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Friday, August 14, 2015

New or not to the scene: J. OPEN HEART – THE ACRYLIC ARTIST


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J. OPEN HEART – THE ACRYLIC ARTIST
J. Open HeART has lived more lives, endured more pain, overcome more obstacles and achieved more success in the past 30 years than the average person. His optimistic resilience has allowed him to sustain himself through his motto of “I am not one of anything… I am one of everything…”



Jared Ryan Shaw by nature is an artist, having dabbled in several creative careers including acting, music, consulting and promoting. Jared’s success is all these industries is indicative of his adaptability, likeability, unparalleled work ethic and determination to succeed. Through all these experiences he has maintained one true identity; Jared is a seeker of truth through creation. While Jared has hit life’s highest highs, he has also fallen to its lowest lows. As an open heart surgery survivor, Jared combines a fighter’s mentality with a passionate appreciation for life, and as such, J. Open HeART was born – inspired by his personal triumph. He has evolved from being an extension of who Jared Ryan Shaw is, to being synonymous with him. Just as Superman is Clark Kent, J. Open HeART is Jared; they are one in the same, powerful and complimentary.

J. Open HeART has described the process of creating his art as “feeding his pure” due in part to the internal artistic satisfaction he gains, and also because of the truth he can perpetuate with a blank canvas. Without formal training or education, he embarked upon his artistic journey through trial and error. His use of an extreme color palette mixed with his ability to live outside of the box led J. Open HeART to creative freedom. His initial plan was to simply define art through the exploration of different platforms. But like most plans in life, it changed. What subsequently blossomed was a lifelong devotion to the creation of art, and ultimately the study of himself as an artist.

With a blank canvas, he began to create. Ignoring the paintbrush beside him, J. Open HeART squeezed the energy of his soul into the black acrylic tube in his hands, and instantaneously he coined this act “paint-stained emotions.” While existential thoughts swirled, and curiosity peaked his attention, he was left in a state of self-reflection. He describes this time as “…an artist coming out of [him], but [not] understanding what the artist was.” As the paint flowed out of the tube, so did his emotional grief and achievements; he felt something that he’d never felt before, something that the great highs from his past lives could not compare to. He felt his pure artistic energy and vowed to forever feed it.

At that moment, J. Open Heart saw something in the organized chaos of his work and took a step back from his creative epiphany to observe it. He watched the unintentionally splattered paint dry thick, forming texture and curvature to a once flat surface. Since that time, he has never stopped evolving his originally formed style he now aptly dubs “soul flow.” Soul flow is influenced by J. Open HeART’s life, his experiences, his energy, and his love for music – in particular hip-hop – but never a particular artist as he is currently forming his individual artistry.

Never one to shy away from hard work, J. Open HeART has spent the past couple years exploring his natural artistic ability by honing his skills. Commercial success has followed, as the art industry was quick to identify his raw talent and buy into it. He held his first solo show in November 2014, a three week exhibition, attended by top executives in the entertainment world from networks like HBO and Showtime. Seven out of ten pieces sold and this quick success led to the participation in Art Basel in December 2014, which connects premier artists and gallery owners from around the world. There, he designed a live 100 foot working bar installation at the UNTITLED exhibit that was cobranded by Jitney New York and Heineken. Fast forward to February 2015, and J. Open HeART was the highest grossing artist at the UNICEF art show in Venice, CA. In less than a year, he has been able to sell almost 20 of his pieces and has gained the attention of actor Liam Hemsworth, filmmaker and street artist Mr. Brainwash, and famous artist turned personal friend Domingo Zapata.

In the same way boxers put their emotions in the ring, J. Open HeART puts his soul into his painting, allowing him to release his emotions to serve as a form of spiritual therapy. While he has no immediate plans to return to acting, music or the boxing world, he doesn’t rule it out. He also doesn’t dismiss the idea of evolving into other artistic platforms, whether it’s using oil or another form of mixed media. But right now “acrylic feels right.” 





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John Davis Gallery: Saturday, August 22nd the gallery will have five solo shows (sculpture, installation and paintings).

John Davis Gallery


On Saturday, August 22nd the gallery will have five solo shows (sculpture, installation and paintings). The work will be on display through September 13th with a reception for the artists on Saturday, August 22nd from6:00 until 8:00 p.m.

Main Galleries
William Ransom
Sculpture

"Life is flux. Life is complicated and full of choices. When standing at crossroads we deflect, reflect, procrastinate, rationalize and hem and haw. Sometimes these moments of decision happen while soaking in a sunset, sometimes stuck on the freeway, sometimes hungry in the kitchen. Some folks just turn it over to a higher power or rely on supernatural influence, letting faith tell them they are on the right path. Some make lists and apply reason to the pros and cons and cut the knot only once everything is measured and collated.
The teeth grinding and soul searching must yield something and I find that something in the studio. For me decisions are best made with my hands in material. Larger life questions can wait; right now I create something tangible and real."
William Ransom

Sculpture Garden
Bruce Gagnier
Sculpture

"The clay records nearly all the thoughts and efforts of the Sculptor although some feelings are buried within, beneath the surface which remains agitated, partly due to the effort."
Bruce Gagnier, 2015

Carriage House, Ground Floor
Laetitia Hussain
Murmuration

"Starlings form murmurations as a defensive response to sensing the presence of a predator, such as a hawk, falcon, or other raptor. With perfect synchronization, they create an obscure cloud which both frightens and captivates the viewer. Composed of many unique elements, the murmuration becomes a unified entity which nevertheless has many faces and facets."
Laetitia Hussain, 2015

Carriage House, 2nd Floor
Benjamin Pritchard
Go West East In.
Painting by Benjamin Pritchard 

Friends, grounding. The self in the world, different times of day. The psychic reality manifest. Friends, conversation, connections over time and space. Food. Love, Beauty, the Gods and soul and souls. Undercurrent manifest through devotion to looking, working, looking, working. Turning your back and seeing what is.
Not taking any shit.

Ben Pritchard, 2015

Carriage House, Third Floor
Peter Bonner
Paintings

"On my Painting:
I make work with primordial intentions, working instinctively at each stage with the goal of knowing experience. I use a process that leaves the possibility of achieving an image open and uncertain. I rely on my body and its wisdom. In this regard I have been influenced by the contemporary Australian Aboriginals and their processes; for example, I lay my surfaces flat when I work, often sitting with the work on the floor. I listen to what comes by attempting to discipline myself to remain in the moment, attentive to what is happening on the surface.
What comes takes many forms, from remembered moments experienced to particular light conditions, familiar shapes or a spatial feeling that I know. These disparate elements may come from different points in time or different events; yet in the studio relate. I have a need for resolution, and I’ve discovered that through working in the studio with materials I am able to find this resolution anew with each new work. I go through a process of re-determining my beliefs and rediscovering what it is that I hold to be true concerning a constantly changing and expanding number of qualities; like color, mark making, structural organization and the space that is evolving within the painting. I get a fleeting sense of what I believe each time I am fully engaged with the materials of paint and charcoal, however I must do it again or that sense that I had passes and feels lost to me.
What happens within this space is something that I get to know more about as the painting progresses, and get to know again and again with each new work. Characters form relationships and narratives between these develop. Language evolves out of the process of clarifying these relationships and narratives, codifying these experiences; these memories and how they relate. Specificity is the degree of intimacy I am able to achieve with the remembered experience, whether I am able to be at one with it, knowing it and make it live as an experience again through paint."
Peter Bonner , 2015

Carriage House, Fourth Floor
Farrell Brickhouse
Paintings

"As a mature artist now 66 years old, I find I have this large vocabulary to draw from. Imagery that has woven its way thru my entire career is available and malleable. I have access to this personal history with a renewed understanding of its original intent and a deepening understanding of how these “forms” can continue to speak for me in paint. I also seek to explore the range of subject matter my paintings can encompass as I look to everyday experiences, tell stories and paint about current events in an expanding as well as deepening vocabulary. There is in Art History an excitement as I see my concerns expressed in new artists and old ‘friends’ offer continued gifts. At its best, making art is a revelatory experience, a conduit to the beauty and mystery in the miracle of simply being here. As I wrote earlier- Painting is the wish and the prayer and the offering all in one. It is an act of faith just to pick up the brush."
Farrell Brickhouse, 2015

Gallery hours are Thursday through Monday, 11:00 till 5:00 p.m. For further information about the gallery, the artists and upcoming exhibitions, visit
www.johndavisgallery.com
or contact John Davis directly at 518.828.5907 or via e-mail:
art@johndavisgallery.com.
#fineartmagazine


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Sakshi Gallery, Salon, Laksham Rao Kottro & Subhash Chalil, Aug, 22- Sept. 2015






































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Wednesday, August 12, 2015

The Evelyn Alexander Wildlife Rescue Center of the Hamptons celebrated another year of rehabilitating and successfully releasing animals back into the wild across Long Island with its annual GET WILD Summer Gala.


T
he Evelyn Alexander Wildlife Rescue Center of the Hamptons celebrated another year of rehabilitating and successfully releasing animals back into the wild across Long Island with its annual GET WILD Summer Gala. The event was hosted by the Marder family at the Silas Marder Gallery in Bridgehampton, NY on Saturday, August 8, 2015 and honored artists April Gornik & Eric Fischl, Amy Sullivan and Real Estate Broker Susan Penzner.

Notable Attendees Included: Leslie Alexander (Benefactor, The Evelyn Alexander Wildlife Rescue Center); Leslie Alexander (Benefactor, The Evelyn Alexander Wildlife Rescue Center); April Gornik & Eric Fischl(Honorees, Get Wild Gala); Amy Sullivan (Honorees, Get Wild Gala); Susan Penzner (Honoree, Get Wild Gala); Peter Beard (Photographer); Dina & Steve Hanson; Anne Hearst &Jay McInerney; Linda & Ben Lambert;Howard Lorber and Jeaninne Gourin (Douglas Elliman); Nicole Miller (Fashion designer); Tony Peck & Paula Peck; Jill Rappaport (Correspondent, NBC news); Jay Schneiderman (Emcee, Get Wild Gala; Legislator); Jean Shafiroff (Philanthropist); Fred and Nancy Thiele (New York State Assemblyman); Anna Throne-Holst (Southampton Town Supervisor); Ginnie Frati (Executive Director, The Evelyn Alexander Wildlife Rescue Center); Shelley Berkoski (Director of Development, The Evelyn Alexander Wildlife Rescue Center).

Guests enjoyed live music along with cocktails and light fare. A silent art auction, which was live on Paddle8 leading up to the event and available for guests on tablets set up around the event space. Items for auction include: Untitled by Ross Bleckner, an oil painting on canvas, valued at $10,000; April Gornik’s Reflected Sunset, valued at $7,000;  Eric Fischl’s drawing Untitled (Showering Girl From Behind), Valued at $8,000 and Aurora Borealis, an oil and spray paint on canvas, by Adam Stennett to name a few.

This year’s GET WILD Summer Gala sponsors included: Leslie Alexander; Tara Allmen, MD; Ingrid Arneberg & Will Marin; Hilaria & Alec Baldwin Foundation; Nejma & Peter Beard; Albert Behler; Peter Benedek; Rosalie Brinton; Catherine Cahill & William Bernhard; Marty & Michele Cohen; Ron Delsener; Douglas Elliman, LLC; Susan Dusenberry; Pat Garrity & Corcoran; Gentry Construction; Hamptons Magazine; Harmlesss Harvest; Karen & Jeff Hughes; Hutchinson Landscape; Frances Jones & Keith Douglas; George & Mariana Kaufman; Hon Martin J. Kerins; King Kullen; Linda & Ben Lambert; Leslie Wine; Mr. & Mrs. Robert Marston; Howard Marton; Jay McInerney; Susan Mead; Nicole Miller; Jewel & Bob Morris; Margo & Jimmy Nederlander; Norman Peck; Katharine Rayner; Agena Rigdon, DKR Shores Inc.; Dayton Ritz & Osborne; Pierce Roberts & Jonathan Canno; Press News Group; Andrew Sabin Family Foundation; Sagaponack Charitable Trust; Ellen & Chuck Scarborough; Shinnecock Animal Hospital; Brian Slaga, East West Marine; Barbara & Randall Smith; Allison Stern; Roger & Karen Stevens; Ted Moudis Associates; Jerry Turco and Holly Whitmore.

For Selected Images by Rob Rich/SocietyAllure.com, Visit: http://bit.ly/1TpJWR5

To View Full Gallery of Images by Rob Rich/SocietyAllure.com, Visit: http://bit.ly/1P3OdZd

About The Evelyn Alexander Wildlife Rescue Center Of The Hamptons:
The Evelyn Alexander Wildlife Rescue Center, Inc. is a not-for-profit corporation dedicated to the rehabilitation of wild animals impacted by encroachment of humans on their habitat. It is a grass roots organization that grew from a few concerned friends to a group of over 1000 members and supporters. The center is a full-time professional wildlife hospital staffed by licensed rehabilitators, biologists, animal behaviorists and volunteers. Over 100 people have been trained to assist in wildlife rescues. The Evelyn Alexander Wildlife Rescue Center is located on Munn’s Pond Park through a cooperative licensing agreement with Suffolk County Department of Parks, Recreation and Conservation. The center is situated on a greenbelt of public land parcels totaling several thousand acres and stretches from Tiana Bay to Peconic Bay located on the eastern end of Long Island, NY. This is a unique and irreplaceable ecosystem consisting of salt and fresh water wetlands, Pine Barrens, deciduous forest and meadowland. It is the perfect setting for a wildlife rehabilitation center. The hospital is designed exclusively for wild animals. Unlike a veterinary hospital, there are no ambient noises or smells to stress the wildlife that are recovering within. The Wildlife Rescue Center receives over 10,000 calls each year for information or assistance with wild animal encounters. We also provide educational programs to local elementary and secondary schools. Students from local colleges participate in cooperative education programs and internships. The Evelyn Alexander Wildlife Rescue Center annual operating budget exceeds $350,000, almost all of which comes from the generosity of people like you. Thank you for your continued support and generosity.
For more information, visit: www.wildliferescuecenter.org

All photo credit Photo Credit: RobRich/SocietyAllure.com
Jill Rappaport

Nicole Miller



Eric Fischl, April Gornik


Ginnie Frati

Peter Beard
Charles Marder
#fineartmagazine
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LEGENDARY ROCK ’N’ ROLL PHOTOGRAPHERS HENRY DILTZ AND PATTIE BOYD PRESENT THEIR STILL (AND MOVING) IMAGES IN PERSON Wednesday, September 16, City Winery Chicago


Morrison Hotel Gallery announces national live stage tour
BEHIND THE LENS
LEGENDARY ROCK ’N’ ROLL PHOTOGRAPHERS HENRY DILTZ AND PATTIE BOYD PRESENT THEIR STILL (AND MOVING) IMAGES IN PERSON
Wednesday, September 16, City Winery Chicago
CHICAGO (August 10, 2015) – City Winery Chicago, 1200 W. Randolph, is proud to host Behind the Lens with Henry Diltz and Pattie Boyd, a live presentation of still and moving images along with stories told by pair of legendary photographers. Morrison Hotel Gallery, a leader in fine art music photography, has also created a gallery exhibition and sale to travel with the show. Behind the Lens takes place Wednesday, Sept. 16, 8 p.m. at City Winery Chicago. Tickets – $28, $32 and $36 – are on sale now at www.citywinery.com. A limited number of meet-and-greet tickets is available for $50. www.citywinery.com/chicago/catalogsearch/result/?q=lens

Henry Diltz, considered one of the greatest music photographers of the last century, has more than 400,000 images in his archive and more than 400 album covers to his name, for such bands as The Doors, Crosby, Stills & Nash and James Taylor.

Drop-dead gorgeous model Pattie Boyd, the “Queen of the Sixties,” is the inspiration for the timeless love songs “Something,” “Layla” and “Wonderful Tonight.” Boyd is celebrated for her intimate and revealing photographs of George Harrison and The Beatles and Eric Clapton, among others.

“These people were witnesses to music history, and they possessed the talent to uniquely document the music from the audience, backstage and on the road,” says Peter Blachley, a Morrison Hotel Gallery founder. “Many of these stories will contain surprise, humor and reality. But most of all, authentic and honest recollections of music history backed up by the stunning visuals we all know and many we have never seen.”

With Behind the Lens, Morrison Hotel Gallery announces the expansion of its acclaimed music photography exhibition. This original national tour of its legendary music photographers is a live show presented by the artists themselves as they share their amazing stories and iconic images with audiences nationwide. Behind the Lens with Henry Diltz and Pattie Boyd will also travel to City Winery locations in Nashville (Sept. 13) and New York City (Sept. 21). The tour kicks off September 10, at Largo in Los Angeles, in association with Monterey International booking agency.

About Henry Diltz
Henry Diltz is considered one of the greatest music photographers of the last century. He has published three books about his life as a musician and photographer. A documentary about his life will be released this fall, and he will receive the prestigious Lucie Award for lifetime achievement in photography at this year’s ceremony at New York’s Carnegie Hall. Diltz is a guest lecturer at the Berklee College of Music in Boston and has had three museum shows dedicated to his works.

About Pattie Boyd
Model, musician, artist and writer, Pattie Boyd is the muse behind some of the greatest love songs ever written. Her New York Times bestseller Wonderful Tonight first brought her story of drama, struggle and, ultimately, affirmation to the public. A photographer of musicians and landscapes, Boyd has been a member of the Royal Photographic Society for many years. Her life was lived with two of the twentieth century’s greatest musical icons: her husbands George Harrison and Eric Clapton.

About City Winery Chicago
Opened in 2012, City Winery Chicago is a fully operational winery, restaurant with outdoor patio, concert hall and private event space located in the heart of the West Loop at 1200 W. Randolph, in the historic urban Fulton Market district. Once a refrigerated food distribution warehouse, the 1911 building has been transformed into a contemporary 33,000 square foot haven for those passionate about wine, music and culinary arts. The décor evokes the romance of being in wine country, from the exposed stainless steel fermenting tanks and French oak barrels, to the aroma of fermenting grapes. Chicago’s only fully operation winery has produced dozens of in-house wines sourced from vineyards in California, Oregon, Washington, Argentina and Chile, including a Wine Enthusiast 90-point 2012 Bien Nacido Vineyard Reserve pinot noir. With more than 400 unique producers from around the world City Winery is recognized with a 2014 Best of Award of Excellence “for having one of the most outstanding restaurant wine lists in the world” by Wine Spectator. The globally inspired, locally sourced, wine-focused food menu is conceived for pairing and sharing. The concert hall accommodates up to 300 guests, all seated at tables with complete beverage and dining service, ensuring a comfortable “listening room” experience enhanced by a state-of-the-art Meyer Sound system. Riedel is the official and exclusive provider of glassware, showing City Winery’s commitment to enjoying quality wine in a quality vessel. American Airlines is the Official Airline and Virgin Hotels Chicago is the Official Hotel of City Winery. For more information, please visitwww.citywinery.com.
#fineartmagazine

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Beautiful Egyptian Artifacts: Barakat Gallery features a a stunning relief featuring a bust of Ptah...(who speaks all things into creation, according to Egyptian sacred story.)... FAM

 Selections in Egyptian Art: AUGUST 2015
This month we turn our attention to a beautiful array of artifacts from the Egyptian Collection.  Our spotlight
is on a stunning relief featuring a bust of Ptah.  Roughly 16" inches square, inscribed with glyphs, and carved in deep relief this is a breath-taking and dynamic piece that would surely add to any distinguished collection.  Also presented this month from our UK and UAE galleries we have a double sided limestone plaque with a depiction of a falcon and a portrait head and a mesmerizing sarcophagus fragment depicting a head.  For additional information, images, and details on any of these pieces please click on the images below.

SPOTLIGHT:
Fragment with Relief Bust of Ptah
Circa 664 BC to 525 BC
Dimensions 15.25" (38.7cm) high x 15.5" (39.4cm) wide
Medium Limestone
Origin Egypt
Gallery Location USA
ADDTIONAL SELECTIONS:
Late Dynastic Period Bronze Sculpture of a Cat
Circa 600 BC to 500 BC
Dimensions 4" (10.2cm) high x 1.75" (4.4cm) wide x 3" (7.6cm) depth 
Medium Bronze
Origin Egypt
Gallery Location USA
Late Dynastic Period Stone Sarcophagus Fragment of a Head
Circa 712 BC to 332 BC
Dimensions 14.125" (35.9cm) high
Medium Stone
Origin Egypt
Gallery Location UK
Middle Kingdom Alabaster Jar
Circa 2200 BC to 1800 BC 
Dimensions 1.75" (4.4cm) high x 1.675" (4.3cm) wide
Medium Alabaster
Origin Egypt
Gallery Location USA
Egyptian Bronze Figure of Osiris
Circa 664 BC to 525 BC
Dimensions 10.825" (27.5cm) high 
Medium Bronze
Origin Egypt
Gallery Location UK
Egyptian Double-Sided Limestone Plaque 
Circa 300 BC to 200 BC
Dimensions 8.25" (21.0cm) high
Medium Limestone
Origin Egypt
Gallery Location UAE
#fineartmagazine

BARAKAT GALLERY
421 North Rodeo Drive, Beverly Hills, California 90210
58 Brook Street, Mayfair, London W1K 5DT
Nation Towers, Corniche, Abu Dhabi
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Friday, August 7, 2015

In Long Island City? catch the Free Public Performance in the Park! Sat, Aug 8 at 4pm. see Edisa Weeks / DELIRIOUS DANCES Randy James / 10HL PROJECTS

Norte Maar
August 7, 2015
Norte Maar, Socrates Sculpture Park, dance, summer dance, dance nyc

Norte Maar's Dance at Socrates: Week 1 of 3


Free Public Performance in the Park!
Sat, Aug 8 at 4pm

featuring NMDAS resident choreographers:

Edisa Weeks / DELIRIOUS DANCES

Randy James / 10HL PROJECTS

Socrates Sculpture Park
32-01 Vernon Blvd @ Broadway
Long Island City
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Guggenheim and Agathe Snow Stage 24-Hour Film Premiere and Dance Party as Part of Storylines

Screen-Shot-2014-09-05-at-11.41 490px

Guggenheim and Agathe Snow Stage 24-Hour Film Premiere and Dance Party as Part of Storylines


Final Weeks of Exhibition Also Include Screenings of the CREMASTERCycle and Monday Night Performances of Gerard & Kelly’s Timelining

Exploring the redemptive power of community and social exchange, Agathe Snow stages Stamina, a 24-hour film premiere and dance party at the Solomon R. Guggenheim Museum on August 20–21. Featuring live music by Donald Cumming, I.U.D., Onyx Collective, QTY, TV Baby, and more, the event will premiere Snow’s film Stamina (2015), which documents a clandestine 24-hour party hosted by the artist ten years ago in downtown New York. Stamina is one of over a hundred works presented inStorylines: Contemporary Art at the Guggenheim, an exhibition that celebrates storytelling and narrative in the visual arts. The final weeks of Storylines will also include ongoing Monday night performances of artist duo Gerard & Kelly’sTimelining (2014), and two screenings of Matthew Barney’s CREMASTER cycle (1994–2002) in its entirety.
Agathe Snow: Stamina
Thursday, August 20–Friday, August 21; Doors open at 6 pm on Thursday
Rotunda Floor
Combining live music, film, and movement, Stamina continues Agathe Snow’s exploration of social interactions, rebellion, and the redemptive power of human ingenuity and community. In 2005, looking to capture the shared moments of the post-September 11 downtown scene, Snow planned and filmed a dance party with her friends and fellow artists in a loft on dusty Ann Street in Lower Manhattan. A decade later, on the occasion of Storylines, the footage has been made into a 24-hour film, revealing never-before-seen material celebrating the resilience of underground culture.
Premiering in the museum’s rotunda and serving as the center of another 24-hour event, Stamina will be accompanied by live music by Donald Cumming,QTY, TV Baby (formerly A.R.E. Weapons), Dev Hynes (of Blood Orange) performing with the Onyx Collective, and I.U.D. (Lizzi Bougatsos and Spencer Sweeney), along with music selected by DJs Eric Duncan and Ben Ruhe.
Cash bar and light fare, 6 pm–4 am
Breakfast and juice bar, 4 am–8 am
Tickets are available at the door starting at 6 pm on August 20 and include access to the party that night and museum admission on August 21. $25, $18 students, free for members. More information available atguggenheim.org/stamina.

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