardo Camargo Galeria; Claude Viallat (b. 1936) and Noël Dolla (b. 1945) at Ceysson & Bénétière; David Driskell (b. 1931) at DC Moore Gallery; Carlos Leppe (b. 1952, d. 2015) at Espaivisor; Hércules Barsotti (b. 1914, d. 2010) and Willys de Castro (b. 1926, d. 1988) at Henrique Faria Fine Art; Alexis Smith(b. 1949) at Honor Fraser; Frank Bowling (b. 1936) at Hales Gallery; Dadamaino (b. 1930, d. 2004), Mario Nigro (b. 1917, d. 1992) and Rodolfo Aricò (b. 1930, d. 2002) at A arte Invernizzi; Letícia Parente (b. 1930, d. 1991) at Galeria Jaqueline Martins; Roberto Matta (b. 1911, d. 2002) at Robilant + Voena; Edgardo Antonio Vigo (b. 1928, d. 1997) at Richard Saltoun Gallery; Cícero Dias (b. 1907, d. 2003) at Simões de Assis Galeria de Arte; Brian O’Doherty (b. 1928) at Simone Subal Gallery; and William Turnbull (b. 1922, d. 2012) at Offer Waterman. Further information on specific projects in Survey is forthcoming. Several exhibitors will also present works in Art Basel's project-based sectors: Kabinett, Public, which will be curated for the first time by Philipp Kaiser, and Film. Further details on these sectors, as well as the Conversations program of panels and talks, will be available in the coming months. Visitors to the Miami Beach show will have the opportunity to view South Florida’s leading museums and private collections, who organize their strongest exhibitions of the year to coincide with Art Basel. Following a large-scale renovation, The Bass – Miami Beach’s contemporary art museum – will reopen in October and present several major solo exhibitions timed with the fair, featuring artists Pascale Marthine Tayou (b. 1967), Ugo Rondinone (b. 1964) and Mika Rottenberg (b. 1976). The Institute of Contemporary Art, Miami (ICA Miami) will inaugurate its new building in the heart of the Miami Design District with ‘The Everywhere Studio’, which explores the evolution of the artist’s studio from the post-war period to the present day and features works by renowned artists such as Roy Lichtenstein (b. 1923, d. 1997), Bruce Nauman (b. 1941), Carolee Schneemann (b. 1939), Matthew Barney (b. 1967), Rosemarie Trockel (b. 1952),Neïl Beloufa (b. 1985) and Yves Klein (b. 1928, d. 1962), among others. Additional exhibitions on view at ICA Miami include solo shows debuting new work by Chris Ofili (b. 1968), Tomm El-Saieh (b. 1984), Charles Gaines (b. 1944), Mark Handforth (b. 1969) and Abigail DeVille (b. 1981). Pérez Art Museum Miami (PAMM) will open the second chapter of its comprehensive, three-part survey on contemporary Cuban art titled ‘On the Horizon: Contemporary Cuban Art from the Jorge M. Pérez Collection’, as well as the first major retrospective of the work of Dara Friedman (b. 1968). NSU Art Museum Fort Lauderdale will show ‘William J. Glackens (b. 1870, d. 1938): A Modernist in the Making’, while the Wolfsonian-FIU will present ‘Julius Klinger (b. 1876, d. 1942): Posters for a Modern Age’. Exhibitions on view at the city’s renowned private collections include forthcoming shows at the Cisneros Fontanals Art Foundation (CIFO); ‘Force and Form’ at the de la Cruz Collection Contemporary Art Space; ‘Pop Art: Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, Andy Warhol, Tom Wesselmann' and 'Sculpture, Painting, Video: David Claerbout, Federico de Francesco, Anselm Kiefer, Rosy Keyser, Imi Knoebel, Emil Lukas,Hugo McCloud, Olaf Metzel, Ernesto Neto, Diana Fonseca Quiñ ones, Sue Williams ’ at the Margulies Collection at the Warehouse and ‘Still Human and Allison Zuckerman: Stranger in Paradise’ at the Rubell Family Collection. Occurring alongside the Art Basel fairs in Miami Beach and Basel, Design Miami has become the premier venue for collecting, exhibiting, discussing and creating collectible design. In its 13th edition, Design Miami will take place from December 6 to 10, 2017 at Meridian Avenue and 19th Street in Miami Beach, opposite to the Miami Beach Convention Center. For more information, please visit designmiami.com. mportant Dates for Media Private View (by invitation or with a press pass only) Wednesday, December 6, 2017, 11am to 8pm Thursday, December 7, 2017, 11am to 3pm Public days: Thursday December 7, 2017, 3pm to 8pm Friday, December 8, 2017, 12noon to 8pm Saturday, December 9, 2017, 12noon to 8pm Sunday, December 10, 2017, 12noon to 6pm Upcoming Art Basel shows Miami Beach, December 7-10, 2017 Hong Kong, March 29-31, 2018 Basel, June 14-17, 2018 For the latest updates on Art Basel, visit artbasel.com, find us on Facebook at facebook.com/artbasel or follow @artbasel on Instagram, Google+, Twitter, Weibo and Wechat. #Fineartmagazine |
Thursday, September 7, 2017
K E N I S E B A R N E S F I N E A R T Opening reception Saturday, September 16th, 6:30 - 8:00 public invited
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Wednesday, September 6, 2017
Tuesday, September 5, 2017
Allan Gorman at the Atrium. Please plan to join me on Friday, September 22 from 7-9 pm
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The opening of Sax Impey’s 'The Boatman Calls' at Anima-Mundi is this Friday 8th September, from 7 - 9 pm
The opening of Sax Impey’s 'The Boatman Calls' at Anima-Mundi is this Friday 8th September, from 7 - 9 pm
This major exhibition is already being extremely well received online, with much anticipation and a number of works already being reserved prior to the opening
You can see the online catalogue here:
The rest of the online content is viewable here:
Let us know if we can be of further assistance and we look forward to seeing you on Friday or at some point during the exhibition
Best Regards
Joseph Clarke
Founder & Director of Anima-Mundi
Street an Pol . St Ives . Cornwall . TR26 2DS . Tel : 44 (0) 1736 793121 . Email: mail@anima-mundi.co.uk
artsy.net/animamundiart . facebook.com/animamundiart . twitter.com/animamundiart . instagram.com/animamundiart
#finearmagaizne
Thursday, August 31, 2017
Uncanny Valley Erin Mitchell Exhibition, Installation, SomoS Art House Berlin Opening: Friday, September 1st, 6 pm – 9 pm
Uncanny ValleyErin MitchellExhibition, Installation, SomoS Art House BerlinOpening: Friday, September 1st, 6 pm – 9 pm |
Opening: Uncanny Valley
Site-specific installation by Erin Mitchell Date: September 1st, 2017 6pm - 9pm
Duration: September 2-9, Tues-Sat, 2-7pm, or by appointment
Entry Free
SomoS presents resident artist Erin Mitchell’s newest solo exhibition in which she delves into the interaction between humans and technology.
Erin Mitchell, a young American artist, working with techniques such as printmaking, painting, and for the first time large-scale site-specific installation, was born and raised in San Francisco, a city continuously impacted by the ubiquity of startup capital Silicon Valley. Humans’ obsession with the commodification of nature and natural products particularly within the startup and tech worlds reflects the paradox of Silicon Valley; this paradox sits at the center of Erin’s artistic inquiry during her residency at SomoS. The title of her exhibition, "Uncanny Valley," is a reference to the perils of an unquestioning faith in technological progress and is derived from a term that was originally coined in 1970s Japan by robotics professor Masahiro Mori to describes the eerie likeness of human-like AI and robotics, often contributing to a sense of uneasiness and revulsion towards the likeness instead of affinity. Nowadays, with the rise of VR technologies, it seems to be gaining more popularity, especially as a way to describe the verisimilitude between our actual and virtual realities. The exploration of this tension lies at the core of Erin Mitchell's work, which consistently ponders the uneasy relationship between humans and technology. Erin’s works foreshadows the inevitable crash of these worlds which are founded on the continual increase of users, storage capacity, and value and makes a commentary on this ecological fallacy we collectively buy into. This proximity has had marked significance on Erin’s creative perspective as she attempts to unpack and address the ever-blurring distinction between virtual and real, media landscapes, and evolution of technology alongside its human counterparts. Erin elaborates: “My ultimate goal with the installation is to play within and challenge this verisimilitude while hinting at the very tangible realities of the virtual spaces we navigate on a daily basis. Using the trope of the romanticized stock photo landscapes of our computer desktop backgrounds, I want to attract attention to the irony and contradictions within these hyper-idealized photographs of natural environments and the disconnect between their imagery and our actual physical environments. I want to call attention to the similarities between new modes of consumption via technology and the way we understand consumerism in a concrete sense. We're more consumers of our environments than stewards of them.” — Erin Mitchell, Artist’s Statement
About Erin Mitchell
After earning a BFA in Printmaking and Drawing from the Washington University in St. Louis in 2011, Erin Mitchell’s work has been featured in a considerable number of exhibitions worldwide. Her latest solo exhibition is “Virtual Prism” at the Hang Art Gallery in San Francisco, California (2015). Working with a wide range of media and materials such as printmaking and drawing, her works investigate the intimate relationship between human beings and personal technology. Referring to the ever-changing and expanding digital world, Erin’s works reflect her attempt in explaining how virtual activity exerts influence on our understanding of ourselves and the world around us.
Date: September 1st, 6–9pm Location: SomoS Kottbusser Damm 95, 1st floor. Entry Free
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