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Wednesday, May 16, 2012
Friday, May 11, 2012
Call To Artists / Halifax Art Festival
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M Gallery of Fine Art SE LLC is pleased to present “Southern Dreams,”
Denise LaRue Mahlke, PSA
On Display from June 1 - 31, 2012
M Gallery of Fine Art SE LLC is pleased to present “Southern Dreams,” an exhibition featuring pastel artist Denise LaRue Mahlke. Mahlke is known nationally for her works depicting the beautiful scenery across the United States. The show will be composed of pastel master works and hang from June 1st – 30th.
There is a quiet thoughtfulness and passionate purpose to the work of artist D. LaRue Mahlke. Her paintings convey a sense of restfulness and peace that reflects the spiritual connection she feels for the landscape she loves. Denise believes that being an artist is a calling that involves preserving, celebrating, and sharing in God’s creation. This sense of having a calling, a God-given purpose, motivates her to paint from the heart and challenges her to continue to sharpen her skills, understanding, and dedication. “There is always more to learn and I have a responsibility to put forth my best efforts in the spirit of thanksgiving and praise. The opportunity to reflect the creative ingenuity and love of the Creator through my work is a privilege and a joy.”
Denise is a Signature member of the Pastel Society of America, and is also a member of Plein Air Austin and Central Texas Pastel Society. Her work has been featured in American Artist, Pastel Journal, Plein Air Magazine, Southwest Art, and Western Art Collector, and continues to gain national recognition and earn awards. She is an invited artist to the prestigious Maynard Dixon Country show, which supports the Thunderbird Foundation for the Arts, and Artistic Horizons which benefits Arts Without Boundaries.
For more information please contact M Gallery of Fine Art at 843.727.4500, sales@mgalleryoffineart.com, www.mgalleryoffineart.com, or stop in 11 Broad Street, Charleston, SC 29401.
Occupy Graduation
STUDENTS RALLY TO
OCCUPY GRADUATION
AS STUDENT DEBT SURPASSES TRILLION DOLLAR MARK,
GRADUATES EXPRESS FRUSTRATION WITH NOT SO BRIGHT FUTURE AHEAD
MEDIA CONTACT WORKHOUSE CEO ADAM NELSON
TELEPHONE: +1 646. 205. 3540 | EMAIL NELSON@WORKHOUSEPR.COM
TELEPHONE: +1 646. 205. 3540 | EMAIL NELSON@WORKHOUSEPR.COM

USA (10 May 2012) Graduation day is one of the proudest moments in a student's life. But for so many people facing a mountain of student debt, it's also a time for entering an unfair world of loan collectors and limited job prospects. Burdened by this debt, graduating students will exeunt the college stage with a silent, but firm expression of their angst and frustration in response to the growing student loan debt bubble. Formed by the collective voices of OWSPR, WORKHOUSE, Occupy Colleges, Move On, OccupyWallSt.org, Occupy Student Debt, Occupy Together, Ben Cohen (Ben and Jerry’s), Rebuild the Dream, “Default: The Student Loan Documentary,” Backbone Campaign, Occupy Student Debt, EDU Debtors Union, Forgive Student Loan Debt and Wear Your Debt, students throughout the country have pledged to use Commencement ceremony -- their big day--- to address this debt jubilee by white taping the actual dollar sign of their debt incurred to caps and gowns or by wearing symbolic ball & chains on their ankles in silent protest. A simple demonstration of expression to illustrate the national student frustration over this deep financial crisis, Occupy Graduation does not seek to interrupt the actual ceremony of commencement in any way save for visual representation. Amongst the Institutions who have pledged participation include George Washington University (Thursday, 17 May 2012), CU Boulder (Friday, 11 May 2012), The University of North Carolina (Sunday, May 13) and many, many more. For a full list and more information visit Occupy Graduation
Friday, May 4, 2012
artMRKT Hamptons Fair
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Wednesday, May 2, 2012
Photos from Jeanette Korab's Carnevale de Venezia
Carnevale de Venezia
Mixed Media & Photographic Art by Jeanette Korab
Shortell Design Saturday April 21st
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Joseph Shortell (Host), Angela Minnich, Jeanette Korab, Nichole Davis and Courtney Caulfield
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Suzann Farren, Jeanette Korab, Nancy Lassetter and Peggy Lohr
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Jeanette Korab & Coke Buchanan
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Bob Hopkins and Jeanette Korab
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| Jeanette Korab |
Tuesday, May 1, 2012
Monday, April 30, 2012
Los Señores del Bosque
Los Señores del Bosque
José Luis Serzo
04.27.12 – 05.31.12
Blanca Soto Gallery presents the first part of José Luis Serzo’s latest project entitled “Los Señores del
Bosque” (The Masters of the Forest), one of the most ambitious projects of the artist, not only bounded as one of his personal, bizarre and extensive series, but also which extends with a side project, curated under the subtitle “Las 1001 caras del daimon” (The 1001 Faces of the Daemon), and where Serzo, in collaboration with Gallery La Lisa (Albacete), will bring together a number or artists who, in its discretion, deal with the elusive and suggestive concept of the “daenomic”.
In this first staging of the new series, Serzo has wanted to count on the collaboration of critic José Luis Corazón Ardura, “in order to generate an intense and fun synergistic dialogue”, which allows us to explore a new way in the world of the author in the symbolism of the forest.
The project “Los Señores del Bosque” is a new series in which Blinky Rotred, alter ego of the artist and narrator of most of his stories, introduces us through a new a highly metaphorical narrative in the
fascinating world of the subconscious and its immeasurable symbolic recesses. With this new journey, Serzo shows us an elusive daemonic world, a concept of platonic inheritance, which would serve to bring together all those things that connect the real world with the imaginary. This new project aims to be a song called “alma del mundo” (soul of the world), inclusive of the Jungian collective unconscious. This unexplained of our being is, as a branch of thought that could mark a line from Plato and Hermes Trismegistus to the Pythagoreans and the Neoplatonists or to the Renaissance magicians and the alchemists passing through the Romantic poets to the same C.G. Jung, that which connects with the soul of all things of nature.
The protagonists, therefore, are some pseudo-archetypical beings, who could be daemons themselves,
since, even though they look human, much detail will lead us to place them among those beings
belonging to a collective fabulation, halfway between imagination and reality. The daemons populate
countless legends, myths, cultures and religions, serving humanity to represent certain universal
archetypes and/or purging, somehow, the oppressive thinking and the tendency toward “literalization” of all the facets of nature. This forest is inhabited by the most peculiar and hyperbolic creatures and characters, who represent, in some way, the archetypes of the subconscious of Blinky (or of the author himself, as the artist’s closest friends and carry out their own role, rescued from “another world”). Once again, as has become customary in Serzo’s work, the expositive space transforms itself into a magical container, a water pipe in the midst, where the viewer can enter into another fascinating world full of symbolism.
José Luis Serzo
04.27.12 – 05.31.12
Blanca Soto Gallery presents the first part of José Luis Serzo’s latest project entitled “Los Señores del
Bosque” (The Masters of the Forest), one of the most ambitious projects of the artist, not only bounded as one of his personal, bizarre and extensive series, but also which extends with a side project, curated under the subtitle “Las 1001 caras del daimon” (The 1001 Faces of the Daemon), and where Serzo, in collaboration with Gallery La Lisa (Albacete), will bring together a number or artists who, in its discretion, deal with the elusive and suggestive concept of the “daenomic”.
In this first staging of the new series, Serzo has wanted to count on the collaboration of critic José Luis Corazón Ardura, “in order to generate an intense and fun synergistic dialogue”, which allows us to explore a new way in the world of the author in the symbolism of the forest.
The project “Los Señores del Bosque” is a new series in which Blinky Rotred, alter ego of the artist and narrator of most of his stories, introduces us through a new a highly metaphorical narrative in the
fascinating world of the subconscious and its immeasurable symbolic recesses. With this new journey, Serzo shows us an elusive daemonic world, a concept of platonic inheritance, which would serve to bring together all those things that connect the real world with the imaginary. This new project aims to be a song called “alma del mundo” (soul of the world), inclusive of the Jungian collective unconscious. This unexplained of our being is, as a branch of thought that could mark a line from Plato and Hermes Trismegistus to the Pythagoreans and the Neoplatonists or to the Renaissance magicians and the alchemists passing through the Romantic poets to the same C.G. Jung, that which connects with the soul of all things of nature.
The protagonists, therefore, are some pseudo-archetypical beings, who could be daemons themselves,
since, even though they look human, much detail will lead us to place them among those beings
belonging to a collective fabulation, halfway between imagination and reality. The daemons populate
countless legends, myths, cultures and religions, serving humanity to represent certain universal
archetypes and/or purging, somehow, the oppressive thinking and the tendency toward “literalization” of all the facets of nature. This forest is inhabited by the most peculiar and hyperbolic creatures and characters, who represent, in some way, the archetypes of the subconscious of Blinky (or of the author himself, as the artist’s closest friends and carry out their own role, rescued from “another world”). Once again, as has become customary in Serzo’s work, the expositive space transforms itself into a magical container, a water pipe in the midst, where the viewer can enter into another fascinating world full of symbolism.
Artists From Different Worlds Collaborate on Twitter
Artists From Different Worlds Collaborate on Twitter
Dateline: Canton, Ohio & Lake Arrowhead, California
Artists Jeff Mueller and Rod Jones announced the completion of their collaborative work entitled Bright Lights Big City. The work will first be debuted At:
Jeff Mueller’s opening at 2nd April Galerie & Studios on May 2, 2012, 7-10 pm.
Jeff Mueller’s opening at 2nd April Galerie & Studios on May 2, 2012, 7-10 pm.
The collaboration started over a Twitter friendship with Jeff, who is known as @ComputerArtMan when he featured @RodJonesArtist on his V-log. The two recognized & respected their mutual talents and decided to collaborate on a work of art.
The artist Rod Jones with a 25-year history as a photographer who recently shifted to making art with a paintbrush was excited to participate in this collaboration. Although he primarily paints these days he has never lost his flair for the photographic arts. On a recent trip to New York, Rod captured the flavor of Manhattan and again memorialized the Chrysler building from a unique perspective sharing the image with Jeff.
Jeff, who prides himself in combining age-old techniques with modern technology to create art in a way never seen before is known for his talent in the field of digital printing and manipulation. Jeff started his career in 1984 as a full time commercial artist for Altered Images Inc. and then quickly transitioned into digital manipulation and photo enhancement art.
For more information click here: http://www.jeffmuellerdigitalart.com/whats-up-currently/
Friday, April 27, 2012
Exhibition for "National Days of Remembrance"
Michael Knigin's Exhibition for "National Days of Remembrance"
Photos from Tuesday, April 17th
In honor of National Days of Remembrance for the Holocaust (April 15-22) the photography committee presented a two-part show. Joyce Chasan presented the photomontages of artist Michael Knigin. Dr. Stanley Burns showcased original images, documents and his series of multimedia photographs.
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| Joyce Chasan, Marilyn Church, andJoan Kraisky Knigin |
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| Guest, Joyce Chasan, Dr. Stanley B. Burns, Joan Kraisky Knigin, and Marilyn Church |
Knigin used images of the Nazi era and Holocaust to create an emotional response to the horrors of the time. He records the dehumanization of mankind in a skilful juxtapositioning that takes the images from their mundane context and reorganizes them, granting them a new life. Michael's goal was to indelibly imprint on our souls images that would facilitate remembrance. Michael died last year and his widow Joan Kraisky has continued his legacy by providing the images for this show. Knigin's work is included in over 60 museums and corporate collections.
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| Carla Baker, Dr. Robert Baker, and Joyce Chasan |
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| Dr. Stanley B. Burns, Carla Baker, and Dr. Robert Baker |
Collector and curator Dr. Stanley B. Burns, who owns one of the largest Judaica and Holocaust photographic collections showcased some of the well known images of the era. Some of the images related to German oppression of Jews prior to the war, others related directly to the Shoah. Accompanying the images was original documents of the time. Dr. Burns, for the first time, presented from his own series of multimedia art works images of regular Nazi soldiers (non SS) who believed in the Nazi dream and who eagerly and aggressively played their part in the Shoah. These previously unseen and unpublished works will become icons of the era as they dramatically illustrate the extent of everyday abuse of Jews and their communities by the Wehrmacht. Dr. Burns has produced over 50 exhibitions always surprising his audience with new visual experiences.
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| Carla Baker, Dr. Robert Baker, and Krysia Fisher |
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