Monday, September 17, 2012

Lori Hyland - Posner Fine Art

Posner Fine Art News: A Hyland Universe

PFA News September 2012

SEPT 2012
A Hyland Universe

Shown Above:


Midsummer Garden
oil on canvas
48" x 60"

Also Available:

Lori Hyland Milky Way
Milky Way
oil on canvas
72" x 90"

Lori Hyland Gallaxy
Galaxy
oil on canvas

48" x 60"

Shown to the Right:   
Divine Matrix
oil on canvas
64" x 89"
Lori Hyland

Lori Hyland is an abstract painter who has lived her entire life in Los Angeles. She took her undergraduate degree at the University of Southern California and then attended Pratt Institute of Visuals Arts in New York. Additionally she studied with Koho Sensei in traditional Japanese Sumi-e and Tom Wudi. Lori's work has been shown in numerous galleries in Europe and the United States.

The creative process for Hyland is deeply intuitive. She has been fascinated and guided in painting by two important concepts; visual meaning and transformation with every canvas bringing new and unexpected relationships. In each painting, Lori uses the entire visible color spectrum with its vast palette as found in nature's deserts and gray skies.

Hyland may start out with a very particular vision or meaning but other forces carry her to an altogether different place. It is this element that draws her into abstract art rather than representational. Abstract painting offers Hyland individual meaning and endless fascination with the revelations that take place.

Much of her work is constructed by small grids of color placed closely together to retract colors. By themselves, they have little meaning, but placed in the whole reveal several levels of symbolism leading to a meaningful statement. Her work becomes a matter of discovery and investigation; creation as well as destruction through new forms taking place each moment.

Lori Hyland Divine Matrix 
When Lori first started painting, she was led in her work by spirituality, especially influenced by her travels to Gothic Cathedrals in France. Other influences include the environment and the earth. In recent years, her work has a new influence -- music. 

Posner Fine Art is always available to assist you with your fine art and accessory needs.

Sincerely,

Wendy Posner  info@posnerfineart.com

PFA New Address 2012  

Sunday, September 16, 2012

Call to Artists - Wilder Mansion 2nd Annual Holiday Market


Wilder Mansion 2nd Annual
Holiday Market


Call to Artists

WHAT: One of a Kind Art, Craft, and Seasonal Gifts  

WHERE: Wilder Mansion in Elmhurst Illinois  
      
WHEN:  Friday, November 9, 4-9pm (Benefit)
            Saturday, November 10, 11am-5pm (Free Admission)
 
           
NOTEWORTHY:
 
*A juried show limited to 50 artists.

*Reduced hotel rates.

*Please visit rglmarketingforthearts.com  for more information.

Elmhurst's 2nd Annual Wilder Mansion Holiday Market is considered one of the top Suburban Holiday art venues in the Chicago area. Wilder Mansion (landmark building) is located on the grounds of Wilder Park which is ranked one of the top suburban parks by Chicago Magazine. Wilder Park is the setting of the Elmhurst Art Museum, Lizzadro Museum of Lapidary Art, Elmhurst College. Elmhurst is a sophisticated art conscious community. Residents are highly educated and affluent art patrons. Homes are appraised at $600,000-2million dollars plus.
 
NOW ACCEPTING APPLICATIONS:  

Applications available at:

Deadline:  Postmarked September 15, 2012
  
Application Fee: $25

Booth Fee: $150   

Notification:  October 11, 2012  

Email questions to: roz@rglmarketingforthearts.com

Saturday, September 15, 2012

Axelle Gallery ERIC ROUX-FONTAINE “Neverlandscape” NEW YORK CITY, September 14, 2012 -- November 5 - December



ERIC ROUX-FONTAINE

 “Neverlandscape”

NEW YORK CITY, September 14, 2012 --

November 5  -  December 2
OPENING RECEPTION ON SATURDAY, NOVEMBER 10, 6-8PM (RSVP REQUIRED)


    
        Oro, 39¼" x 39¼"                           Babel I, 39" x 44½"                                   Angel, 23½" x 23½"

AXELLE FINE ARTS GALERIE is pleased to present “N E V E R L A N D S C A P E”, a solo exhibition of new works by French artist ERIC ROUX-FONTAINE.  Roux-Fontaine is well known worldwide for his creative talents in a wide range of media; he is an accomplished painter, photographer, poet and video artist. Roux- Fontaine’s premiere exhibition at Axelle Fine Arts features a series of oil paintings (pure pigment, marble powder and resin) that blend the real and the imagined to create a sort of pictorial poetry. 

Roux Fontaine’s unique multidisciplinary body of work is characterized by his surreal and delicate portrayal of the natural world. The artist has travelled throughout Central America, India and Eastern Europe, specifically to Borucan & Romani communities; those cultures have had a profound influence on his art.  His view of the world is one that is enchanted, sensitive and full of hope.  He encourages the viewer to consider their identity and their relationship to the surrounding world.  Roux-Fontaine aims to change the way people perceive the world, to restore what has been lost; his art reminds us of the natural beauty and serenity that is too easily forgotten in the rush of the modern world.  He depicts images from his travels, his thoughts and his dreams.

Roux-Fontaine was born in 1966 in the Savoy Region of France.  He enrolled at the Fine Art School of Saint-Etienne at the young age of 17 and graduated Suma Cum Laude 5 years later.  Since his first solo exhibition in 1991, he has enjoyed sellout shows and overwhelming success throughout Europe.  In 1995, the Musée des Beaux-arts of the city of Chambéry and the Musée Paul Dini of the city of Villefranche-sur-Saône acquired works which to date are part of their permanent collections. The Museum of the city of Lyon and the Centre de Cultura Contemporania of Barcelona (Barcelona Contemporary Arts Center) both featured his work in 2008.  The same year, Spanish private arts foundation Josep Niebla presented his first retrospective.  In 2011, he was a guest speaker at the renowned TED event in Lyon.  His work was recently featured at the Rotterdam, Paris, London and Dublin art fairs.

View the catalog online here.

For further information, prices and photographic material, please contact the gallery at 212. 226. 2262 or email info@axelle.com. Gallery hours are from 11:00am to 7:00pm every day.

Roux- Fontaine at work


Story of Cultural Interaction Among Christians, Muslims, and Jews Revealed in Beautifully Illuminated and Historically Important Treasures


The Jewish Museum Offers Digital Visitors Unprecedented Opportunity to View Rare Illuminated Manuscripts from England's Bodleian Library at Oxford University

Story of Cultural Interaction Among Christians, Muslims, and Jews Revealed in Beautifully Illuminated and Historically Important Treasures
New York, NY - In conjunction with the exhibition, Crossing Borders: Manuscripts from the Bodleian Libraries, The Jewish Museum is offering its digital visitors two fascinating opportunities to learn about and see high resolution images of the manuscripts.

kennicott
Detail of Kennicott Bible, scribe: Moses ibn Zabara, artist: Joseph ibn Hayyim, commissioner: Isaac, son of Solomon di Braga, Corunna, Spain, 1476. Bodleian Libraries, University of Oxford, MS.Kennicott 1, fol. 8a
For the first time ever, all 922 pages of the magnificent Kennicott Bible and its binding will be available online. The Kennicott Bible (1476) is the most lavishly illuminated Hebrew Bible to survive from medieval Spain. Digital visitors may browse through these high resolution images, either viewing a selection of the illuminations or choosing a particular chapter or page. The Kennicott Bible was photographed especially for the exhibition and the web component by noted photographer Ardon Bar-Hama.
Through the exhibition microsite, visitors will be able to see and zoom into images of nearly 100 pages from 41 of the 52 manuscripts in the exhibition and selected images from several printed books and paintings. Audio clips excerpted from the exhibition audio guide accompany selected manuscript pages. The manuscripts and artworks are organized into nine themes: From Roll to Codex; Medieval Hebraism; Islamic Decorative Motifs; Shared Motifs in Christian and Hebrew Books; The Kennicott Bible, a Medieval Masterpiece; Fables from India to Spain and Beyond; Christians, Muslims, and Jews Copy Euclid; Collectors of Hebrew Books; and Sir Thomas Bodley and Queen Elizabeth I. An essay, The Middle Ages Illuminated, by the exhibition's curator Claudia Nahson places the works in context, tracing the story of cultural interaction among Christians, Muslims, and Jews during the Middle Ages, as seen in these rare and precious volumes. This microsite was designed and developed by MESH Architectures which also designed the exhibition installation.

England's Bodleian Library at Oxford University, established by Sir Thomas Bodley in 1602 and now the largest of the University's group of 'Bodleian Libraries', is renowned for its great treasures. Among them is one of the most important collections of medieval Hebrew illuminated manuscripts in the world. The Jewish Museum is presenting Crossing Borders: Manuscripts from the Bodleian Libraries from September 14, 2012 through February 3, 2013. This exhibition features over 60 works - Hebrew, Arabic, and Latin manuscripts - the majority of which have never been seen in the United States. Several paintings and printed books are also on view.
Crossing Borders: Manuscripts from the Bodleian Libraries website is made possible by Bloomberg.

The audio guide is produced in association with Acoustiguide.

Kennicott Bible photography and online feature are by Ardon Bar-Hama. In-kind support for these projects is generously provided by George S. Blumenthal.

Exhibition Website (microsite)

AJLart is showing Christian Boltanski, James Lee Byars, Gianni Caravaggio, Douglas Gordon, Markus Keibel, Imi Knoebel, Robert Montgomery, Christine Rusche, Junior Toscanelli, Björn Wallbaum and Ralf Ziervogel at Epicentro art.


PRESSRELEASE
 
sublim ∙ kursiv – AJLart at Epicentro art
 
Opening: Wed 12.9.2012, 19h
Exhibition: 13.9. -9.10.2012
Opening hours: Tuesday-Saturday 12.00-18.00 / during Berlin Art Week: 12.00-20.00
Location: Epicentro art, Karl-Marx-Allee 82-84, 10243 Berlin, http://www.epicentroart.com
 
 
AJLart is showing Christian Boltanski, James Lee Byars, Gianni Caravaggio, Douglas Gordon, Markus Keibel, Imi Knoebel, Robert Montgomery, Christine Rusche, Junior Toscanelli, Björn Wallbaum and Ralf Ziervogel at Epicentro art.
 
In sublim.kursiv the gallerist Anna Jill Lüpertz is presenting an exhibition of outstanding art pieces from international artists that have shaped the contemporary art of the present. Her show aims for a striking contrast to current exhibition concepts. sublim.kursiv renounces any theoretical discourse and the embedding of the works in any political context. Art is at the centre of the exhibition. Paintings, installations and sculptures, all in direct dialogue to each other, give space to a moment of contemplation, little more is needed.
 
The conviction that art in itself is sovereign, sets the tone for the choice and the presentation of the works. Conceptual installations, like those of Boltanski and Douglas Gordon are confronted with the delicate drawings of Ralf Ziervogel or the monumental murals of Christine Rusche. The poetic work of Robert Montgomery meets the large-scale sculptures of Gianni Caravaggio. Sometimes the artistic interplay of the pieces manifests immediately, other times a slow and delicate awareness arises. The exhibition sublim.kursiv covers many varieties of a precise artistic expression and of a stringency in the act of creating - it emphasizes the unique characteristics of art.
 
Anna Jill Lüpertz founded AJLart in 2010, under the strong conviction that certain forms of artists expressions need their respective space, even if that entails finding the right space for the right concepts. AJLart as such, is a gallery that does not limit itself to one particular space but focuses on the represented artists and their varying artistic concepts.
 
AJLart has developed the group exhibition sublim.kursiv in the private exhibition space of Epicentro art. Located in the historical Stalin buildings of Berlin, Epicentro art offers the perfect mixture between white cube and representative architecture. The Epicentro art was founded in 2007 by Marc Fiedler, entrepreneur and art aficionado. Since then, the private exhibition- and collection institution has been showing international artists in solo- and group exhibitions, ranging from contemporary painting to sculpture and photography.
 
For more information please contact: Annika Hirsekorn. Gallery Manager

THE WHITNEY TO PRESENT SINISTER POP, A LOOK AT POP'S DARKER SIDE November 15, 2012–March 2013


THE WHITNEY TO PRESENT SINISTER POP, A LOOK AT POP'S DARKER SIDE
November 15, 2012–March 2013



NEW YORK, September 14, 2012—Sinister Pop, the fourth in a series of six exhibitions reassessing the Whitney’s collection, presents a dark and inventive take on the Museum’s rich holdings of Pop art from the movement’s inception in the early 1960s through its aftershocks a decade later. Curated by Donna De Salvo and Scott Rothkopf, the exhibition will appear from November 15, 2012 through March 2013 in the Museum’s second floor Mildred & Herbert Lee Galleries.
Although Pop is typically understood to offer an effervescent view of postwar consumerism, this exhibition provides a more cutting and skeptical take. The show highlights a period of turmoil and upheaval in the United States, where an exploration of new art forms dovetailed with a tumultuous remaking of politics and society through rampant and ecstatic commercialism, transformations in race relations and women’s rights, and the effects of the Vietnam War. In conjunction with this exhibition, a film program titled Dark and Deadpan: Pop in TV and the Movies, curated by Chrissie Iles and Jay Sanders, will be shown in the Kaufman Astoria Studios Film & Video Gallery, also on the Museum’s second floor.

Donna De Salvo, the Whitney’s chief curator and deputy director for programs, comments: "While Pop is often characterized as a celebration of popular imagery, this exhibition focuses on the dark and unsettling ways in which artists looked at the cultural landscape of America in the 1960s and 1970s. By including figures long associated with Pop art alongside those who were not, the exhibition also attempts to bring a more textured and complex reading to a period that was pivotal in the US and internationally."

Whitney curator Scott Rothkopf continues: "As we anticipate our downtown building opening in 2015, we are actively exploring new ways to reconsider both key historical moments and the presentation of our collection. Unlike many exhibitions devoted to the movement, Sinister Pop combines photography, prints, drawing, painting, and sculpture, alongside related films and videos, to express the Whitney's belief in a truly multimedia display."
While many of the artists featured in Sinister Pop are acknowledged masters, including Andy Warhol, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, and Ed Ruscha, they are represented by seldom-seen works in surprising new contexts. For example, Ruscha’s photographs of blank apartment facades and filling stations share space with Allan D’Arcangelo’s distorted highway scene and George Segal’s forlorn Bus Station in a group of works exploring the dystopic American landscape. Another thematic cluster examines the complicated depiction of women in the hands of Rosalyn Drexler, Mel Ramos, Tom Wesselmann, and Richard Lindner, while the topic of exaggerated consumption is elaborated through Sturtevant’s monstrous spaghetti, Oldenburg’s pile of giant cigarette ends, and William Eggleston’s photograph of an overstuffed freezer. The roiling political scene and rage of the era are captured in the depictions of US presidents by Judith Bernstein, Jim Dine, and Warhol, as well as in the unrestrained, freewheeling paintings of Peter Saul and Jim Nutt.

The exhibition’s broad scope also includes artists not generally associated with the Pop canon but whose work may be understood within its broader field of reference, such as Vija Celmins, Milton Glaser, Dan Graham, Nancy Grossman, and Christina Ramberg. In particular, the curators have provocatively included a large number of photographs by Eggleston, Louis Faurer, Robert Frank, Lee Friedlander, Peter Hujar, Joel Meyerowitz, Billy Name, and Weegee, among others. Many of these works suggest the ominous and threatening connotations of the word "sinister" in images that evoke crime scenes, foreboding voyeurism, and film-noir tales.
Sinister Pop is the fourth in a multiyear series of six exhibitions reassessing the Whitney’s collection in anticipation of the Museum’s move downtown in 2015. Proceeding in chronological order across a century of American art, the shows offer lively and revisionist takes on signal historical moments. Previous installments were Breaking Ground: The Whitney’s Founding Collection, Real/Surreal, and Signs & Symbols, which is currently on view through October 28. The fifth exhibition in the series will focus on the 1970s and '80s.

In addition to the full-floor Sinister Pop exhibition, the Museum’s film and video gallery will feature Dark and Deadpan: Pop in TV and the Movies, highlighting the central role that television and cinema played in communicating the excitement, anxiety, and desire underlying both Pop and popular culture in the 1960s. From Andy Warhol’s commercial for Schrafft’s restaurants to George Kuchar’s melodrama Hold Me While I’m Naked, this exhibition brings together rarely seen films, television advertisements, and political campaign messages that reflect the extravagant yet deadpan success of Pop art during this period.
The Whitney Museum is located at 945 Madison Avenue at 75th Street, New York City. Museum hours are: Wednesday, Thursday, Saturday, and Sunday from 11 am to 6 pm, Friday from 1 pm to 9 pm, closed Monday and Tuesday. General admission: $18. Full-time students and visitors ages 19–25 and 65 & over: $14. Visitors 18 & under and Whitney members: FREE. Admission to the Kaufman Astoria Studios Film & Video Gallery only: $6. Admission is pay-what-you-wish on Fridays, 6–9 pm. For general information, please call (212) 570-3600 or visit whitney.org.

Thursday, September 13, 2012

A Gallery for Fine Photography - DATE CHANGE


Calling all creatives! Submit your best work for a chance to be included in the Art Takes Miami


Calling all creatives! Submit your best work for a chance to be included in the Art Takes Miami : 1,001 Artists Project, a special presentation of today's emerging talents this December at SCOPE Art Show, the premier showcase for international contemporary art. This year we're featuring more artists than ever before. Be one of them







info@artistswanted.org
 FEATURED COMPETITION


Art Takes Miami : The 1,001 Artists Project
Be a part of the premier showcase for international contemporary art.

Click Here to Learn More


$10,000 Cash Grant  |  Feature Booth at SCOPE Miami 2012  |  Luxury Hotel Stay

Featuring more artists than ever before with the 1,001 ARTISTS PROJECT, a digital display of over
a thousand artists in the exclusive Art Takes Miami booth during SCOPE Miami.


 FEATURED EXHIBITION FEATURED EXHIBITION

NANCY DAVIDSON | DUSTUP
This season, Betty Cuningham Gallery opens with Nancy Davidson's first exhibition in the space, featuring her inflatable sculpture Dustup. Known for her unique media and larger than life sculptures, Davidson's take on the rodeo cowgirl will occupy the New York City gallery through October 6. Offering a humorous critique of the American cowgirl, the sculpture's massive measurements come in at over 16 ft in height

LOUIS VUITTON - MARC JACOBS
THE EXHIBITION
Last chance: Louis Vuitton -- Marc Jacobs: The Exhibition, closes this weekend! Covering two floors of the Paris' Musée Les Arts Décoratifs, the exhibition provides new insight into the fashion system during its pivotal periods, beginning with its industrialisation and ending with its globalisation, focusing also on its artistic professions and crafts, technological advances, stylistic creations and artistic collaborations.

 FEATURED EXHIBITION FEATURED EXHIBITION

JEFF KOONS | THE PAINTER & THE SCULPTOR
Turning their attention to an artist who has been setting trends in the art world since the 1980's, Frankfurt's SCHIRN and the Liebieghaus Skulpturensammlung are simultaneously exhibiting works by Jeff Koons this month. While deliberately separating sculpture and painting, the two spaces will present each in its own context. On view through September 23. Click here for details >>

DOROTHY BOHM | SEEING AND FEELING
Londoners, stop by Margaret Street Gallery for Seeing and Feeling, an exhibition of works by 88-year-old Lithuanian-born photographer and skilled portrait artist Dorothy Bohm. Having taken pictures for over 70 years, Bohn has a knack for encapsulating the essence of every day life, deeply aware of the vulnerability of human existence. Click here to read more >>

 FEATURED ART TAKES MIAMI ENTRANTS


Today we introduce you to a select group of sculptors from Art Takes Miami: Robin Antar, Carolanne Leslie, Austin Ballard, Marc Rust, Joe Gentry, Krisse Pasternack, Nico Yektai, Katie Aucoin, and Melissa Maddonni Haims.

We're featuring artists every day so keep your eyes open for the latest highlights in each newsletter. To view the works of this week's featured entrants,

You can also meet featured artists everyday by following us on Twitter, Facebook and Tumblr.

Sky Light Gallery 9/20 6-8 PM The Last Picture Show



Skylight Gallery Logo
538 West 29th Street
New York, NY 10001
Gallery Hours
mon.-fri 10-4 variable
Sat. 12-5
(please ring buzzer
to enter gallery ) 
opening shot Skylight
Greetings!

"The Last Picture Show"  
and
"Berlin Meets NY"  
 

Opening Reception, Thursday Sept. 20th 6-8 pm 
Exhibition runs Sept. 20th thru the end of Oct.

Skylight Gallery NYC is celebrating its final show in the series
  "Art Conversations". These art conversations centered on City Based and Hudson Valley Based Artists. "The Last Picture Show" features some of our best represented artists from NYC and the Hudson Valley.

Also exhibiting in the Hearth Gallery, "Berlin Meets NY", an exhibition of represented artists from our sister gallery Kunstleben Berlin, Germany.

New Projects at Skylight Gallery are coming soon with a new edition to its format centered on Curatorial Projects.

Come to our Opening Reception on Thursday, September 20th from 6-9 pm
See the work and celebrate our NY artists and our Berlin artists and find out more about our new and exciting future projects.

Thank you for supporting the arts and Skylight Gallery NYC

Carla Goldberg/Gallery Director 

THE HAMPTONS INTERNATIONAL FILM FESTIVAL TO HONOR ACTOR RICHARD GERE AT 20TH ANNIVERSARY EDITION OF FILM FESTIVAL



THE HAMPTONS INTERNATIONAL FILM FESTIVAL TO HONOR ACTOR RICHARD GERE AT 20TH ANNIVERSARY EDITION OF FILM FESTIVAL

 Legendary Actor to receive the Festival’s prestigious Golden Starfish Award For Lifetime Achievement In Acting EAST HAMPTON, NY - SEPTEMBER 13, 2012: 

The Hamptons International Film Festival has announced today that actor Richard Gere will attend the 20th Anniversary Festival to receive The Golden Starfish Award for Lifetime Achievement in Acting on October 6th, 2012 at 7:00 PM at Guild Hall in East Hampton, NY. The award will be presented during the festival’s “Conversation With Richard Gere”, a discussion with Mr. Gere about his life and career, moderated by the Festival’s Honorary Chairman, Alec Baldwin. The event will feature a montage highlighting Mr. Gere’s screen appearances. “Conversation With Richard Gere” is sponsored by Capital One. Richard Gere made an immediate impact on this cinema with his moving debut in Terence Malick’s Days Of Heaven, a film which launched a career that has spanned four decades and has included roles in films such as Pretty Woman, American Gigolo, An Officer and a Gentleman, Chicago and most recently Arbitrage. The Festival is pleased to present a special screening of Days of Heaven. In addition to his work on the screen, Mr. Gere is an accomplished musician, photographer and humanitarian, advocating for human rights with organizations that include The International Campaign for Tibet, Survival International and Healing the Divide. He also created The Gere Foundation, which supports the cultural preservation of Tibet and the Tibetan people. “Richard Gere’s outstanding body of work speaks for itself. Richard’s phenomenal talent and social activism has showcased his passion and heart. We are thrilled to present him with the Golden Starfish Award for Lifetime Achievement in Acting,” said Karen Arikian, Executive Director of the Hamptons International Film Festival. Past honorees of the Golden Starfish Award for Lifetime Achievement in Acting are Gena Rowlands, Vanessa Redgrave, Joan Allen and Alec Baldwin. About The Hamptons International Film Festival

About The Hamptons International Film Festival


The Hamptons International Film Festival was founded in 1993 to celebrate independent film- long, short, fiction and documentary - and to introduce a unique, varied spectrum of international films and filmmakers to the public. The Festival is committed to exhibiting films that express fresh voices and differing global perspectives, with the hope that these programs will enlighten audiences, provide invaluable exposure for filmmakers and present inspired entertainment for all. Taking place among the charming seaside historic villages of Long Island's east end, the Hamptons International Film Festival's intimate, informal atmosphere makes the festival an ideal destination for cinephiles. The 20th anniversary edition takes place over Columbus Day weekend, October 4th-8th, 2012.

For more information on the Festival and to become a member, please visit www.hamptonsfilmfest.org.


Wednesday, September 12, 2012

Call to Artists - The 50th Annual Coconut Grove Arts Festival


The 50th Annual
Coconut Grove Arts Festival 
 
Call to Artists

WHAT: The 50th Annual Coconut Grove Arts Festival

WHERE: The streets of Coconut Grove, FL, a charming village within the City of Miami

WHEN: February 16, 17 and 18, 2013

NOTEWORTHY:

*380 juried artists in 14 categories

*Estimated attendance: 150,000

*24-Hour Security within a gated venue

*Festival marketing to the art-buying public in TV, newspaper, billboards, bus wraps, airport dioramas, magazines, social media, and press releases valued at over $350,000.

*Artist amenities include: complimentary breakfast, coffee and juice, lunch, water and soda for all three days, booth sitting

*Day-before or morning-of load-in; drive up to booth

*Jury free entry to all award winners for the following Festival

*"We've been around longer than the Super Bowl", 50 years and still going strong

We invite you to apply to our Festival, one of the most prestigious outdoor festivals in the United States. The Coconut Grove Arts Festival is presented by the Coconut Grove Arts and Historical Association, Inc., a non-profit organization with a full-time professional staff, Board of Directors and more than 600 community volunteers. Proceeds from the event provide funding for educational and community programs, including a Building Fund for a permanent Arts Center in Coconut Grove.

Click HERE to Watch a Video About the Festival! 

NOW ACCEPTING APPLICATIONS:

DEADLINE: September 17th, 2012

NOTIFICATION: November 7th, 2012

BOOTH FEE DUE: December 1st, 2012

Apply at: www.Zapplication.org

For more information please visit: www.CGAF.com

Email questions to Katrina@cgaf.com or call 305.447.0401 to speak to Katrina Delgado, Artist Director.

Galerie Kashya Hildebrand


Scott Williams and Brent Green Opening Saturday, September 15, 6-8pm


SCOTT WILLIAMS
HOME INVASION

BRENT GREEN
TO MANY MEN STRANGE FATES ARE GIVEN

September 15 – October 20, 2012
Opening Reception: 
Saturday, September 15, 6-8pm


Gallery Hours:  
Wednesday – Friday 10:30-5:30
Saturday 11:00-5:00


Steven Wolf Fine Arts
2747 19th Street, A
San Francisco, CA 94110
415-263-3677
stevenwolffinearts.com


BRENT GREEN: Artist’s Talk at SFAI
Monday, September 17, 7:30pm
San Francisco Art Institute
800 Chestnut Street, SF CA


SCOTT WILLIAMS
This fall, Steven Wolf Fine Arts will recreate the studio interior of painter Scott Williams, best known to San Franciscans as an early aerosol street artist who painted murals, cars and interiors using a spray can and stencils. His primary media though, since 2000, when he exchanged spray can for airbrush, is canvas, wood, and books. Williams cinematic, stencil montages take the form of landscapes, rock posters, political propaganda and various forms of abstraction. Literature, punk flyers, Asian woodcuts and obscure comic books are among his many sources.


One of his most intriguing creations is the interior of the Victorian Mission flat that he has lived in for the past 25 years. The residence, studio and gallery is a mixture of wall stencils, decay and paintings that hang on the wainscoting and stack on the floor like sloppy layer cakes. The space is a link to an era of San Francisco studios that flourished before skyrocketing rents, gentrification and the evolution of live/work spaces into generic corporate interiors. His capacity to achieve a painterly looseness with stencils, and his tendency to work flat on the ground in the manner of the abstract expressionists mirrors that link to the past. The installation will include paintings from every stage of Williams' career, new stencils made directly on the wall, and fragments of the studio itself.


This isn't the first time Williams has been projected into a conversation about gentrification. As a young artist, in 1983, he was evicted from the Goodman Building on Geary Boulevard between Gough and Franklin. One of the last of the artist hotels in San Francisco, the Goodman's residents fought the city's redevelopment in the name of a utopian communal live/work situation that challenged the normative paradigm of domesticity and labor. After years of court battles, the residents lost, but the case gave rise to an awareness of non-traditional living spaces in a city that was rapidly gentrifying along late capitalist lines.


The irony of recreating Williams' studio in a gallery that is gentrifying his very own neighborhood only seems to energize the fragmentary and unstable character of his work. His portraits of Josef Stalin, which oscillate between ironic takes on authoritarian art and a genuine affection for the left, seem likely to drift off the compass of meaning entirely. In a space often devoted to artists just out of art school, his cowboys and Indians paintings, which have the air of movie landscapes peopled by toys, will look like the Photoshop worlds they preceded.


In general, the characters in Williams' paintings seem strangely detached from their sources. Like magical phrases that have been spoken so many times they grow uncanny, they lurk at the edge of something we once knew. His process of selection, arrangement and deployment through stenciling seems to vaporize meaning, leaving the viewer in an Phillip K. Dick atmosphere of paranoia, lucidly described by one of his long-time book collaborators, the poet Fred Rinne.


"If you could see through the fog and murk that passes for an atmosphere hereabouts you might notice the subtle documentation of the citizenry.... You might notice that you are in a tinny funhouse mirror burlesque of an American city... We call it Frisco."


BRENT GREEN
Continuing his tradition of applying new technologies to his staunchly DIY, American folk roots, Brent Green built To Many Men Strange Fates Are Given with deconstructed LCD screens, an elaborate welded steel frame, polarized lenses and sets of delicate machine-milled wooden audio horns. These diverse materials all serve as a platform for a new hand-drawn three-dimensional animation displayed on two layered panels simultaneously, hearkening back to the tradition of animating on glass. The animation can only be seen when the viewer looks through the polarized lenses located at three stations on the sculpture; otherwise, Green’s film is invisible.


The story centers on the tale of the woman who sewed the spacesuit for Laika, the dog sent into space by the Russians in 1957. Pulsating with the intensity of the artist’s own signature narration, the sound track articulates themes of progress and insight, of invention, wonder and faith. To Many Men Strange Fates Are Given demonstrates both the technical and formal progress in Green’s artistic journey and reflects the increasing deftness with which he handles humanistic themes in his storytelling, carving out from his self-taught roots a new and sophisticated handmade aesthetic, sustained by a stark political agenda that runs through his lyrically composed allegories.


For more information please contact Steven Wolf Fine Arts at 415.263.3677 or email stevenwolffinearts@gmail.com