Wednesday, January 28, 2026

Matt Damon, the anti-Davos & more from the Swiss alps Plus: Meet the Aussie billionaire bucking Trump on climate & more AI/human musings

Matt Damon, the anti-Davos & more from the Swiss alps

Plus: Meet the Aussie billionaire bucking Trump on climate & more AI/human musings

Water.org co-founders Gary White and Matt Damon. Photos: Dani Ammann Photography for Axios

⛷️A drive ski-by Davos update ⛷️ (stay ‘til the end for an actual ski shot) 


🎥 At Axios House: 


L-R: Bully Pulpit’s Jeffrey Nussbaum, Calm CEO David Ko, Me!, Bank of America’s Katy Knox 

I typically cover the energy that powers our lives — but for one night in Davos, I focused on the energy within us as humans. Lose that, and nothing else matters. 

It felt like stepping into an oasis of authentic connection amid a gathering otherwise dominated by AI obsessions, geopolitical power plays and economic hierarchies.

As Calm CEO David Ko wrote: "No networking theater. No agenda chasing. Just leaders sitting together, sharing honestly. What unfolded was deeply human." 

We even ate a healthy meal optimized for sleep and recharge. 

As AI reaches deeper into our lives, experiences like this reinforce my belief that we need more moments centered on our humanity. Here’s to more authenticity — in real life and on platforms like this.


More Davos by photo

Emerald AI Founder and CEO Varun Sivaram
Energy Impact Partners Founder Hans Kobler
Conservation Fund’s Larry Selzer and The Nature Conservancy’s Jennifer Morris.

Meet the Australian billionaire bucking Trump on climate

DAVOS, Switzerland — Australian mining executive Andrew Forrest is emerging as one of the world’s few top business leaders willing to publicly and loudly buck President Trump on climate change.

Why it matters: The broader business community is largely staying quiet in the face of Trump’s aggressive moves in a number of areas, including on clean energy.

Driving the news: Forrest is the CEO and founder of Australia-based Fortescue, one of the world’s largest mining companies.

  • “Even the most selfish political leaders know that there are boundaries to everything,” Forrest said on the main stage at the World Economic Forum, which took over Davos last week.

  • “We risk being those business and political leaders who knew of the planet’s limits, and crossed them anyway.”

The intrigue: Forrest convened three private meetings with between 20 and 50 CEOs to talk about the topic on the sidelines of the official proceedings.

  • “I’m a lone ranger here, and they’ve chosen to let me stand alone,” Forrest told Axios in an interview, when asked about other attendees.

Forrest says the fact that he’s not American gives him more latitude to speak up. He said other CEOs are largely staying the course on cleantech investments and climate — but they’re not saying that publicly.

  • “They fear retribution,” Forrest said. “That’s not the way to run a country.”

Read the full story in Axios.


What gives energy leaders pause on AI

Covering the energy demands of AI while increasingly using AI feels like a strange form of immersion therapy.

Why it matters: We’re all humans first, and only then journalists, founders, philanthropists or experts. And AI is fast reshaping how we work, think and find meaning.

Catch up fast: This is a followup to my Finish Line article on this topic. It’s taken on additional currency with Anthropic CEO Dario Amodei’s warning this week of the imminent “real danger” that super-human intelligence will cause civilization-level damage absent smart, speedy intervention.

Driving the news: I’ve begun asking interviewees to drop their talking points and answer as humans: How are you using AI, and what worries you?

“I’m certainly most scared about the loss of meaning in human life,” said Varun Sivaram, founder of startup Emerald AI. He is referring to the loss of reason to do economically useful work, which gives people initiative in life.

  • Some people may see AI as helping liberate them from their jobs, Sivaram said, instead spending their time just seeing art and music.

  • “But a lot of people don’t want only that right, right? And I really worry about that a lot for the human soul,” Sivaram said.

Reality check: Others emphasize agency over inevitability.

  • “I think what’s missing in this conversation is the idea we have agency. We get to make choices,” said Mike Schroepfer, former CTO of Meta, now a founder of cleantech venture capital firm Gigascale Capital.

  • For example, he said: he can choose not to use GPS to preserve his sense of direction.

  • “I have faith in people to make good decisions about it and figure it out as we go along,” he said.

The intrigue: Getting people to truly open up has been hard. Some retreat to safe language; others invoke children or grandchildren as a proxy for deeper unease.

Inside the room: In a live interview last fall with philanthropist Bill Gates at Caltech, he responded with humor that carried an uncomfortable truth.

  • “Someday the AI is going to say to me, ‘Hey, stop messing around trying to eradicate malaria. I’m so much smarter than you. You just go play pickleball, and I’ll get back to you.’ And I’m going to be a little disappointed, like ‘Oh geez, I’m not that good at pickleball, ‘ “ Gates told me.

Read the full article in Axios.


Nordic ski, Swiss style!

Patrick Heide Contemporary Art , As Long as it Takes On view until 7 March 2026

 
Inastallation views at Patrick Heide Contemporary Art 
On view until 7 March 2026
 
Circling graphite lines to exhaustion, floating in a cold sea, folding and throwing paper objects into space, responding to melting glaciers: within As Long as It Takes drawing originates from a body in motion. The line is created through sustained, performative actions that may unfold in front of an audience or take place without witnesses. Exhibition brings together four artists: Carali McCall (b. 1981, Canada), Jaanika Peerna (b. 1971, Estonia), Diogo Pimentão (b. 1973, Portugal), and Peter Matthews (b. 1978, UK), for whom drawing becomes a process shaped by duration while recording effort, vulnerability, and attention. The resulting works are not only images or objects, but traces of lived actions marked by movement, resistance and environmental conditions. Time is integral to these practices. The works come into being within a defined duration, yet their length is never fixed in advance. Rather than measuring or monitoring time, the artists continue to draw for as long as it takes for the internal logic of each performance to unfold.
REQUEST THE PREVIEW
 
Opening hours: Wed-Sat, 12-5 pm and by appointment
11 Church Street
NW8 8EE, London, UK
 
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Copyright © 2026 Patrick Heide Contemporary Art, All rights reserved.
Patrick Heide Contemporary Art
11 Church Street
London NW8 8EE, UK
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info@patrickheide.com

Tuesday, January 27, 2026

LewAllen Galleries Logo Opening Friday January 30, 2026, 5-7 pm

Opening Friday
January 30, 2026, 5-7 pm
 
Kendall Lane and Minol Araki

 

HERMAN MARIL: Legacy of an American Modernist 

Herman Maril, Kitchen Window, 1971, oil on canvas, 40 x 50 in
Legacy of an American Modernist, presents the paintings in oil of an artist whose works possess structural grace and intrinsic merit—quiet, composed, and "unostentatiously right." Herman Maril’s (1908 – 1986) work reveals an enchanting paradox of profound emotional resonance achieved through deceptively simple lyrical composition, affirming that grace and emotional truth are found in the clarity of form, not the complexity of detail. 
Herman Maril, Nets and Barn, 1951, oil on canvas, 19.25 x 12.25 in
Herman Maril, Music in the Studio, 1985, oil on canvas, 30 x 24 in
 

 

MINOL ARAKI: Art of the Literati

 

Minol Araki, Bird by Lotus, 1977, ink and color on paper, 18 x 26.75 in
 
Art of the Literati showcases the extraordinary brush and ink paintings of Japanese-American artist Minol Araki (1928-2010), who worked in the time-honored Chinese literati manner. Distinguished by a practice entirely independent of commercial concerns—he never sold his paintings during his lifetime—Araki's work is now recognized internationally and held in the permanent collections of over 22 important American and international museums.
 
Minol Araki, Sage on Cliff, 1977, ink and color on paper, 13.5 x 13.5 in
Minol Araki, Boy on Char, 1991, ink and color on paper, 18 x 15.25 in

 

Other Exhibitions

 

New York Abstraction
Forrest Moses

On View Through January 31st

New York Abstraction 
Carton, Christensen, Porter, Roth & Zutrau
 

Opening February 6th

Forrest Moses
The Artful Heart
 

 ©2026 LewAllen Galleries | Artwork ©Artists and the estates of the artists pictured

LewAllen Galleries
1613 Paseo de Peralta Santa Fe, NM 87501
505.988.3250
Mon - Fri  10 - 6 / Sat 10 - 5
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